<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4922409878150649467</id><updated>2012-01-15T19:13:07.110+02:00</updated><title type='text'>Robert Luongo's Blog</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>35</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-2780162635319055576</id><published>2012-01-15T19:13:00.000+02:00</published><updated>2012-01-15T19:13:07.133+02:00</updated><title type='text'>To The Place Where I Come From</title><content type='html'>&lt;br /&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;How strange it is that here in mid
January I find myself in the southern tip of Africa on a warm summer afternoon
that would almost be too hot except for a gentle breeze that moves in from
where two oceans meet, yet never cross. I had been asked by a magazine editor
in Germany about a poem I may possibly know of, something by Robert Frost. Off
hand the theme that the poem was meant to express was not something I
recognised as being within Frost’s domain, but it did cause me to pull from my
book case a volume of his complete works, &lt;i&gt;The
Poetry of Robert Frost&lt;/i&gt;, and scan through the long list of titles. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;In less than a week’s time I will
be taking a flight from Cape Town to Boston, via Paris. When I land in Boston
Logan it will be winter, proper winter, cold with snow defied by heated homes
with fireplaces burning. Like Robert Frost, I was born and raised in New
England. I recall he lived in New Hampshire, the state that borders
Massachusetts to the north. The cluster of states known as New England, shares
not only a common climate but also a similar history, as they were the early
English colonies. Apart from the city of Boston, there are the well-known towns
of Arlington, Lexington, Concord and Braintree. There is Walden Pond, which is
surprisingly small, that provided Henry David Thoreau’s setting for his famous &lt;i&gt;On&lt;/i&gt; &lt;i&gt;Walden Pond&lt;/i&gt;
and also where he worked on his treatise &lt;i&gt;Civil
Disobedience&lt;/i&gt;. Back then Thoreau was a young man and devoted to his
intellectual hero and self chosen teacher, Ralph Waldo Emerson. It seems only
natural that in my youth the generation I was part of identified with Thoreau,
while like him, I too looked up to the universal intellect of Emerson, whose
library included works from the great poet Goethe, that Emerson read in their
original German, to the Persian poet Hafiz. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;While I have not been able to
locate the poem purported to be by Robert Frost that the magazine editor asked
about, I did start to read through several of Frost’s poems that I remember
reading when still at school. Frost became a cultural icon after the Second
World War, and every English class across America studied his poems.
Furthermore, he was specifically connected to rural New England, its woodlands
and small farms that so acutely expressed an intimate understanding of a stoic
yet unpretentious ethic. If Emerson was the foremost poet and thinker of the
early American Transcendentalists, who were born into the Unitarianism of New
England in the early decades of the nineteenth century, then Frost was a voice
of an outwardly more simple folk who possessed a depth of homely wisdom that
barely managed to survive the tumult of two world wars only to then dissipate
before the rise of an unmitigated hubris that took hold of the American psyche
and would land it in the Bay of Pigs, then Vietnam; both of which went terribly
wrong. There was the proto model of Indonesia, a massive victory for
unrestrained capitalism while plunging America into a moral quagmire as it
sequestered a whole region’s vast wealth of natural resources in the name of
halting the spread of Communism. Then on to Chile and El Salvador, for which
the writing of Joan Didion is essential to see the true face of a two faced
foreign policy, and so many other places around the world where the claim was
always the same: America was going to put things right. They would halt
Communism and the spreading of its evil empire. Later, with the Cold War over
it became the miasma of global terrorism that provided yet another carte
blanche to secure needed energy resources for a rapacious society with a most
heterodox anomaly: being somehow so incredibly naive and outrageously arrogant
at the same time.&lt;u style="text-decoration: none;"&gt;&lt;span class="msoIns"&gt;&lt;ins cite="mailto:UIM" datetime="2012-01-15T00:51"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/ins&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Today, the claim of putting things right around the world seems less and
less palatable as its home situation has been exposed as far from exemplary.
The unmitigated avariciousness of its financial institutions has shocked a
people who had been lulled into consumerist complacency.&amp;nbsp; The impotency of their political leaders in
the face of supra-banking fuelled by a debt-based economy has left a country
wondering who is actually running the show. But, as they say on Broadway: ‘The
show must go on’, so its proving hard for a country that has been so enamoured
by its own myth to face the bare facts of what is happening.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;At least there is the build up to
the American presidential elections, which is always its own form of Roman
circus, so if nothing else it should provide some degree of distraction from an
otherwise tenuous at best, or otherwise immitigably perilous fiscal landscape.
Again you can see that efflorescent innocence of hope coupled with the largest
fucking military machine in the world. It has worked before, so it may work yet
again – or maybe not. For too long not only the general public but also
Congress and its sacred House of (elected) Representatives have been far too
willing not to ask how the country was kept safe and prosperous. Maybe better
not to know. But now it seems far less safe, and also nowhere&lt;u style="text-decoration: none;"&gt;&lt;span class="msoIns"&gt;&lt;ins cite="mailto:UIM" datetime="2012-01-15T00:30"&gt; &lt;/ins&gt;&lt;/span&gt;&lt;/u&gt;&lt;s style="text-decoration: none;"&gt;&lt;span class="msoDel"&gt;&lt;del cite="mailto:UIM" datetime="2012-01-15T00:30"&gt;&amp;nbsp;&lt;/del&gt;&lt;/span&gt;&lt;/s&gt;near as prosperous.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Well, I am soon to be travelling to
America. It is there more than any place else in the world that I feel most a
stranger, upon the familiar soil from which I grew. It is late now, just past
midnight on a warm summer night in January, and I have arrived at a poem by
Robert Frost that most seems to take me back to the place where I come from: &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: medium;"&gt;&lt;span style="font-size: 14.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: medium;"&gt;&lt;span style="font-size: 14.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: medium;"&gt;&lt;span style="font-size: 14.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Stopping By Woods On A Snowy
Evening&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Whose woods these are I think I
know.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;His house is in the village,
though;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;He will not see me stopping here&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;To watch his woods fill up with
snow.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;My little horse must think it queer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;To stop without a farmhouse near&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Between the woods and frozen lake&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;The darkest evening of the year.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;He gives his harness bells a shake&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;To ask if there is some mistake.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;The only other sound’s the sweep&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Of easy wind and downy flake.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;The woods are lovely, dark, and
deep,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;But I have promises to keep,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;And miles to go before I sleep,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;And miles to go before I
sleep.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Calibri;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-2780162635319055576?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/2780162635319055576/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=2780162635319055576' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/2780162635319055576'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/2780162635319055576'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2012/01/to-place-where-i-come-from.html' title='To The Place Where I Come From'/><author><name>Robert Luongo</name><uri>http://www.blogger.com/profile/16332871489004940891</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-7593326109399395454</id><published>2011-12-16T20:31:00.003+02:00</published><updated>2011-12-27T13:50:29.348+02:00</updated><title type='text'>Coriolanus - Shakespeare's Most Political Play</title><content type='html'>&lt;iframe width="420" height="315" src="http://www.youtube.com/embed/kk4SK2dtJJ4" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-7593326109399395454?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/7593326109399395454/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=7593326109399395454' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/7593326109399395454'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/7593326109399395454'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2011/12/coriolanus-shakespeares-most-political.html' title='Coriolanus - Shakespeare&apos;s Most Political Play'/><author><name>Robert Luongo</name><uri>http://www.blogger.com/profile/16332871489004940891</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/kk4SK2dtJJ4/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-8371544191862400221</id><published>2011-12-10T11:54:00.001+02:00</published><updated>2011-12-10T11:56:40.654+02:00</updated><title type='text'>The Defence Rests</title><content type='html'>&lt;br /&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;In re Ezra Pound&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;A Nation&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;That Will Not&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Get itself Into Debt&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Drives The Usurers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;To Fury&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;The above quote is from Ezra
Pound’s prose work &lt;i&gt;The Enemy Is Ignorance&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;I do not want to take up any
serious student’s valuable time with the countering of acrimonious slander, but
there are two predominant lies that are propagated about Ezra Pound, both of
which attempt to tarnish the splendour of his work and his extraordinary
genius, but most of all obfuscate the seminal theme of his lifelong effort to
expose what he identified as the most pernicious injustice that had infected
the world.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;The first accusation is that he was
a Fascist. He was not. He did support Mussolini and in particular certain of
his ‘land reform initiatives’ such as the reclamation of previously
unproductive land, the breaking-up of certain capitalist monopolies that were
crippling the economy, and also his attempt to rein in the Church’s enormous
wealth that they extracted from people who were suffering under the weight of
extreme hardship. &amp;nbsp;It can be argued that
Mussolini was something of a mountebank, as he frequently plagiarized Gabriele
D’Annunzio, who at the end of the First World War was not only a literary
legend but by then a military and political one as well. When D’Annunzio
rallied the Italian nation to help rescue ‘their sister France’ during the
First World War, Mussolini used the same words when France had been occupied by
Germany under the Nazis. It was, nevertheless, the bellicose British Prime
Minister who not only pushed Mussolini away, but into the arms of Hitler whom
Il Duce is on record as saying he could not stand. On numerous occasions Pound
very clearly expressed that Italian style Fascism was in no way suitable to the
American psyche, and therefore, to the American people, while he did see it as
beneficial to Italy at that time.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;The second thing said about him was
that he was rabidly anti-Semitic. He was not. An important note: Semitic is a
linguistic classification not a racial one, and therefore, includes all the
Arabic-speaking people of the world. It also includes any Aramaic-speaking
people, the old form of which was spoken during the time of Jesus, peace be
upon him, and is now the exclusive preserve of philologists, historians and
archaeologists.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;In Pound’s literary masterpiece,
The Cantos, the name of Rothschild is used as an allegorical personification of
usurers, those that practice &lt;i&gt;riba&lt;/i&gt;,
as it is referred to in Qur’anic Arabic, or &lt;i&gt;neschek&lt;/i&gt;
in Hebrew scripture, which appears in The Cantos explicitly as being
non-racially directed.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: large;"&gt;&lt;span style="font-size: 16pt; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: 16pt; line-height: 115%;"&gt;T&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;he Evil is
Usury, neschek&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;the serpent&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;neschek
whose name is known, the defiler,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;beyond
race and against race&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;the
defiler&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;Tόxos&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;hic mali medium est&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;In one place he refers to them as
Stinkschuld. This is a potent metaphor as &lt;i&gt;schuld&lt;/i&gt;
in German means debt, and also, interestingly, guilt. It could, of course, as
well be described as a pungent metaphor. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;There is a direct reference to
William Paterson, who founded the Bank of England in 1694. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;Said
Paterson:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;u&gt;&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;Hath benefit of interest on all&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;u&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;the moneys which it, the bank, creates out of
nothing&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;(Canto XLVI)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;This line was taken from a letter
found by Pound in the British Library and refers to the fractional reserve
system whereby a bank can legally multiply what money it has and so lend out at
interest money it does not actually have. &amp;nbsp;The ratio of tangible assets (real wealth) to
credit currency is today astronomical and virtually incalculable. Paterson was
a Scot.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;There is an inspirational prose
text by Pound called &lt;i&gt;Guide to Kulchur&lt;/i&gt;.
The dedication at the front of the book reads:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;To&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;LOUIS ZUKOFSKY&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;BASIL BUNTING&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;strugglers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;In the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;desert&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Zukofsky was a second generation protégé
of Pound and dedicated nearly all his life work as a poet to Ezra Pound.
Zukofsky was born in 1904 and died in 1978. His parents were Lithuanian Jews
who raised their family in New York’s Lower East Side. Pound helped him publish
his first poems in a literary magazine called &lt;i&gt;Exile&lt;/i&gt;.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;During WWII while Pound was living
in the fishing village of Rapallo the mayor announced that due to severe
shortages caused by the war, the town’s orchestra would have to be disbanded.
It was now 1940-41 and word of the terrible atrocities that were taking place
in Germany and Poland had made their way to outside countries. Let us remember
that even most Germans were not aware as to what was taking place. Pound literally
went door to door to find sponsors for these people, realising that nearly a
third of the orchestra were German and Polish Jews and subsequently what fate
awaited them if they were repatriated in accordance with a bi-lateral agreement
between Italy and Germany for anyone without a valid work permit. He did this
despite the fact that people, himself included, were having a very hard time
feeding their own families. Subsequently, the mayor was able to rescind his
previous edict. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Ezra Pound took as the warp and
woof of his masterwork, The Cantos, the theme of usury or &lt;i&gt;usura&lt;/i&gt; as he wrote it.&amp;nbsp; He made war on &lt;i&gt;riba&lt;/i&gt;! &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Oh you who believe, fear God&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;and give up what remains of&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;your demand for usury, if you&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;are indeed are believers.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;If you do not, take notice of War&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&amp;nbsp;from God and His
Messenger.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Qur’an: 2.275/279&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;They severely punished Pound, not
only for his condemnation of usury itself, but more significantly, for his
condemnation of those who practised it, and who have never forgotten or
forgiven him for what he wrote and spoke. He was put in a wire cage at an
American detention centre in Pisa, and then extradited to the United States on
charges of treason. He was denied the right of habeas corpus, and spent over
eleven and a half years in a mental hospital in Washington, D.C. for the
criminally insane. That is what was done to the most important poet of the
twentieth century.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Remembering what Ezra Pound wrote -
You defeat the bankers (drive them to fury) by not needing them. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;As far as Ezra Pound’s political
affiliations, he was notably a Jeffersonian. There are two salient quotes from
Jefferson found in Pound’s writing. The first is: “I believe that the banking
institutions are more dangerous to our liberties than standing armies. Already
they have raised up a moneyed aristocracy that has set government at defiance.
The issuing power should be taken from the banks and restored to the people, to
whom it properly belongs.” The second quote that Pound used was: “If the
American people ever allow private banks to control the issue of currency,
first by inflation, then deflation, the banks and corporations that will grow
up around them will deprive the people of all property until their children
wake up homeless on the continent their fathers conquered.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Philosophically Pound was a
Confucian, and his brilliant translations of the master Kung, as Pound called
him, are a testament to that. What follows is a segment from &lt;i&gt;The Great Digest&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;TA S’EU&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;“The men of old wanting to clarify
and diffuse throughout the empire that light that comes from looking straight
into the heart and then acting, first set up good government in their own
states; wanting good government in their states, they first established order
in their own families; wanting order in the home, they first disciplined
themselves; desiring self-discipline, they rectified their own hearts; and
wanting to rectify their hearts, they sought precise verbal definitions of
their inarticulate thoughts [the tones given off by the heart]; wishing to
attain precise verbal definitions, they set to extend their knowledge to the
utmost. This completion of knowledge is rooted in sorting things into organic
categories.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;As far as religion, he was adamant
about “no Popery”, while he often expressed his enormous admiration for the
architectural magnificence and beauty that expressed Christian transcendence
made manifest by the superb craftsmanship of the artisans who built
breathtaking structures, and the sublime artistry of those that painted the
frescos that adorned them. One need only walk along the pathways of Venice or
Rimini to witness what Pound so loved. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;In The Cantos Pound singled out the
theologian Johannes Scotus Erigena, condemned by Pope Honorius as a heretic, a
follower of Averroes (Ibn Rushd) who he identified as a hero, as indeed Dante
had done some centuries earlier although, according to Dante, was unable to
enter Paradise as he was not a Christian. As a defender of the Canon Law of the
Church against usury they should have canonised him and made him a saint, but
the Vatican was enmeshed in banking and remained silent while Pound remained
vilified and locked up in a madhouse. It was only Hemingway, in &lt;i&gt;A Movable Feast&lt;/i&gt;, recalling his youth in
Paris in the 1920s, who called him Saint Ezra on account of his indefatigable
efforts on behalf of the literary and artist friends he so assiduously tried to
help.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;We are today experiencing the
aftershocks of what has been called the financial crisis of 2008-2009. Lehman
Brothers, Goldman Sachs and even poor Bernie Madoff who stole 47 billion
dollars that never actually existed, have entered the public discourse in a way
that Rothschild, Sassoon and Sir Basil Zaharoff did in Pound’s era. A corrupt
and flaccid political class has been inexorably exposed, and has left people
unable to comprehend the ineluctable truth that their vaunted democratically
elected leaders are simply not in charge. Pound had believed in the vision of
men like John Adams and Thomas Jefferson, just as he celebrated the Monte dei
Paschi (Mount of Grazing Lands) established by the Arch Duke Ferdinando in 1600
as being sufficient collateral for those who needed seed money at the start of
the new growing season. The God-given abundance was in nature itself, and there
was no un-natural increase by means of interest. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Pound also saw the time of the
American Civil War (fought between 1861-1864) and the passing of the Banking
Act that immediately followed and with it the handing over of political power
to a mercantile class of profiteers, as the end of the great American
experiment. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: large;"&gt;&lt;span style="font-size: 16pt; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: 16pt; line-height: 115%;"&gt;M&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;’amour, m’amour&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;what
do I love and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;where
are you?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;That
I lost my center&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;fighting
the world.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;The
dreams clash&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;and
are shattered –&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;and
that I tried to make a paradiso&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; terrestre.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;Do
not move&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;Let
the wind speak&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;that
is paradise.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;Let
the Gods forgive what I have made&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;Let
those I love try to forgive&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;what
I have made.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;(From: Notes for CXVIII et seq.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;The defence rests its case.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;Robert Luongo &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; font-size: small;"&gt;&lt;span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt;&amp;nbsp;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-8371544191862400221?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/8371544191862400221/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=8371544191862400221' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/8371544191862400221'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/8371544191862400221'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2011/12/defence-rests.html' title='The Defence Rests'/><author><name>Robert Luongo</name><uri>http://www.blogger.com/profile/16332871489004940891</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-1441401471379744088</id><published>2011-11-30T18:50:00.002+02:00</published><updated>2011-11-30T23:03:11.693+02:00</updated><title type='text'>Dear Prime Minister</title><content type='html'>&lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span style="font-size:16.0pt;mso-bidi-font-size:11.0pt; line-height:115%"&gt;An Open Letter to Recep Tayyip Erdogan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;Dear Prime Minister Erdogan, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;It is with the greatest respect for you that I acknowledge what I perceive of the complex and dangerous minefield you must traverse on a daily basis in order to continue in your efforts to lead Turkey at this most critical moment and to steer the ship of State across threatening geopolitical currents. It is, therefore, in apprehension of the treacherous reefs that your rivals and opponents long to see you founder upon, that I venture firstly to convey my sincere hope for your continued safety, and also, if you will excuse my forwardness, volunteer myself to you as a marker buoy for certain dangers that lie in wait for you. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;Before going further, I must mention that I first visited Turkey in 1996 as part of a delegation that came to attend a conference in Istanbul, and was, in fact, your guest at a dinner given by you as Mayor of that most noble and beautiful city. Unfortunately, I did not get the opportunity on that memorable occasion to thank you personally for your generous hospitality. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;It was during this visit that Shaykh Dr. Abdalqadir as-Sufi presented the Islamic Gold Dinar and Silver Dirham to the recently deceased Dr. Necmettin Erbakan, the newly elected Prime Minister of Turkey. I had the opportunity to visit again the following year and recall doing a live radio interview on a student-run station. In 1996 Shaykh Dr. Abdalqadir had numerous invitations to speak and of all the places offered, he chose Bosphorus University, acknowledged at the time as the most prestigious secular university in the country. Shaykh Abdalqadir presented a major paper, subsequently published under the title of &lt;i&gt;The Return of The Khalifate&lt;/i&gt;. The result of his discourse was thunderous applause and excitement as young men and women rushed forward to meet and greet the Shaykh. A series of smaller gatherings took place and, as mentioned, a second visit was made the following year. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;I hope you will permit me, respectfully, to make one or two observations regarding the late Dr. Erbakan, whose dignified, gentlemanly and urbane demeanour exemplified the innate courtesy of the Turkish people. The difficulties he experienced in forming a majority government are, I am sure, better known to you than to me. A coalition had to be formed and it was to Tansu Çiller that he turned. She had, as you know, two options open to her. The first was to face criminal charges of fraud, which according to Turkish law she could not be prosecuted for if in office, or to team up with a declared political enemy. History has recorded that she chose the latter. It was a sensible move by her and a politically strategic one by Dr. Erbakan. Nevertheless, she wasted not one minute in sowing the seeds of discord within the Turkish Administration. Whilst reiterating that you will know far more of the Machiavellian intrigues and machinations that ensued, I find the first two official State visits that the new Prime Minister made worthy of some attention.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;The Prime Minister went to Iran, a country that was already fixed within the crosshairs of the Pentagon. It is common knowledge that Iran is run by a cadre of Shias, and it is not disputed that the Shias split off as a faction from the body politic (Ummah) of the Muslims many centuries ago. The etymological root of the Arabic word &lt;i&gt;shi’ah&lt;/i&gt;, which they adopted as a name for themselves, indicates &lt;i&gt;that which splits away&lt;/i&gt;. Their religion openly slanders the noble Companions of the Prophet, as well as his wife Aisha and declares as non-believers numerous people that were promised the Garden in the Hereafter, either in Qur’an or on the tongue of the blessed Messenger. It also sanctions the practice of &lt;i&gt;taqi’a&lt;/i&gt;, permitting them to resort to dissemblance and concealment of their true beliefs and motives whenever it suits them to do so. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;Then there are the Ismailis, an even more radical sect within the Shia religion, who established suicide assassination as a tactic to be seen not only valid, but laudable. Any form of suicide is against the teaching of Islam, not to mention the killing of innocent victims who are written off as collateral damage. It is of the utmost importance that the most knowledgeable specialists upon whom you rely to inform your position on these matters provide you with the means to take up a clear and unequivocal stance on this. Of course, Iran is your neighbour, possibly a valuable trading partner, and therefore, a détente must be maintained to secure a safe border with them.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;It is now fifteen years on since the late Dr. Erbakan made that visit. What was he thinking? What did he imagine the response of the Turkish military and his other enemies within the country would be? Lacking the advantage of your proximity to the circumstances, certainly the wisdom of hindsight persuades me that it was a fatal lack of political acumen that allowed Dr. Erbakan to choose that destination as one of his first official tours. Iran is still under the aim of the Pentagon for a possible military strike, but given that the US is presently embroiled in two unwinnable wars, and that Iran has gained ascendancy as the major power broker in nearly all Mid-Eastern affairs, it is my view that the US is prepared, despite Israel’s protestations, to jump into bed with Iran as a temporary strategic convenience. Please sir, do not get caught between them, because that is precisely what is now being asked of you! &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;The second country he visited was Libya, a profitable ‘petrol station’ that was of considerable value to BP and certain American oil companies, run by a man I am convinced was clinically mad (although I am not a qualified psychiatrist). There was all the vitriolic rhetoric between Libya and the US during the Reagan years, but, as I was informed by reliable sources, business between the two countries was at its all time best. As you know, recent events have resulted in the disgraceful murder of Colonel Gaddafi, backed by a pro democracy contingent that was funded by the very same people who had allowed him to remain in power for over forty years. Once more, sir, please do not be drawn into the maelstrom of a hostile corporate takeover of a country’s oil wealth masked as part of a fantasy that was first launched on Facebook as ‘The Arab Spring’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;From my relatively distant perspective, the choice of these two countries by Dr. Erbakan suggests a lack of understanding of the political arena into which he had entered. When the military threatened to roll tanks through the streets he, being a man of honour and one with true concern for the welfare of the Turkish people, stepped aside. If only Osama Bin Laden had followed this example of how a true Muslim leader behaves - instead of choosing to remain in Afghanistan when it was clear that his presence there would rain down death and destruction upon the brave people of that country.   &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;Leaving the past and what mistakes were made, it is of the utmost exigency that you have a clear view of the political terrain that is open before you. Syria is a quagmire, with its citizens being slaughtered by the Assad regime, as they, like lemmings, are going to their deaths. What do they want? Do they want to be Greece? Similar to the situation with Iran Turkey is being asked to serve as a broker on behalf of those countries that have a geopolitical interest in the region. Egypt has gone from bad to worse, as now it is reported that the military, called in to maintain calm while the new democratic government has time to organise, is proving more brutal than under Mubarak. You must know that after Israel, Egypt receives more US aid than any other country. So who kept a rabid dog in power and made him rich? The same ones that funded the ‘spontaneous revolution’ to usher in a new era of democracy. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;From Nasser to Sadat to Mubarak; each one worse than the one they succeeded. And all the while who has been lurking in the background, pretending to be this secret organisation - that everyone knows about, including who its leaders are? Of course, I refer to the Ikhwan al-Muslimeen. In all the years of their recreant existence what have they ever accomplished but shameful defeat and the sending of misguided young men to their graves? Meanwhile, their leadership have occupied lucrative government positions in the countries they secretly denounce as kafir. Where are they? Egypt, Jordan, the oil-rich Gulf States and Turkey!  When you trace their antecedents you arrive at the door of Muhammad Abduh, the late nineteenth century founder of Islamic Modernism in Egypt, who, despite his vituperative railing against British imperialism was, according to Lord Cromer, referred to as ‘our friend Abduh’ and ‘most likely an agnostic’ who would help put in place all of the pro British initiatives, including a fatwa to allow the Post Office Bank, with its ‘moderate’ interest rates, to operate in Egypt. After him came Rashid Rida and the disasters of the 20&lt;sup&gt;th&lt;/sup&gt; century that opened the way for the Ikhwan. Weed them out of Turkey! Be sure to get to the roots and not just the stems.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;Before proceeding further, I must reiterate my high regard for you and the assiduousness you have applied to the task before you. Being at the forefront of your country’s undoubted political progress, and importantly her commercial vigour, you have genuinely helped your people and consequently expanded your support base. Whether Turkey is admitted into the EU or not (you are more aware of that than I), what has been most telling is your indefatigable resolve to bring Turkish goods to the world marketplace. A leader that actually helps his own people: what an anomaly in today’s political environment! &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;Equally commendable has been your consummate handling of the hard-core nationalists who have persisted in maintaining an acrimonious attitude towards the Kurdish people within Turkey. You have opened a direct dialogue with them. You have permitted the use of Kurdish in local political affairs, allowed it to be taught in schools and used on regional radio stations. They are a minority with a distinct culture and language that are part of Turkey. Most significantly they are Muslim people, brothers and sisters in Islam. A weapon against you and your government has been taken away from your enemies in Europe and at home.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;Please permit me to speak of friendship. One must chose one’s friends carefully. The last Shah of Iran sat at the family dining room table in the White House of five consecutive American presidents. I do not refer to State dinners but family meals. The Shah and his wife were on intimate terms with those presidents and their families. When the writing was on the wall, and it was clear that the Shah would fall, not one of them would take his calls. He flew around and around in his private luxury jet running out of fuel with no one allowing him to land. The decision was that it would be imprudent to be seen backing a loser, and better to come to some form of amenable terms with the ‘fellow in the turban’ who was being flown in from Paris. Now, that’s how they treat their friends! Let me also turn to the case of Ferdinand Marcos of the Philippines, a staunch anti-communist and recipient of lavish amounts of US aid that he and his wife lavishly spent on themselves. When it was obvious that he would not last the latest uprising and that a newly elected democratic leader, Corazon Aquino, would be president, his friends deserted him. Basta! As they say in Italian.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;The last matter I want to raise with you is that of finance. At the moment Turkey is running on a high. Ten years ago Ireland had the fastest growing economy in Europe and Dublin was a boomtown with a bonanza of new money pouring in. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-size:11.0pt; line-height:115%"&gt;A Nation&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-size:11.0pt; line-height:115%"&gt;That Will Not&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-size:11.0pt; line-height:115%"&gt;Get itself Into Debt&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-size:11.0pt; line-height:115%"&gt;Drives The Usurers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-size:11.0pt; line-height:115%"&gt;To Fury&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;The above quote is by Ezra Pound from his prose work &lt;i&gt;The Enemy Is Ignorance&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;Ezra Pound took as the warp and woof of his masterwork, The Cantos, the theme of usury or &lt;i&gt;usura&lt;/i&gt; as he wrote it.  He made war on &lt;i&gt;riba&lt;/i&gt;! They severely punished him for it and have never forgotten or forgiven him for what he wrote and spoke. He was put in a wire cage at an American detention centre in Pisa, and then extradited to the United States on charges of treason. He was denied the right of habeas corpus, and spent over eleven and a half years in a mental hospital in Washington, D.C. for the criminally insane. That is what was done to the most important English speaking poet of the twentieth century.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;Returning to the twenty-first century you must be fully aware of the generous line of credit being offered to Turkey. Your economy we are told is one of the few that is growing and doing well. Think of this line of credit as a rope. There is an anecdote taken directly from a chronicler during the time of Louis XV of France: “And we saw the King walking in the garden with his Jew...” “The bank supports the State like the rope supports a hanging man”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;The banks are not defeated by attacking them. Berlusconi refused to sign the austerity measures bill demanded by the banks to ‘restore confidence in Italy’s finances’.  Overnight he was gone. He has been replaced by Mario Monti, the previous Minister of Economy and Finance. He is openly a member of the Bilderberg Group as well as chairman of the Trilateral Commission, the influential think-tank founded in 1973 by David Rockefeller. He has also been a key advisor to Goldman Sachs. Italians were seen dancing in the streets after Berlusconi was forced to step down, as people shouted “clown, clown, clown”. We will hear a different chant when Monti signs the austerity bill, which he will; he is a banker.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;In 1965 a recalcitrant Achmed Sukarno had the temerity to throw the IMF and World Bank out of Indonesia. In 1966 a CIA backed initiative was put into motion to overthrow him and place General Suharto in power. All of Indonesia’s vast natural resources were handed to US, UK and Australian multi-nationals, the IMF were welcomed back, and Suharto undertook the task, under the cover of being anti-communist, of carrying out the worst cases of torture and genocide against his own people. The US and others simply looked the other way.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;I remind you again of what Ezra Pound wrote. You defeat them (drive them to fury) by not needing them. Your customary politeness and cordiality is a shield. Courtesy was the hallmark of the best of mankind. And he, God bless him and cover him with peace, also said, “Strategy is part of warfare”. The astonishing advances you have made so far for your people were not accomplished in a day, and lately we have seen how much can be destroyed overnight. However, a great opportunity awaits you and the Turkish people, and as Pound also said, quoting Confucius: Make It New!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;I thank you very much for your valuable time, and pray for your continued success and safety - for you and all of the people of Turkey. Certainly, we must want this for all people around the world in need of the good news - as well as the warning. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt; mso-bidi-font-size:11.0pt;line-height:115%"&gt;Yours truly,  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:72.0pt;text-indent:36.0pt"&gt;&lt;span&gt;&lt;span style="font-size:12.0pt;mso-bidi-font-size:11.0pt; line-height:115%"&gt;  Robert Luongo&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-1441401471379744088?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/1441401471379744088/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=1441401471379744088' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/1441401471379744088'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/1441401471379744088'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2011/11/dear-prime-minister.html' title='Dear Prime Minister'/><author><name>Robert Luongo</name><uri>http://www.blogger.com/profile/16332871489004940891</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-468878465173653866</id><published>2011-11-08T17:26:00.001+02:00</published><updated>2011-11-08T17:28:38.659+02:00</updated><title type='text'>Pre-Graduation Day</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;There is the need to record an event, to put down in words, so as not to forget something, something of importance. From it may very well come an understanding, even if much later, within which one can find benefit. Homer had such a need and we are grateful to him for it. We have The Iliad and The Odyssey.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;There was firstly Homer’s narrative poem; to which my approach was then deepened through The Cantos of Ezra Pound; and more recently Odysseus (or Ulysses as he was known to the Romans) makes a guest appearance in Shakespeare, whose political plays are the theme of the subject I teach at a college in South Africa. Presently I am reading a fascinating study by Barbara Reynolds of the Italian poet, political thinker and the man, Dante, who lived from 1469-1527; and who should show up in her book but the celebrated Greek general, who served under King Agamemnon, and not without trepidation and intense daring managed to survive a terrible war, and after a long and arduous journey finally makes his way home to his wife, Penelope, their son and an ageing father. When he arrived he found his homestead in Ithaca infested by property developers, speculators and bankers, all wanting to convert his land into a housing estate. As the potential for profit was enormous they had been besieging his wife day and night, all the while feasting on her husband’s food and drinking his wine, in hopes of their imminent gain if she would simply sign the papers and seal the deal. By all accounts Odysseus was presumed to have perished, dead, either in battle or upon his return journey. It would simply be better all around if she sold.      &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;There is not a general consensus as to the inherent character of the 13&lt;sup&gt;th&lt;/sup&gt; century BC mythical figure, for some have portrayed him as a cunning Machiavellian who drove his men not only in war, but also into dangerous detours, exploiting their desire for both fame and riches, while others have depicted him far more favourably and heroically.  It is worthy of note that he and his son Telemachus unsheathed their swords against those that were intent on obtaining his property, killing them all, except for those that managed to escape with their tails curled between their legs: a fair warning to modern day bankers and speculators. It seems certain that I’ll never be a ‘proper’ academic, maintaining that detached and distinguished objectivity. Not, of course, that they ever forget who signs their pay cheques. Academia operates by corporate sponsorship, which along with major banks and financial institutions are the largest contributors to the arts and sciences within both private and state universities.   &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;This past Thursday was the last day of formal classes at Dallas College, and we were all honoured that the founder, Dr. Dallas, whose name the college bears (also known to all of us as Shaykh Dr. Abdalqadir as-Sufi) came and delivered an address to the students and faculty. A third year student, who is &lt;i&gt;hafiz&lt;/i&gt; of Qur’an, recited the first part of Al-Baqara to begin the morning programme.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt; Dallas College, established in 2005, was created to produce future leaders - as well as those capable of recognising such men, pledging their allegiance and serving them by whatever means and expertise they have obtained.  It was said to me a short time ago by our Chancellor, who is not only a prominent attorney from Johannesburg but most importantly an indefatigable supporter of the college: “Not all of our graduates will become leaders, but none of them will ever be led astray”. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;The central theme of Dr. Dallas’s address was the study of history as a means of making sense of the time in which one is living. He made mention of Sir Roland Syme’s magisterial work: &lt;i&gt;The Roman Revolution&lt;/i&gt;, and also Thucydides’s classic: &lt;i&gt;The Peloponnesian War.&lt;/i&gt; Speaking directly to the students, all of whom are in their late teens and early twenties, he spoke about what lies ahead in a world that is rapidly changing and with it new challenges that await them.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt; Dr. Dallas made mention of a recently aired television docudrama on the Second World War. It was mostly comprised of black and white footage from the 1930s, ‘40s and early ‘50s, all of which had been converted into technicolour and had added a dramatic and “rather vulgar” sound track. The effect was that history had been repackaged like a Hollywood movie and presented in a manner in which an ideological overview was superimposed upon what were the “undeniably terrible events” of a war and the unconscionable things that occurred during it.  From this I understood that the message being impressed upon the viewers was that one and only one choice remains for peace and prosperity in the world. It is marketed as the freedom of democracy.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;He then spoke of human anxieties, like that of the safety of one’s family, the quality of education for our children, or the crime rate in the places we live, but also included the unavoidable anxiety of, for example, the impending financial crisis in Greece, with a referendum passed into law by politicians that the people adamantly reject, and similar such cases in Spain, Portugal and Britain, all of which have seen thousands of angry protesters in the streets of their major cities. Breaking news from around the world crashes in, even in this most southern tip of Africa, and you are made to feel helpless. Although not directly stated by Dr. Dallas, what I understood is that we are repeatedly told on a daily basis that more credit is the only solution to stimulate a flagging world economy, which the banks are willing to provide, obviously tied to strict austerity measures to assure the minimal expenditure on unprofitable social welfare programmes, while concentrating instead on programmes aimed at sustainable debt repayment. Democratically elected governments will assure that their debtor citizenry will pay. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;Another example was provided to the gathering that on face value was rather humorous, but upon closer examination, if reflected upon, something serious.  He spoke of a man who suffered from a delusion that he was a grain of wheat. After a period of intensive psychotherapy the patient was cured, as he now knew he was not a grain of wheat but a man, and was released from hospital. It was only a day later that the very same man came banging on the hospital doors demanding to be let in. When the doctors opened the doors for him they could only exclaim that he had been cured, that he knew he was not a grain of wheat but a man! He replied, “Yes, but do the chickens know?” There is a shared perception of what ‘reality’ is, and it is broadcast to all of us via Internet, TV, film, cinema and printed media. I could grasp that not only must one understand and decode the nature of events, that more often than not function as smokescreens that obfuscate rather than clarify what is taking place, but also the need to recognise the contextualised world view in which others are led to believe in them.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;Dr. Dallas brought his most inspiring talk to a close, as he submitted the entire matter to what is the Truth, and in so doing specifically referred to &lt;i&gt;Tawhid&lt;/i&gt; (the Oneness of Existence) and that all power belongs to Allah. Then admitting that his Latin was no longer what it once was, he deferred to our Vice-Chancellor, Dr. Azzali, a scholar in Medieval History who graduated from the University of Parma, and also our lecturer in Roman History, for confirmation of a word in that ancient language. Dr. Dallas had, in fact, got it right. We ended with everyone reciting Al-Fatiha.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;The morning’s event finished with coffee and cakes, with the Vice-Chancellor and the third year graduates having the special privilege of sitting with the Shaykh.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;The final examinations will be starting shortly. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;Everything moves on. The academic year has been a success and, moreover, as well as being included in this most auspicious college for the past seven years, I have been most fortunate that what I embarked upon in the summer of 1970 when I first met this unique man of his time, has been a most remarkable journey: truly an odyssey! What is of the utmost of importance is to see that the Shaykh is a guide, he indicates the way, which he also embodies. Nevertheless, he has never allowed anyone to make this affair about him. About this he is most adamant. And what has he personally said to me? “Follow him [the Messenger] / so that hopefully you will be guided,” (Al-A’raf).  Dr. Dallas turned 81 this past autumn while I am nineteen years younger.  I do think it a fair assessment that I am no longer young, although in no way do I concede to being old. After ten years in Cape Town, it is quite probable that he will return to Europe. For myself, I have been here going on eleven years, far longer than I had ever thought I would be. Nevertheless, the college remains based in Cape Town, and while I could, of course, be replaced, for now my work is here. Therefore, this year is also a kind of graduation for me. It has taken me a terribly long time, but having been shown a way must now embark on another kind of journey.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;Odysseus lived to a ripe old age. He planted his oar on a hillside overlooking the sea. Such extraordinary times!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span  &gt;&lt;span style="font-size:11.0pt; line-height:115%"&gt;&lt;o:p&gt;----------------- &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 15px; line-height: 17px; "&gt;Robert Luongo’s new book: &lt;/span&gt;&lt;i style="font-family: Calibri; font-size: 15px; line-height: 17px; "&gt;The Power Template: Shakespeare’s Political Plays&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 15px; line-height: 17px; "&gt; is available in paperback through Amazon.com, Amazon.co.uk and also from Kindle Direct as an ebook. You can also visit: &lt;/span&gt;&lt;a href="http://www.thepowertemplate.com" style="font-family: Calibri; font-size: 15px; line-height: 17px; "&gt;www.thepowertemplate.com&lt;/a&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-468878465173653866?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/468878465173653866/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=468878465173653866' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/468878465173653866'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/468878465173653866'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2011/11/pre-graduation-day.html' title='Pre-Graduation Day'/><author><name>Robert Luongo</name><uri>http://www.blogger.com/profile/16332871489004940891</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-7199099494405362317</id><published>2011-10-28T09:57:00.000+02:00</published><updated>2011-10-28T09:59:54.389+02:00</updated><title type='text'>A Precise Terminology</title><content type='html'>&lt;div class=WordSection1&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;He taught Adam the names of all things.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Then He arrayed them before the angels and said,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&amp;#8216;Tell Me the names of these if you are telling the truth.&amp;#8217;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;They said, &amp;#8216;Glory be to You! We have no knowledge &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Except what You have taught us.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;You are the All-Knowing All-Wise.&amp;#8217;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;The above quoted lines are from uncreated Word of Allah, from His Book, of which there are copies, at first written down by scribes and in latter times, till the present, in printed editions. From these copies, which are referred to as mus&amp;#8217;hafs, literally &amp;#8216;copies&amp;#8217;, there have been numerous renderings of its meanings into a great many languages, with the majority of scholars being exceedingly careful not to refer to them as translations, per se.  Already we are acutely aware of the essential importance of having a precise understanding of the meaning of words, thereby to say exactly what it is we mean to say. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;It must be clear that I am in no manner a qualified authority on that Book, or its meanings. I have neither access to it in the original language, nor am I learned in its meanings and interpretations, except from what little I have understood through those scholars who have acquired that well defined science, passed down from generation to generation. Again, I read the line: &amp;#8220;He taught Adam the names of all things.&amp;#8221; It is upon the men of knowledge, both past and present&lt;span style='color:red'&gt;,&lt;/span&gt; that I rely to gain a correct understanding, and in so doing, not make a mistake, or say something of which I have no knowledge. &lt;span lang=EN-US&gt;Therefore, as someone for whom the use of language and obtaining a precise terminology is of the utmost importance; finding &lt;i&gt;le mot juste&lt;/i&gt;, whether in attempting to convey an understanding of an idea, a deep inner emotion, a command or prohibition, or an insight required to plumb the depth of a particular meaning; great care is required.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;He taught Adam the names of all things. To know the name of something is to connect it to its meaning. Getting it right or getting it wrong makes all the difference. We are living in a time in which men have, to a great extent, lost that &lt;i&gt;Adamic&lt;/i&gt; knowledge, the meanings of the names of things. We could, for example, identify the word &lt;i&gt;money&lt;/i&gt;. What is it and what do people understand it to be: a value, a medium of exchange by which goods and services are exchanged? Yet&lt;span style='color:red'&gt;,&lt;/span&gt; the whole world has had a terrible shock as it became abundantly clear that what people understood to be a value&lt;span style='color:red'&gt;,&lt;/span&gt; was in fact a credit, created &lt;i&gt;ex nihilo&lt;/i&gt;, a debt, that was traded and exchanged across the world through a mysterious medium, an Exchange Rate Mechanism (ERM), via computer terminals by an elite but seemingly innocuous group of people, as well as the more quotidian use of &lt;i&gt;money&lt;/i&gt; as a medium of exchange, that has been revealed to be devoid of value. Subsequently, all those things to which we&lt;span style='color:red'&gt; &lt;/span&gt;refer by their names, property quite possibly being one of the most important, and one could say most valuable, lost its value. Just like that! Truly, this is most astounding! &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;As a small stream, like the many I can recall from the woodlands of my native New England, that through a myriad of twists and turns finds its way to a mighty river (the Merrimack comes to mind), that is itself being pulled into the great Atlantic Ocean, I find myself drawn again to what I have understood from the study of the writings of Ezra Pound. In addition to his magnum opus, the Cantos, there are his prose essays and expositions and also his immensely important translations of the major works of Confucius: &lt;i&gt;The Great Digest&lt;/i&gt; or Ta Hio, &lt;i&gt;The Unwobbling Pivot&lt;/i&gt; or Chung-Yung and lastly &lt;i&gt;The Analects&lt;/i&gt;, comparatively less orderly in their sequence, yet believed by his students to be indispensable. I have tenaciously tried to hold to the proper name of the ancient sage as Kung-futz-æ. Pound settled upon the more intimate&lt;span style='color:red'&gt;,&lt;/span&gt; yet respectful&lt;span style='color:red'&gt;,&lt;/span&gt; name of Kung &lt;span style='color:red'&gt;- &lt;/span&gt;acknowledging that both Master and Kung are synonyms. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;What follows is Pound&amp;#8217;s translation from ancient Chinese into a down to earth colloquial vernacular that you might still hear in more rural parts of the American Midwest. It should be noted that trained sinologists have often taken exception to Pound&amp;#8217;s translations that he made using a basic Chinese-English dictionary, along with a sheaf of notes bequeathed to him by a scholar by the name of Ernest Fenollosa&lt;span style='color:red'&gt;,&lt;/span&gt; who had spent a lifetime in Japan studying the ideograms, and whom Pound had never met. Pound was ecstatic when the scholar&amp;#8217;s widow approached him and handed over the notes with no more explanation than that her husband wanted the poet to have them. The basic complaint is that Ezra &amp;#8216;made numerous mistakes&amp;#8217;. This is, of course, entirely possible; though having read each of the books I am convinced he never got a meaning wrong, as each one is sound and rings true. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;Tze Lu: The lord Wei is waiting for you to form a government, what are you going to do first?&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;Kung: Settle the names (determine a precise terminology).&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;Tze Lu: How&amp;#8217;s this, your divagating, why fix&amp;#8217;em?&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;Kung: You bumpkin! Sprout! When a proper man don&amp;#8217;t know a thing, he shows some reserve.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;If words, (terminology) are not (is not) precise, they cannot be followed out,&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;or completed in action according to specifications.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;The very next Confucian principle is: &amp;#8216;The creation of a just state must be established on a just means of exchange&amp;#8217;. The Qur&amp;#8217;anic model is much more refined and clearly defined, as it transcends to a yet higher knowledge to which mankind can aspire&lt;span style='color:red'&gt;;&lt;/span&gt; although it is agreed upon by the people of knowledge that it only arrives as a gift.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt; Properly speaking, there is no such thing as an Islamic politics, but rather there is an Islamic economic model. That model is called dawlat, and is directly related to the movement of wealth from the highest segment of society to reach and nourish the lowest. The primary means by which this occurs is the taking of Zakat by the authority of a leader, paid on substances or merchandise of intrinsic value&lt;span style='color:red'&gt;,&lt;/span&gt; in substances of equally intrinsic value, and immediately distributed to those who qualify to receive it by the clear rulings relating to it. None of which, I might add, pertain to the maintenance of a bureaucratic system whose main objective is to pay itself. It is to the body politic what the circulatory system is to the human body. Governance and, therefore, leadership devolves on the one who undertakes to ensure that that takes place. The modern fiscal state, which by its very structure is static and consolidates and holds wealth, although as was pointed out earlier does in no way have control over it, is diametrically opposed to dawlat. Consequently, an Islamic State is inimical to Islam. The name, in its most profound &lt;i&gt;Adamic&lt;/i&gt; sense has been separated from its meaning. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;In Dante&amp;#8217;s Paradiso he presents in a most spectacular manner a line from the Book of Wisdom spoken by Solomon, where the souls of Heaven spell it out in a pattern of lights: &lt;i&gt;Diligite iustitiam qui iudicatis terram. &lt;/i&gt;While the &lt;i&gt;Commedia&lt;/i&gt; as a whole was written by Dante in a new vernacular prose, he would revert to the use of Latin for such an important line. Literally it would read: &amp;#8220;You who govern the earth, cherish justice&amp;#8221;, while most translations into English reverse the order: &lt;span style='color:red'&gt;&amp;#8220;&lt;/span&gt;Cherish Justice, oh you who govern (or make judgements) upon the earth.&lt;span style='color:red'&gt;&amp;#8221;&lt;/span&gt; The verb cherish is in the &lt;i&gt;imperative&lt;/i&gt;, a form of the verb that corresponds to the &lt;i&gt;simple present subjunctive&lt;span style='color:red'&gt;,&lt;/span&gt;&lt;/i&gt; that expresses a command. The thing named, which is the object of the sentence, and is of the utmost significance, is clearly &lt;i&gt;Justice&lt;/i&gt;. Dante sided with Imperial power as the upholders of justice and therefore more closely aligned with what he understood to be the Divine command, as opposed to the Papacy, to&lt;span style='color:red'&gt; &lt;/span&gt;which he took exception. Needless to say, this did not make him popular with the Pope. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;The role of leadership is to establish and maintain justice alongside the imperatives of worship, without which man&amp;#8217;s raison d&amp;#8217;être cannot be fulfilled. Together they form a single whole. Therefore, a proper man calls things by their proper names - paraphrased from Pound but connecting back to the Original Source: He taught Adam the names of all things.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;This circumnavigation from the opening&amp;nbsp;&lt;i&gt;ayat&lt;/i&gt;&amp;nbsp;pertaining to &amp;#8216;the names&amp;#8217; and then returning to it, could benefit from another source that guided Pound in his Odyssey. It was the far lesser known monetary historian, Alexander Del Mar, who wrote several books, one of which was&amp;nbsp;&lt;i&gt;The History of Money&lt;/i&gt;. In it he directed Pound to Imams Shafi&amp;#8217;i and Ibn Hanbal who explained the means of weights and measures by which gold and silver were used as a medium of exchange. The key point is that of weight, as&lt;span style='color:red'&gt; &lt;/span&gt;opposed to bits of paper with larger or smaller numbers written on them, or of electronic impulses on computer screens, that determine their value. This brings us to the opening lines of Canto XCVII:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;Malik &amp;amp; Edward struck coins with a sword,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;&amp;#8220;Emir el Moumenin&amp;#8221; (Systems p.134)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;six and a half to one, or the sword of the Prophet,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;Silver being in the hands of the people.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;Referring to Carroll F. Terrell&amp;#8217;s monumental&amp;nbsp;&lt;i&gt;A Companion to The Cantos&lt;/i&gt;&amp;nbsp;we are informed that in A.D. 692 the Emir Abd-el-Malik&amp;nbsp;&lt;i&gt;[sic]&lt;/i&gt;&amp;nbsp;sought to assert his independence from Rome. He struck gold dinars and silver dirhams according to the practice established by the Prophet Muhammad, may God bless him and grant him peace, which adjusted the (unjust) disparity determined by Rome between the inflated value of gold that was only in the hands of the super rich, and that of silver, commonly held by ordinary folks. This meant that immediately, by the use of Muslim currency, the money in your pocket was worth more. This not only brought Islamic coins into Eastern Europe, but also Islam itself&lt;span style='color:red'&gt; &lt;/span&gt;as a religion preferred by many people of the region.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;The two &amp;#8216;names&amp;#8217;, in the manner in which Adam was first taught all the names, would then be&amp;nbsp;&lt;i&gt;money&amp;nbsp;&lt;/i&gt;and&amp;nbsp;&lt;i&gt;justice&lt;/i&gt;. He taught Adam the names of all things. Now look at the time in which we live, where money has no real value, justice is left in the hands of a corrupt political class, and Islam, once a balm to not only the East but also the West, has become &lt;/span&gt;&lt;span style='font-size:10.0pt;line-height:115%'&gt;characterised&lt;/span&gt;&lt;span lang=EN-US&gt; as the bane. But that is about to change, as the disgraced jihadists and islamists are receding into the holes they crawled out of, and a new era is opening.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;There is a link to &lt;b&gt;The Power Template &amp;#8211; Shakespeare&amp;#8217;s Political Plays&lt;/b&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;Dallas College Press, 2011, by Robert Luongo&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;Or visit www.thepowertemplate.com&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-7199099494405362317?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/7199099494405362317/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=7199099494405362317' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/7199099494405362317'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/7199099494405362317'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2011/10/precise-terminology_5978.html' title='A Precise Terminology'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-938066681374242329</id><published>2011-10-03T15:59:00.000+02:00</published><updated>2011-10-03T16:00:09.099+02:00</updated><title type='text'>Your Best Shot</title><content type='html'>&lt;div class=WordSection1&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;If what you perceive is that you have but one remaining shot you had better make it count, I mean, aim well and hope like hell you hit your target. Therefore, you would do better to hope to heaven that you succeed.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;It seems that starting locally, in my case, from the place where I am living, is most apropos, and then one can widen the field to a more global range.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;The South African Police Commissioner Bheki Cele, ubiquitously referred to as the country&amp;#8217;s &amp;#8216;top cop&amp;#8217; has been served notification that he is suspended of all duties due to his role in a corruption scheme that involved the construction of new police stations for more than treble the other tendered quotes, and furthermore, were awarded to a close friend and financial supporter of both the police commissioner and the head of the ANC and South Africa&amp;#8217;s president, Jacob Zuma. Nevertheless, the suspension has been approved by the nation&amp;#8217;s president, who has made a statement that Cele remaining at his post undermines the credibility of the South African police force, and subsequently he has to go. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;This was obviously a difficult decision for President Zuma, as he and Cele, long-time ANC cohorts, go way back. A bit more interesting, as corruption in government isn&amp;#8217;t a particularly novel occurrence, is that the previous police commissioner, Jackie Selebi, was convicted in 2008 of corruption for his taking monies from his associate and personal friend, the Mafioso Glenn Agliotti, who was accused and later acquitted of the murder of South African mining magnate Brett Kebble, multi-millionaire and recognised &amp;#8216;Don&amp;#8217; of the country&amp;#8217;s underworld where lucrative contracts were traded like poker chips at a casino, while the more serious charge against Commissioner Selebi of perverting the course of justice was, &lt;i&gt;upon advisement&lt;/i&gt;, dropped by the high-court judge. Agliotti got a walk and Selebi is still out on bail, while the country&amp;#8217;s legal experts confirm that the conviction will stand and his appeal will fail, it remains doubtful if he will ever serve any time in jail. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;All this could be attributed to what the industrialised North say is endemic within the African continent, except that Selebi was also the Interpol President from 2004-2008, and therefore, an astute and quick footed player within the global field where corruption in Africa is still in the minor league compared to, for example, the American major league where the corruption of a city&amp;#8217;s chief of police on up to the State Governor and Attorney General has been riddled with cronyism, kick-backs and payoffs&amp;nbsp; that are an intrinsic part of that nation&amp;#8217;s colourful history. As was pointed out to me by one of South Africa&amp;#8217;s more notorious defence attorneys, that at least when you pass money to a South African government official you do get value for your dollar, or rand as it happens to be. In the so-called advanced countries such as those in Europe or in the US you pay and get nothing in return: &amp;#8220;now that&amp;#8217;s corruption&amp;#8221;. Of course, there is another level of corruption that makes nonsense of the low level venal malfeasance found within South Africa&amp;#8217;s police force and criminal justice system. It is one that operates openly and with total impunity, which is that of the entire political class: all those elected and appointed officials from councilmen to senators, legislators, ministers and parliamentarians and up (or down) to Heads of State, who in no manner whatsoever answer to their electorate, who are, ironically, for the most part, irrelevant to the entire democratic process. The worldwide political class answer instead to an in-back, un-elected elite that can bankrupt a country on Monday and receive an enormous bailout package on Tuesday, paid for by that very same passive electorate that can be found from Paris to Pretoria. We have reached endgame, but the all-important question does remain. How can there be any manner of equity and justice within a system where the very survival of elected officials is dependant upon the funds they receive from those special interest groups that have stipulated the deregulation of banking and fiscal practices, removing, in the process, any form of ethics that could otherwise encumber the free movement of market forces. There has been a fair amount of clamouring about banking reforms and new regulatory bodies to oversee the workings of the financial sector, but with all important elections coming up in both Europe and the US, and the staggering sums needed to mount a successful campaign, it would not be at all surprising if things fell rather silent on those reform issues, at least until after the elections. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;What is clear is that it is not a new system or (even worse) the correcting or reforming of the current system that can restrain the unscrupulous monetary elite. Tacitus wrote in his &lt;i&gt;Annals&lt;/i&gt;: &amp;#8220;...and laws were most numerous when the commonwealth was most corrupt&amp;#8221;. Plato made this abundantly clear centuries ago when he described the inevitability of democracy lending itself as a means to instating a financial oligarchy, ultimately leading to tyranny. The new power template is therefore neither a system nor structure, as by their very nature they breed corruption, but rather a new man who accepts leadership as an unsought after responsibility that is inexorably bound to accountability, honour and service. To the modern i-pod debtor citizen of the industrially developed world it will sound preposterous as he has long since been anesthetised by media rap and the baby food pap of liberal idealism. To the masses of the world&amp;#8217;s poor it is an incomprehensible dream. One could call it chivalry, although that certainly sounds a romantic anachronism, and would, in these opening years of the 21&lt;sup&gt;st&lt;/sup&gt; century, hardly be taken seriously. So better yet, call it &lt;i&gt;futuwwah&lt;/i&gt;, and make your way towards it. &amp;#8220;I have not come but to perfect good character in men&amp;#8221;, said the Prophet from the Arabian Desert, who, we are informed, &lt;i&gt;was sent as a mercy to the whole world.&lt;/i&gt; &amp;#8220;Leadership is an obligation binding on good men&amp;#8221;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;If I am to use just one time this thing called my vote, my best shot is an overwhelming vote of no confidence in the entire system, and then to proceed with vigour towards a new &lt;i&gt;nomos&lt;/i&gt;, with men and women that educate their best and brightest youths and help them rise up to be the leaders of our future. From amongst them there will, as has throughout history been the case, emerge one who will take the lead. To him we will pledge our allegiance, loyalty and fealty.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;i&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;The Power Template: Shakespeare&amp;#8217;s Political Plays&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style='font-size:14.0pt;line-height:115%'&gt; &lt;/span&gt;&lt;/i&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;by Robert Luongo&lt;/span&gt; &lt;span style='font-size:12.0pt;line-height:115%'&gt;is available from&lt;/span&gt; &lt;span style='font-size:12.0pt;line-height:115%'&gt;Amazon.com and Barnes &amp;amp; Noble on-line as an ebook and in paperback.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-938066681374242329?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/938066681374242329/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=938066681374242329' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/938066681374242329'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/938066681374242329'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2011/10/your-best-shot.html' title='Your Best Shot'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-8917275476675223736</id><published>2011-08-23T10:20:00.000+02:00</published><updated>2011-08-23T10:21:04.505+02:00</updated><title type='text'>Ezra Pound and the Political Class</title><content type='html'>&lt;div class=WordSection1&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:14.0pt;line-height:115%'&gt;Ezra Pound and the Political Class&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;Within the vast tapestry of &lt;i&gt;The Cantos&lt;/i&gt;, following the schemata of Dante&amp;#8217;s &lt;i&gt;La Divina Commedia&lt;/i&gt;, &lt;i&gt;Canto XIV&lt;/i&gt; and &lt;i&gt;Canto XV&lt;/i&gt; are both referred to as the &amp;#8220;Hell Cantos&amp;#8221;, and according to Pound were a portrait of England during the years 1919 &amp;#8211; 1920. To his close friend and intellectual sparring partner, Wyndham Lewis, he wrote: &amp;#8220;You will readily see that the &amp;#8216;hell&amp;#8217; is a portrait of contemporary England, or at least Eng. as she wuz when I left her.&amp;#8221; In a letter to John Drummond: &amp;#8220;the hell cantos are specifically LONDON, the state of English mind in 1919 and 1920.&amp;#8221; Lastly, in a letter written to his father in 1925, Pound wrote: &amp;#8220;I intended Cantos XIV and XV to give an accurate picture of the spiritual state of England in the years 1919 and following.&amp;#8221; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;In taking a brief look at &lt;i&gt;Canto XIV&lt;/i&gt; I hope to shed some light on the deepening malaise of not only the British political class, but rather of the entire gang of whom we are told are today&amp;#8217;s world leaders.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;The stench of wet coal, politicians&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;.........e and&amp;nbsp; .....n,&amp;nbsp; their wrists bound to&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt; their ankles,&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;standing bare bum,&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;Faces smeared on their rumps,&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;Wide eye on flat buttock,&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;Bush hanging for beard,&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;Addressing crowds through their arse-holes.&amp;#8221;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;In the above passage there is a consensus amongst both Pound scholars and historians that the &lt;i&gt;e&lt;/i&gt; is the last letter of Lloyd George, British prime minister from 1916-1922, and the &lt;i&gt;n&lt;/i&gt; for Wilson, the American president, both of whom were not only complicit but directly responsible for the brutality of the Treaty of Versailles at the end of the First World War.&amp;nbsp; There is extant documentation that Lloyd felt dreadfully bad about the conditions of surrender imposed on Germany, but apparently lacked the strength of conviction to do anything other than go along with the others. Wilson was as happy as a pig in shit, as J.P. Morgan and other Wall Street bankers who had financed putting him in the White House assured Woodrow that, &amp;#8220;We made money out of destroying Europe and we&amp;#8217;ll do it again rebuilding it.&amp;#8221; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;And the betrayers of language&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;......n and the press gang&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;And those who had lied for hire;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;the perverts, the perverters of language,&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;the perverts, who have set money-lust&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;Before the pleasures of the senses;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;howling, as of a hen-yard in a printing-house&amp;#8217;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;the clatter of presses,&amp;#8221;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;As then, so today the media magnates have the politicians dancing to the tune of the banking elite. At the time Pound wrote this canto England was divided into an upper class, middleclass (not to be confused with the term as used by Americans) and the lowly working class. Today we are being told of yet another class, and they are found from England to Egypt: the underclass. They are those who see no hope. They are rioting, not for bread, but for i-phones, plasma screen TVs and expensive trainers made by poorly paid Chinese workers. The dialectic of Terrorism is giving way to a new media craze &amp;#8211; Pro Democracy, spurred on in an unstable Middle East and North Africa by Twitter, Facebook and CNN. And what do they hope for? Maybe to become the next Greece or Portugal or Ireland, as all their natural resources (real wealth) are safely in the hands of multi-nationals with the banks eagerly standing by to offer the indebted governments, backed with no choice in the matter by the servile taxpaying masses, a series of loans wedded to IMF austerity measures. And has it not occurred to any of them that the same people who supported &amp;#8211; both financially and militarily - the harsh dictatorships in their countries, are the same ones urging them on to &amp;#8220;assert their rights as free people governed by leaders of their own choice?&amp;#8221;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;What are you going to do about it? Most people have a noose around their neck and are balanced precariously on a tottering stool. With one slip-up, amounting to two missed pay cheques or a missed welfare cheque, and the stool topples over. People used to avoid the homeless and indigent, ostensibly it was purported, because of the smell, but today, no more so than in major US cities, they hate them. They hate them out of fear that that could be them. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;So where are the men of fealty and brotherhood who do not fear for their provision? Where are those that are not duped by a spineless political class chosen by corporate campaign contributors and sold in the media as being &amp;#8220;the choice of the people?&amp;#8221; And would it not be true that if such men rose up then women of equal courage, or even greater, would stand with them? Just listen to Beethoven&amp;#8217;s opera &lt;i&gt;Fidelio&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;The age of chivalry seems long passed where a man&amp;#8217;s honour precedes his desire for profit. There is a word in Qur&amp;#8217;anic Arabic, &lt;i&gt;futuwwah,&lt;/i&gt; that is the embodiment of these unique qualities of courage, loyalty and the protection of women&amp;#8217;s honour. For those most qualified there is the duty of &lt;i&gt;noblesse oblige&lt;/i&gt;, and, according to the most trustworthy and blessed of men, the Prophet Muhammad, what disqualified a person from such office was their seeking it! From where will such people emerge? Certainly, do not look to the Arabs as they do not know what this is, nor do they know the very meanings of the words they use everyday. There is the word &lt;i&gt;dawla&lt;/i&gt;, which is to the body politic what the circulatory system is to the human body, but with the flow of blood being replaced by the movement of wealth. Yet they call it State &amp;#8211; that sustains the hoarding of static wealth by a few, passed into law by a disgraced political class, typically in the name of the many.&amp;nbsp; They even have a word they call religion whose meaning they have taken from their enemies. The word in Arabic is &lt;i&gt;deen&lt;/i&gt;, whose root comes from the word for debt: what you owe. What you owe to your Creator, for He alone has given you life, knowing, seeing and hearing and much more, and also what you owe to other human beings, which are essentially concerned with one&amp;#8217;s fiduciary obligations. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;I started with Pound and will, therefore, return to him in order to end. Of all the Chinese ideograms, his most treasured was the one of &amp;#8216;a man standing by his words&amp;#8217;: verbal integrity. I too, love that one. Its antonym would describe the stance of today&amp;#8217;s political class.&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-8917275476675223736?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/8917275476675223736/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=8917275476675223736' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/8917275476675223736'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/8917275476675223736'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2011/08/ezra-pound-and-political-class.html' title='Ezra Pound and the Political Class'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-7420657096612163508</id><published>2011-07-30T23:33:00.001+02:00</published><updated>2011-07-30T23:33:53.361+02:00</updated><title type='text'>Georgia On My Mind</title><content type='html'>&lt;div class=WordSection1&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;span style='font-size:18.0pt;line-height:115%'&gt;Georgia On My Mind&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;span style='font-size:18.0pt;line-height:115%'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;It was my first journey into those great southern states, and while I may have thought of myself as a native New Englander departing from Cambridge, heading to the Faulknerian environs south of the Mason-Dickson Line, imagining I was a reverse (optimistic) image of Quentin Compson (Absalom,&lt;span style='color:blue'&gt; &lt;/span&gt;Absalom!)&lt;span style='color:blue'&gt;.&lt;/span&gt; A more truthful description would be a seventeen year old Italian-American kid from Boston, hitchhiking, with no money, into a part of the country that was as foreign as any I would later find myself in once I&amp;#8217;d crossed the pond and landed in Europe. But we will not get bogged down in mere details, as I&amp;#8217;m a writer of &amp;#8216;political fiction&amp;#8217; not an historian, and therefore, licensed to reinvent &amp;#8211; especially myself &amp;#8211; something I have been doing for as long as I can remember. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;It was the summer of &amp;#8216;68 and everywhere in America was hot. In the spring of that year Martin Luther King was shot dead on the balcony of a motel he&amp;#8217;d been staying at and two months later Bobby Kennedy would be shot at a political rally in California. Tension was high and a lot of people were jumpy. Young black men, with some having done a stint at university, as opposed to the county jail house or a more prestigious maximum security facility, were meeting in Oakland and forming a radical political movement known as the Panthers, while middle class white kids were openly opposing a war in South-East Asia and some,&lt;span style='color:blue'&gt; &lt;/span&gt;moreover, walking out albeit in the middle of the night, from a secure suburban America to arrive on the streets of Boston, New York and San Francisco. It was a hot summer and people were restless. &lt;span style='color:blue'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;One needs to back-up just a few years to better place the summer of 1968 into perspective. In &amp;#8216;63 when President Kennedy was shot in a motorcade while driving down a street in Dallas Texas, I was in ancient history class, and the name of Nebuchadnezzar is forever etched in my mind. Lyndon Johnson stepped in as president and Robert Kennedy served as his Attorney General for nine months until they broke over their opposing positions on Viet Nam. The Kennedys were Irish Catholics and Boston Democrats, with what some people considered uppity Yankee airs, what with sending their sons to Harvard; while LBJ was a Texan Democrat that grew out of the old-boy system of the hill country with its payoffs, backhanders and political cronyism. Of course, Joe Kennedy got rich with inside tip-offs from the numerous politicians he owned over the timing of the lifting of prohibition and being first in line with cargo ships stocked with Irish whiskey, and was as much of an affront to the old Boston Brahmins (all but extinct before the outbreak of the Second World War) as his oil-rich Texan counterparts. The fact was that Vice-President Johnson, soon to be President Johnson, and his Texan political posse couldn&amp;#8217;t stand the Kennedys, while they were obliged to get into bed together to beat the Republicans in the race for the White House.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;There is one more bit of background that needs filling in before I can stick my thumb out and start hitching south. In 1968 George Wallace ran, unsuccessfully, for US president. In fact, he made a few runs at the presidency, three times as a Democratic Party candidate and once as an Independent. But it is as Governor Wallace that he is most remembered, four times elected by those people of the State of Alabama, and bulwark of the pro-segregationist position that dominated the entire southern part of the United States. It was 1963 when then Governor Wallace stood on the steps of first, a university, and a few weeks later on the steps of a high school, where a cordon of the National Guard (that&amp;#8217;s the army), accompanied by the US Federal Marshal himself, who personally came down from Washington to tell the Governor to step aside, as four black youngsters passed into that school. Later in life, confined as he was to a wheelchair, after being shot and left paralysed, Governor Wallace reversed his position on segregation. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;Now it&amp;#8217;s too easy to project from hindsight a clear view of something one did not have the slightest clarity on at the time the particular event took place. Since I was at school and could read a book, I declared myself a firm supporter of Thomas Jefferson, who supported State&amp;#8217;s right and fervidly opposed private banks taking control of issuing both currency and credit (which was in direct contravention to their Constitution) while on the other hand, I saw little more in Alexander Hamilton, with his fancy signature, than a pawn in the bankers&amp;#8217; pockets, doing their bidding, as the Federal Government would enjoy the noose of private banking interest around their necks. The banks always said that they &amp;#8220;supported&amp;#8221; a strong Federal Government. Like a rope supports a hanging man? Now it was one hundred years since the American Civil War ended, and with it, to a great extent, the defeat of State&amp;#8217;s right over and against an omnipotent Federal Government. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;I was adamantly opposed to the war in Viet Nam and would not be drafted, nor would I run. On top of that I had not gotten over the fact that Bill Russell of the Boston Celtics, who in 1959 I saw with my father, with both of us standing on our feet cheering in Boston Garden (now torn down), bring yet another world championship to that city, and was one of my very first real heroes (something I have always taken very seriously) who on three occasions when trying to buy a house with his wife was told by an estate agent that she was so terribly sorry but that the family had decided after all not to sell.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt; It was the constitutionality of State&amp;#8217;s right that vehemently opposed the forced desegregation of southern schools by the Federal Government. I was a very young fellow who, nevertheless, thought he knew everything, without realising how damn little I did know. But the idea that black kids couldn&amp;#8217;t attend proper schools with adequate facilities (regardless of my admiration for Thomas Jefferson and his supporting State&amp;#8217;s right) was not ever going to be acceptable. It would only be many years later after reading a comment made by William Faulkner that I obtained, partially at least, some long awaited clarity. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;Faulkner was the first major author to do what had never been done. He certainly did not romanticise the American Negro, but what he did do was humanise them in a way that was unprecedented.&amp;nbsp; The abolitionists in England were a hundred years ahead in terms of romanticising the ending of the African slave trade. Faulkner, particularly in the novels set in the mythological land of Yoknapatawpha County, superimposed over Lafayette County, Mississippi, created fully developed characters, both men or women, who were coloured people. Some certainly had egregious faults, others had rich and noble qualities and some had tragic flaws comparable to those of characters found in the stories of the ancient Greeks. But they were human beings with all the complexities and contradictions that have made up some of the most memorable characters ever conceived within that vast opus of world literature that has come down through the ages. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&amp;nbsp;There is a collection of short stories called &lt;i&gt;Go Down Moses&lt;/i&gt; and one story in particular of the same name. There is a lawyer, Gavin Stevens, who is asked to help bring the grandson of an old Negro woman, a woman whom Gavin had know all his life, back to Mississippi, as he was scheduled to be executed that very evening at midnight in Chicago for the murder of a policeman. There is a sense of such pathos, dignity and courage in this woman. Gavin got a pledge from a Roth Edmonds and another from the local newspaper editor, whom he&amp;#8217;d also roped-in, to help pay the cost of the box and the train from Chicago, and &amp;#8220;my word flowers!&amp;#8221; as well, and, if that weren&amp;#8217;t enough, a promise he&amp;#8217;d not print the story in the local paper, so that what kin Beauchamp had would not have to read about the execution, and would only be told later that Butch Beauchamp was dead and coming home to Jefferson to be buried. And old Miss Worsham was stronger and more stoic than Hecuba when she mourned her son Hector and her husband, King Priam. &amp;#8220;He dead,&amp;#8221; she said. &amp;#8220;Pharaoh got him.&amp;#8221; &amp;#8220;Oh yes, Lord,&amp;#8221; Worsham said. &amp;#8220;Pharaoh got him.&amp;#8221; &amp;#8220;Done sold my Benjamin,&amp;#8221; the old Negress said. &amp;#8220;Sold him in Egypt.&amp;#8221;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;The 1960s Civil Rights Movement latched onto Faulkner and attempted to use his literary notoriety to advance the cause of Northern liberals, with some going so far as to join the March on Selma, while Faulkner was clearly difficult to handle. At one such gathering where he was being honoured as America&amp;#8217;s great literary genius he had, as was not too unusual, gotten pretty drunk and said that if there was to be a show-down between the North, who had little or no empathy, nor understanding, of the coloured people, while advocating their &amp;#8216;rights&amp;#8217; to rise up as long as they kept their distance and didn&amp;#8217;t try to move next door (which surely would bring down property values), and the Southern States, who Faulkner believed were directly accountable for the most unconscionable injustice before both God and those Negro people with whom they had so long lived, he would raise the Confederate flag and arm himself against the North.&amp;nbsp; The Yankee do-gooders were beside themselves and Faulkner was out as their literary icon. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;The journey that would begin in the North would take me down through Washington D.C. and on to Savannah George where, on a humid late afternoon, I found myself in front of a small local diner. Having done a bit of restaurant work myself, I thought I&amp;#8217;d walk around back and just maybe, there would be a young fellow like myself who could possibly get me something to eat from the kitchen without it causing too much of a fuss. I saw a black boy; he looked about my age, some seventeen or eighteen years old, who was scrubbing pots. I can still see him clearly, his face coal black and something gentle in his nature. I approached him, greeted him and then proceeded to tell him that I was hungry. He nodded as if to acknowledge he understood and put down his work and went in through the back screen door of the kitchen. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;It was not too long before I saw a matronly white woman walking towards me with the boy I&amp;#8217;d spoken to following behind. Damn it, I thought, he sold me out. He went and told the owner there was some long-haired beggar &amp;#8216;round back aksin&amp;#8217; for food. I never thought, I mean I just didn&amp;#8217;t see that in his face and was more shocked by having so misread him than whatever lay ahead from this woman coming straight at me. She motioned to the boy, not at all unkind but with directness, to go back to his work. She took me by the hand and walked me around to the front of the diner and straight in through the front door that made a bell ring every time it opened. She sat me down at a long counter, sitting on one of those round swivel stools and placed a menu in my hands. &amp;#8220;Now darl&amp;#8217;n, ya&amp;#8217;all have whatever you like. You be skinny as a tooth-pick.&amp;#8221; Well, I ordered meatloaf with mash potatoes, sweet peas and extra gravy. After that I had a big slice of that famous Georgia pecan pie and a cup of coffee. You could say I&amp;#8217;d struck it rich and that there was no more I could want after a meal like that. Now that was real southern hospitality, and me being a Yankee clear as day. And far from selling me out it was the boy from out back that I had as much to thank as the proprietor of that local diner (well before MacDonald&amp;#8217;s would put them all out of business). But everything wasn&amp;#8217;t fine. My stomach was full but I&amp;#8217;d be the worst hypocrite that ever lived if I said I did not enjoy that meal. For there was that sign, the sign in large bold letters that I could not ignore let alone pretend I&amp;#8217;d not seen: FOR WHITES ONLY.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;b&gt;The Power Template&lt;/b&gt; by Robert Luongo (Dallas College Press 2011) is now available from Amazon Kindle and will be available as a physical printed book in early August from Amazon.com and Create Space. It is a study of Shakespeare&amp;#8217;s political plays that discovers corollaries between politically contentious issues within Elizabethan England with themes that were explored through the early English history plays as well as Shakespeare&amp;#8217;s Roman plays. The author then views more modern political events, some leading up to today&amp;#8217;s&lt;span style='color:blue'&gt; &lt;/span&gt;current affairs, through the perspective of Shakespeare&amp;#8217;s timeless insight into the human motives behind the machinations of what we understand as politics. Nevertheless, the work is far from being a polemical study that marginalises the wit, dexterity and delight of Shakespeare&amp;#8217;s language.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-7420657096612163508?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/7420657096612163508/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=7420657096612163508' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/7420657096612163508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/7420657096612163508'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2011/07/georgia-on-my-mind_30.html' title='Georgia On My Mind'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-2439107028492622885</id><published>2011-02-18T18:14:00.001+02:00</published><updated>2011-02-18T18:14:34.455+02:00</updated><title type='text'>THE NIGHT THE SNOW BLEW</title><content type='html'>&lt;div class=WordSection1&gt;&lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt;text-align:center'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt;text-align:center'&gt;&lt;b&gt;THE NIGHT THE SNOW BLEW&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt;text-align:center'&gt;&lt;b&gt;1967, Bridgton Academy, N. Bridgton, Maine&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt;text-align:center'&gt;&lt;b&gt;Dedicated to Mr. Freeman Whitney&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt;text-align:center'&gt;&lt;b&gt;Dean of Students, Lecturer of Advanced English&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class=MsoNormal style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A gust of wind, a cloud of snow&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;I walked to where I do not know&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;I looked around, I could not see&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;I wondered now where I might be.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;Again I felt the screaming cold&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;The snow blew higher down the road&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;And then I felt lost as in a dream&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;The snow whirls higher, I wished to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;scream&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;I&amp;#8217;d been captured in a different &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;world&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;Of wind and snow that whirled and &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;whirled&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;And then a gust beyond compare&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;I felt my body in the air&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;I called, &amp;#8220;Oh snow, where am I?&amp;#8221;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;&amp;#8220;You are whirling in the sky.&amp;#8221;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;I thought that if the snow did not mind&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;Nor would I, and something beautiful I &lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; might find.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;And as I went far and higher,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;My body froze, my mind on fire,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;I looked around to find the store&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;But it was not near there anymore.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;I looked around to see the school,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;Keeping my eyes closed (I&amp;#8217;m no fool).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;Suddenly the wind came still&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;A bell, a bell till I reached a hill&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;That rose up high above the ground,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;And there before me I had found&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;The Academy was all around.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;I thought for sure I&amp;#8217;d lost my head&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;So to my room and into bed.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:center'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=right style='mso-margin-top-alt:0cm;margin-right:99.1pt;margin-bottom:0cm;margin-left:92.15pt;margin-bottom:.0001pt;text-align:right'&gt;Robert Luongo&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-2439107028492622885?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/2439107028492622885/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=2439107028492622885' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/2439107028492622885'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/2439107028492622885'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2011/02/night-snow-blew_8326.html' title='THE NIGHT THE SNOW BLEW'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-8842399748886347518</id><published>2011-02-09T16:13:00.000+02:00</published><updated>2011-02-09T16:14:04.829+02:00</updated><title type='text'>The Road Less Travelled By</title><content type='html'>&lt;div class=WordSection1&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center;line-height:normal'&gt;&lt;span style='mso-fareast-language:EN-GB'&gt;Two roads diverged in a wood, and I- &lt;br&gt;I took the one less traveled by, &lt;br&gt;And that has made all the difference&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center;line-height:normal'&gt;&lt;span style='mso-fareast-language:EN-GB'&gt;Robert Frost&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal style='line-height:normal'&gt;There is something that happens when I make these rare trips (although in recent years less so) back to the States. It was two years ago when I last came, and my itinerary was pretty much the same then as this visit. I remember my final day when departing from JFK in New York to head home to Cape Town, that the inauguration of Barak Obama was visible on every TV screen at the hotel I had stayed at, it appeared on electronic billboards along the route taken by the hotel limousine to my terminal drop-off, and then on all the countless airport video monitors. I distinctly recall the frenetic circus atmosphere, and how impatient I was to board my flight and depart. The Queen of Soul flubbed the lines to one of her most famous songs, Senator Ted Kennedy collapsed and the live televised swearing-in ceremony was incorrectly spoken, and would, for legal reasons, be redone off camera.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal style='line-height:normal'&gt;&amp;#8216;Change Had Come&amp;#8217; and &amp;#8216;Yes We Can&amp;#8217; were the hottest tunes moving across the airwaves, while the change that was coming from before day one of the new president&amp;#8217;s taking office was a global crash with a magnitude that would rock not only the US but the rest of the world as well, far greater than the famous 9/11 shock. The perpetrators this time were Wall Street bankers, traders in debt credits, sub-prime mortgages, derivatives, futures and a plethora of toxic assets.  Unsecured home loans had been handed out like candy, highly inflated real estate &amp;#8216;values&amp;#8217; were borrowed against, conveniently packaged as home equity loans, with the only rationale being that the balloon would just keep getting bigger and bigger, going up and up. The passenger jet that is the US economy was already into a nosedive when Obama was handed the controls. His immediate response was to put in place a rescue plan for the financial institutions, which came down to passing the controls on to a consortium of the very same individuals who had been directly responsible for the crisis in the first place. So much for change! &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal style='line-height:normal'&gt;Part of the brilliant campaign strategy of Barak Obama was that he would build on establishing the broadest base of voter support since JFK, when in the early 1960&amp;#8217;s folks from all over the country mailed off $5 and $10 contributions to the headquarters for the handsome young Democratic candidate.  In Obama&amp;#8217;s campaign this grass-roots support constituted about 2.5 % of the total amount raised, that total being the largest amount for any presidential candidate in US history, with the shortfall coming from Fanny Mae, Freddie Mac, Lehman Bros. and Goldman Sacs, etc. Well, there you are, and &amp;#8216;No You Can&amp;#8217;t!&amp;#8217;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;This time, my trip will carry with it a different reminder. The day before I landed at Boston Logan, my mother had been laid to rest in the cemetery in Winchester, Massachusetts.  She was 87 and had been ill for a very long time. My son, on his own initiative, had flown out from San Francisco to attend his grandmother&amp;#8217;s funeral. He departed from Logan on the morning of the same day that I would later land in Boston.   &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;However cold this may sound, I had (emotionally) laid my folks to rest many years ago. This being said, I have instinctively believed that one must know one&amp;#8217;s grandparents, and I have done my best to encourage my son and daughter to do just that. &lt;span lang=EN-US&gt;Have they laid me to rest in the same way? That I can not say for sure, but I have held to an implacable resolve that my children be left unfettered to be able to establish their identities for themselves. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;I left home at 17, which was forty-four years ago, and have, during those long years, made short visits, sometimes for only a day or two, often separated by intervals of four or five years or more. Once I left I never went home again. I do not consider it remotely possible that I would return to New England to live; it was strikingly clear to me that, in a way, I had all but forgotten that this was the soil (presently buried under a foot and a half of snow) from which I had grown, and these unreserved, often loud, garrulous and not ungenerous people, were my family. While unlike them in many ways they are observably part of who I am. There are ways, despite a carefully cultivated differentness, in which I am a Luongo, and also a Bonaccorso. Recognisable traits appear in both them and me.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;The days I spent in the small New England town outside of Boston were expressly to be with my father, who at 94 and having been married to the same woman for 64 years, was visibly shaken. While he appears in the most excellent health, he is not too sturdy on his legs, shuffles a bit, while adamantly refusing to even consider a cane. During the time spent there I also saw my two brothers (one younger by several years and the other two years older), a sister, a bunch of nieces and nephews who, much to my delight, call me Uncle Abdullah, as well as an aunt who is my father&amp;#8217;s kid sister by 19 years, and who I haven&amp;#8217;t seen in well over forty years. She called me Robert. My father suggested I come over again in early June to turn over the ground in his garden. A bit of hard work! During my first night in New England there was a heavy snow fall and I was awoken by the sound of my father, aged 94 remember, ploughing the drive way. I had no choice but to get up, bundle-up in warm clothes and head outside. With his wry sense of humour he said, &amp;#8220;See if one of those snow shovels fits you and do the front steps.&amp;#8221;  &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;There are now other men who are in many ways far closer to me than my blood relations, some of whom I have known for forty years, as well as other much younger ones that I have obviously known a relatively shorter time. Nevertheless, this Italian American clan are family and maybe for the first time since I left home all those years ago I was, at long last, at ease with all of them.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;The second leg of my trip was out to California to visit children and grand kids. That is something I&amp;#8217;ll reserve for my personal diary, uniquely for my pleasure as a parent and a grandparent: unequivocally one of life&amp;#8217;s great joys.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;Having been in Sonoma County in California for a week, I will stay on another few days before departing, first for Amsterdam where I have a full day and night before continuing on to Cape Town. I will visit the Rijks Museum (I had discovered online that I could catch a world class exhibit of some of the famous Dutch Masters); I also plan on taking myself out to a very good lunch. Maybe I&amp;#8217;ll have a swim in the hotel pool and then a good night&amp;#8217;s sleep on a proper bed before embarking on the final long leg of my journey back to South Africa.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;span style='font-size:12.0pt;line-height:115%'&gt;Postscript&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;I made it to the Rijks and there was a special exhibition of works by the Dutch master, Gabriël Metsu, as well as numerous pieces by Vermeer and Rembrandt. Apart from the cold, Amsterdam was wonderful!&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-8842399748886347518?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/8842399748886347518/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=8842399748886347518' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/8842399748886347518'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/8842399748886347518'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2011/02/road-less-travelled-by.html' title='The Road Less Travelled By'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-6843679226261448946</id><published>2011-01-26T11:37:00.000+02:00</published><updated>2011-01-26T11:38:01.139+02:00</updated><title type='text'>Nicholas Hytner's Hamlet</title><content type='html'>&lt;div class=WordSection1&gt;&lt;p class=MsoNormal style='mso-margin-top-alt:0cm;margin-right:11.85pt;margin-bottom:10.0pt;margin-left:2.0cm'&gt;As the director of London&amp;#8217;s National Theatre, Nicholas Hytner has produced a politically charged Hamlet, apropos for the 21&lt;sup&gt;st&lt;/sup&gt; century, with Rory Kinnear delivering a most sympathetic portrayal of the troubled prince. Kinnear&amp;#8217;s Hamlet is far from heroic, but rather someone with whom audiences share a sense of empathy as a man very much of our modern age. While wanting to act he feels unsure, frustrated by his inability to do what he believes must be done, he is disempowered within a world in which he believed he was to have had a leading role. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal style='mso-margin-top-alt:0cm;margin-right:11.85pt;margin-bottom:10.0pt;margin-left:2.0cm'&gt;&amp;nbsp;With a play about which so much has been written, and with such memorable performances that accolades for their leading actors comprise a substantive canon of work in their own right, one may wonder what new and meaningful insight any director can bring to the production.&amp;nbsp; We have seen it done by both Olivier and Gielgud, with an on-going debate as to which was the better. There is Kenneth Branagh&amp;#8217;s epic four hour (un-cut) film version that is excellent in every way &amp;#8211; except, I believe, that Branagh was by then too old to have played the lead in his otherwise brilliant production. An abridged version directed by Michael Almereyda starring Ethan Hawke, where Denmark is a major corporation in the ruthlessly competitive metropolis of New York, and Hamlet&amp;#8217;s murdered father is ubiquitously referred to in both the boardroom and within the former CEO&amp;#8217;s penthouse as King Hamlet, is likewise, a compelling production. Each of them are of the highest quality and, not withstanding that some have been judiciously cut to fit within a two hour limit, otherwise maintain a scrupulously faithful adherence to Shakespeare&amp;#8217;s text. It is, of course, Shakespeare&amp;#8217;s language that carries the depth of meanings and extraordinary insights into the human psyche. My personal favourite has long been Sir Richard Burton&amp;#8217;s portrayal, which I saw when still at school, where it ended up that the final rehearsal filmed before opening night, with all of the actors in street clothes, that is today considered a classic and has been preserved on film and is available on DVD.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal style='mso-margin-top-alt:0cm;margin-right:11.85pt;margin-bottom:10.0pt;margin-left:2.0cm'&gt;What is of particular interest to me is the manner in which Hytner reveals the deeply political nature of this play and the way in which he is able to portray, in a most efficacious manner, a frighteningly chilling study of realpolitik. Distrust, suspicion and surveillance pervade the entire drama, with the only exception being the relationship between Hamlet and his close friend Horatio. Curiously, despite the excellent performances of the two actors, it is the one significant shortcoming of the production. As is evident from countless films and a plethora of stage dramatisations, neither Hollywood nor the South Bank knows how to portray genuine love between men based on a deep sense of affection, honour and integrity. Either the camaraderie comes off as awkward, too aloof, or that they are simply pals, as in this case; or else, as having to have a homoerotic undercurrent. It is only in Hamlet&amp;#8217;s death scene, where Horatio delivers his &amp;#8220;Goodnight sweet prince&amp;#8221;, that Shakespeare&amp;#8217;s perfect choice of phrase enables him to communicate what ought to have been present all along. Likewise, Hamlet asks his friend to remember to tell his story so that future generations should know all of what has happened. This dimension of human existence that embodies &lt;i&gt;noblesse oblige,&lt;/i&gt; as well as the tenderness of fraternal love (not necessarily based on a bloodline), appears to exist like a rare species within the great animal kingdom that lies on the verge of extinction. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal style='mso-margin-top-alt:0cm;margin-right:11.85pt;margin-bottom:10.0pt;margin-left:2.0cm'&gt;An undercurrent of political intrigue runs through the play, depicting an atmosphere where government is suspicious of its citizens and citizens highly sceptical of their government, e.g. in &amp;#8220;the law&amp;#8217;s delay&amp;#8221;. It is modern day Britain or France or the USA. It could, for that matter, be Egypt or Tunisia, which recently erupted into chaos and violence. The background of the stage in nearly every scene is canvassed with tall shadowy figures, mostly they are athletically built black men in impeccably tailored dark suits, flawless mannequins, with that conspicuously inconspicuous ear-piece with the wire that runs down the back of the neck and is attached to a tiny microphone clipped to the lapel.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal style='mso-margin-top-alt:0cm;margin-right:11.85pt;margin-bottom:10.0pt;margin-left:2.0cm'&gt;King Claudius&amp;#8217; perfidy could hardly be more despicable as his pusillanimity seems to know no bounds. He keeps enquiring of the prince as to why he persists in his gloomy and difficult temper. His mother too, asks her son to try harder to be more congenial, while Claudius, who is now her husband, says it is unmanly of Hamlet to act in this way.&amp;nbsp;&amp;nbsp; Repeatedly they ask what the matter with him is. They cannot fathom why he persists in carrying-on in the manner in which he does and with his obviously feigned madness, except possibly that his father has been murdered, and in all probability by his uncle who has usurped his brother&amp;#8217;s crown (Hamlet&amp;#8217;s birthright according to Carl Schmitt in his essay &lt;i&gt;Hamlet oder Hekuba&lt;/i&gt;) and, on top of all this, is screwing his mother.&amp;nbsp; Of course, Claudius&amp;#8217; real question is not &lt;i&gt;why, &lt;/i&gt;but rather, how much does the prince actually know, and moreover, what might he be planning to do about it? &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal style='mso-margin-top-alt:0cm;margin-right:11.85pt;margin-bottom:10.0pt;margin-left:2.0cm'&gt;The air of disingenuousness and distrust is nowhere more pronounced then in the character of Polonius, the personification of the political man, tediously opinionated and obsequious at the same time. He is the true politician. That Polonius is a windbag, despite his so often quoted fatherly advice, &amp;#8220;to thine own self be true&amp;#8221;, is well established. What this particular portrayal accentuates is the full extent to which he distrusts his own son, itself a terrible betrayal by any father, as well as his equally condescending and disparaging manner of addressing his adult daughter. Nicholas Hytner has lifted the curtain on the unsavoury characters upon the world stage of political events: the modern political class.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal align=center style='mso-margin-top-alt:0cm;margin-right:11.85pt;margin-bottom:10.0pt;margin-left:2.0cm;text-align:center'&gt;Robert Luongo&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class=MsoNormal style='mso-margin-top-alt:0cm;margin-right:11.85pt;margin-bottom:10.0pt;margin-left:2.0cm'&gt;Latest&lt;b&gt; News&lt;/b&gt;: The final draft of &lt;i&gt;The Power Template &amp;#8211; Shakespeare&amp;#8217;s Political Plays&lt;/i&gt;, was completed at the end of September 2010. The arduous task of obtaining a literary agent to advance this work towards publication is carrying on with vigour. I remain optimistic.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-6843679226261448946?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/6843679226261448946/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=6843679226261448946' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/6843679226261448946'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/6843679226261448946'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2011/01/nicholas-hytners-hamlet.html' title='Nicholas Hytner&apos;s Hamlet'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-38740890843354961</id><published>2010-09-22T10:09:00.001+02:00</published><updated>2010-09-22T10:09:53.739+02:00</updated><title type='text'>Sir Basil and Ezra Pound</title><content type='html'>&lt;div class=WordSection1&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:20.0pt;line-height:115%'&gt;Sir Basil and Ezra Pound &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;There was a certain Sir Basil Zaharoff, born Zenos Metevsky (1850-1928), who was a munitions magnate with interests in oil, international banking and several newspapers. Zaharoff started off by selling arms for Nordenfeldt and eventually took control of the company and merged with Maxim, who had invented the machine gun. Then in 1913 he took over Vickers-Amstrong, the largest munitions company in Europe, and also held controlling shares in the German company Krupp, which specialised in barbed wire, which would prove extremely useful, as it was needed for in the construction of prison camps. Shortly after the First World War he expanded into South America; this short stanza from Ezra Pound&amp;#8217;s Canto XXXVIII bears witness to Zaharoff&amp;#8217;s activities there:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;Don&amp;#8217;t buy until you get ours.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;And he went over the boarder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;And he said to the other side:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;The other side has more munitions. Don&amp;#8217;t buy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;Until you get ours.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;And Akers made a large profit and imported gold into England.&lt;/span&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Metevsky, now well known as Basil Zaharhoff, was finally arrested on fraud charges, as he had embezzled huge sums of money from companies in which he held the controlling shares; not unlike our modern day Bernie Madoff. Zaharhoff, being more imaginative, managed to escape, and is reputed to have been sitting in a Wiener Café watching his own funeral after his body had been removed from the back door of the Garbola Prison in Athens that had meant to be holding him. At the time he owned the controlling shares in Humbers, a pseudonym for Vickers, the German based arms company.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt; With another clip from Pound, this time from Canto XVIII, we will hear from one Mr. Giddings, salesman for Humbers:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;&amp;#8220;Peace! Pieyce!!&amp;#8221; said Mr. Giddings,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;&amp;#8220;Universal? Not while yew got tew billions ov money,&amp;#8221;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;Said Mr. Giddings, &amp;#8220;invested in the man-u-facture&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;&amp;#8220;Of war machinery&amp;#8230;&amp;#8221;&lt;/span&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Verdana","sans-serif"'&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;The charismatic Sir Basil well preceded the time of the post World War II arms build-up, and the courageous, yet ultimately ineffectual warning of American president Dwight D. Eisenhower, when he made his famous State of the Union address proclaiming the inherent dangers of an unrestrained &amp;#8220;military industrial complex&amp;#8221; that would view war as far too profitable to be left in the hands of politicians let alone the voting public.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;On the eve of the Great War, Zaharhoff was an Englishman in England, and was awarded the Knight Grand Cross, while when in France he was a Frenchman and was raised to be Grand Officier of the Legion d&amp;#8217;Honneur. He changed his name and even ended up with an aristocratic title. He changed his religion and was awarded the Order of Jesus Christ of Portugal. The Allied Forces were deeply indebted to the man who had used his immense banking network, together with his vast arms manufacturing empire that stretched across Europe, to facilitate the war effort.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;While his newspapers beat the war-drums across all of Europe and the Americas, &amp;#8220;&lt;/span&gt;&lt;b&gt;&lt;span style='font-family:"Garamond","serif"'&gt;EVIL HUN ON THE RISE&lt;/span&gt;&lt;/b&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&amp;#8221;, his armaments manufacturing companies were working around the clock to get the world ready for a war that he would personally, together with J. P. Morgan and a handful of others, help finance. It was of no significance that Kaiser Wilhelm II neared desperation in his numerous attempts (including a personal visit to England wearing his British officer&amp;#8217;s uniform as a sign of respect) to persuade his grandmother, Queen Victoria, not to go to war with Germany. But the die had been cast as the PM and his cabinet ministers had convinced the Her Majesty that the Empire needed the war to sustain its economic hegemony in Europe, as well as around the world. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;After the war Zaharoff moved into the lucrative oil business, and partnering up with British Shell and US Standard Oil, formed joint ventures with the American investment houses Kuhn-Lohb and J.P. Morgan. At the end of his life he bought the Casino of Monte Carlo and married a Bourbon princess.  Rising from a modest start as a simple money-changer in his hometown of Salonika, to become one of the most influential men of his time, Sir Basil remains a monument to the unbounded success of a man who could deftly work &amp;#8216;credit based&amp;#8217; capital creation, together with the fractional reserve system, and tie them into the most lucrative business opportunities of the age. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;The international bankers and investment brokers of today seem all too grey and painfully dull compared to Sir Basil and the men of his generation. The Rothschilds, collectively more powerful than Sir Basil, may have bankrupted European aristocracy, and impoverished a continent, but then they did give back numerous art museums and opera houses. I suppose with all that wealth one needs some culture and entertainment. Who knows, maybe Bernie will make a daring escape. The one thing I admire about him is that with the huge sum of fifty-something billion USDs he did not put it back into derivative products and stocks. He knew better. Bernie Madoff bought real estate, gold reserves, luxury yachts and priceless works of art.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;All these years later we can still hear the strong cadence of Ezra Pound as his poem echoes across that immense divide between the oligarchs of today and the rest of the world&amp;#8217;s population. From the powerful Usury Canto, XLV:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;&amp;#8220;With usura hath no man a house of good stone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;each block cut smooth and well fitting,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;that design may cover their face&amp;#8221;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;&amp;#8220;...with usura, sin against nature,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;is thy bread ever more of stale rags&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;is thy bread dry as paper,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;with no mountain wheat, no strong flour&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;with usura the line grows thick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;with usura is no clear demarcation&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;and no man can find site for his dwelling&amp;#8221;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;&amp;#8220;Usura rusteth the chisel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;It rusteth the craft and the craftman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;It gnaweth the thread in the loom&amp;#8221;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;&amp;#8220;Usura slayeth the child in the womb&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;It stayeth the young man&amp;#8217;s courting&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;It hath brought palsey to bed, lyeth&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;between young bride and her bridegroom&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-size:13.0pt;line-height:115%;font-family:"Garamond","serif"'&gt;                        CONTRA NATURAM&amp;#8221;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Garamond","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Robert Luongo teaches Shakespeare and Rhetoric at Dallas College in Cape Town, established in 2005 as a college of leadership under the aegis of Shaykh Dr. Abdalqadir as-Sufi.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-38740890843354961?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/38740890843354961/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=38740890843354961' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/38740890843354961'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/38740890843354961'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2010/09/sir-basil-and-ezra-pound_22.html' title='Sir Basil and Ezra Pound'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-2710899992516715257</id><published>2010-08-11T17:58:00.001+02:00</published><updated>2010-08-11T17:58:38.339+02:00</updated><title type='text'>The Tip of the Iceberg By Robert Luongo</title><content type='html'>&lt;div class=WordSection1&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Events took place in Iceland earlier this year that directly put the country&lt;/span&gt;‎&lt;span style='font-family:"Arial","sans-serif"'&gt;'s citizenry in direct opposition to their elected officials in regards to the liability incurred for the failure of the Icelandic Bank. &lt;/span&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;In the aftermath,&lt;/span&gt;&lt;span style='font-family:"Arial","sans-serif"'&gt; it is most exigent that the story, conspicuously dropped from the designated headlines of what is newsworthy, and therefore presented to the general public, be re-opened.&lt;/span&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt; The citizens of that country created a referendum by acquiring the requisite number of signatures, which was then voted upon by them. By an overwhelming majority vote they have prohibited &lt;u&gt;their government&lt;/u&gt; to bailout the Icelandic Bank in order to repay the people or associations (many of which were local councils in the UK, such as the Norwich City Council) who had invested large sums in high yield 'financial products' on offer at various Icelandic financial institutions. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;One of these products involved investment in derivatives on the futures markets for fish, something in abundance in the waters around Iceland, which were first monetised then securitised, while not yet caught but, arguably, an available asset - swimming about in the North Atlantic. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Why should the Icelandic citizens have to pay? They do not own the bank, as it is like most banks, a privately owned company; nor did they tell the investors to put their savings in them. This places the government in a terrible bind as they cannot possibly obey both 'the will of the people´ and the demands of the international financial establishment. While the people have clearly spoken, government is unable to hear. Will little Iceland be added to the Axis of Evil? Jeremy Paxton has made statements on British television indicating that the people of Iceland are violating the peace and security of British citizens. So much for a free and independent media!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;What took place at the Icelandic Bank was certainly not an anomaly and as we are all aware has been replicated in nearly every major bank around the world. In addition to the wildly lucrative derivatives market, were the practices that precipitated the collapse of the sub-prime housing market in the US, as well as the failure of the home equity market based upon inflated 'values' against which endless new loans were made, pumping more and more new money into the market at the expense of the existing currency already in circulation. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;That the system of usury-capitalism has collapsed upon itself cannot be viewed as a shock, as it has visibly been spiralling out of control for decades. What can be seen as shocking is that a perfidious world media is so obdurate in its attempt to persuade us not only that it can be, but that it is being patched-up as we speak. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;There is, clear across the world, a total failure of the political class who are no more than mannequins dressed up as people in power. Ideological differences fade away with communist China as the number one supplier of the capitalist world's supermarkets, and the Arab leaders of what is referred to as the 'Oil Rich Gulf States' rush like lemmings head-long over the cliff of disaster as they continue to follow those they so obsequiously strive to imitate. Dubai World, much to the delight of the banking fraternity, needed to be rescued from the very brink of bankruptcy. The political class, in actuality, have no power, as has been made abundantly clear by their servile adherence to the dictates of financial institutions. This is the world we live in today.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;But what about little Iceland, now overshadowed and all but forgotten as Greece takes centre stage, to be followed, we are told, by Portugal and most likely Spain? &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Let's back-up a little before seeing if we can pick up the thread of Iceland's current malaise. According to Gudn Adalsteinsson, managing director of Kaupthing Treasury Department in Reykjavik, Shares in HBOS and Barclays plummeted in value following the collapse of Lehman Brothers investment bank in New York. This prompted many investors, many of which were other banks, to move their funds to the banks of Iceland, believing that they could, for the moment, avert disaster.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=MsoNormal&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;As of January 2010 there are literally hundreds of cases lodged in Iceland's high court on the legality of forced liability for the collapse of the 'old Icelandic banks'. Meanwhile, droves of British taxpayers are up in arms insisting that the money lost in the Icelandic banks be reimbursed to the British Government that had to step in to cover the losses of British banks that were left exposed by the failure of the banks in Iceland that now will have to be covered by the UK taxpayers. Meanwhile the 'new' Icelandic banks, nearly entirely owned by European banks such as the Royal Bank of Scotland and several of Germany's largest banks are, according to a July report, faced with yet another looming crisis.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Financial authorities in Reykjavik have been scrambling for the past two weeks to work out the implications of a landmark Supreme Court judgment outlawing car loans indexed to foreign exchange rates.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Gunnar Andersen, director of the Financial Supervisory Authority, told the Financial Times that Icelandic banks faced &amp;quot;deep trouble&amp;quot; if the verdict was applied to all forms of consumer and corporate credit linked to foreign currencies. The court decision has been described as one of the most important events in Iceland since the 2008 bank crash, potentially reducing the repayment burden on thousands of households holding foreign-indexed debt while threatening the financial system with renewed turmoil.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;The court ruled that car loans paid out and collected in Icelandic krónur but indexed to foreign currencies violated laws designed to protect borrowers from exchange rate risks.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Recalling that we began with a massively supported referendum vote by the Icelandic electorate, its first national referendum since 1944, in the attempt to block their government from subjecting the people of Iceland to the burden of debt incurred by private banks, only to discover that the voice of the people fell onto deaf ears, now their judiciary is attempting to make a stand against the oligarchs of world banking.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;What is now abundantly clear is that the system of modern liberal democracy was put in place to serve the requirements of the financial sector. Both have failed, both are disgraced.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Since the current disaster emanated from the epicentre of the failed New York investment houses, it is appropriate to go back to that nation's founding 'framers' of what is referred to as the world's greatest democracy. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&amp;quot;I believe that banking institutions are more dangerous to our liberties than standing armies.&amp;nbsp; Already they have raised up a moneyed aristocracy that has set the government at defiance. The issuing power should be taken from the banks and restored to the people, to whom it properly belongs.&amp;quot;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&amp;quot;If the American people ever allow private banks to control the issue of currency, first by inflation, then by deflation, the banks and corporations that will grow up around them will deprive the people of all property until their children wake up homeless on the continent their fathers conquered.&amp;quot;&amp;nbsp;&amp;nbsp;(Thomas Jefferson)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Needless to say, Jefferson's warnings could not be heeded, as the very premise upon which US constitutional law was founded opened the door, whether wittingly or unwittingly, to what became the inevitable outcome: that the banks would take over. This is a case for the prosecution that can never go to trial, and while the turmoil we are witnessing is exceedingly alarming, it may very well be only the tip of the iceberg. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;Robert Luongo is a lecturer of Shakespeare &amp;amp; Rhetoric at Dallas College in Cape Town. He is the author of &lt;i&gt;The Gold Thread – Ezra Pound's Principles of Good Government &amp;amp; Sound Money &lt;/i&gt;(1995) and &lt;i&gt;The Power Template – Shakespeare's Political Plays&lt;/i&gt;, scheduled for release in January 2011.&lt;/span&gt;&lt;span style='font-family:"Verdana","sans-serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-2710899992516715257?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/2710899992516715257/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=2710899992516715257' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/2710899992516715257'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/2710899992516715257'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2010/08/tip-of-iceberg-by-robert-luongo.html' title='The Tip of the Iceberg By Robert Luongo'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-3004598220404823336</id><published>2010-06-14T14:15:00.002+02:00</published><updated>2010-06-22T16:40:57.651+02:00</updated><title type='text'>Radical Muslim Leader has Bohemian Past</title><content type='html'>&lt;p&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;The 20 February 2010 edition of the Telegraph, and their on-line version, telegraph.co.uk, both ran an article entitled: Radical Muslim leader has past in swinging London. According to the Telegraph, the author and playwright Ian Dallas, who in the 1960s was purported to have been part of the hip London scene, had since become a “Radical Muslim” going by the name of Abdalqadir as-Sufi, and was now “The leader of an extreme Muslim group”. As someone with firsthand knowledge, who has known Shaykh Dr. Abdalqadir as-Sufi for forty years, I would like to take some of the most salient points raised in the Telegraph article as a springboard to offer the public a more balanced and informative introduction to a most fascinating and politically significant contemporary figure. &lt;span style="color:blue;"&gt;&lt;span style="COLOR: blue"&gt;&lt;?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;Ian Dallas is more accurately of the 1950s generation, as he was born in Ayr Scotland in 1930. He had already achieved both recognition and success as a playwright and author prior to the 1960s. He did once tell me that he had, as a young man, driven through the streets of Paris in a Rolls Royce, with Edith Piaf. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;As the Telegraph mentions, Ian Dallas did, indeed, know Edith Piaf as well as Eric Clapton, to whom he did, in fact, give a copy of the beautiful love story, &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Layla and Majnun&lt;/span&gt;&lt;/i&gt;. However, this was nothing to do with Eric’s love affair with Pattie Boyd (the wife of Eric’s best friend, George Harrison) but rather, the terrible tragedy connected to the death of Eric’s son. The metaphorical tale tells of the all-consuming longing of a youth named Majnun (a word whose literal Arabic meaning is &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;one possessed&lt;/span&gt;&lt;/i&gt;) for the love of his life, Layla (&lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;night&lt;/span&gt;&lt;/i&gt; in Arabic) who, in the coded language of the Sufis, stands for Allah as the Beloved.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;As I only met Ian Dallas (or Shaykh Abdalqadir, as I have long been accustomed to refer to him) in 1970, I did not meet all of these people, although &lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;George Harrison would send over his driver with a large hamper of ‘goodies’ from Fortnum &amp;amp; Mason at the start of the New Year.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;I sat with Shaykh Abdalqadir when his friend from university, the celebrated psychiatrist R.D. Laing came by to meet him. Laing had just returned from India where he had gone with his wife to meet a guru. His wife had stayed on and moved in with the ‘spiritual master’. Needless to say, Ronald was very upset, and as I recall, not too impressed with Eastern Mysticism. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;I was also present when Shaykh Abdalqadir had invited Fritjof Capra, the rising star in the world of nuclear physics, over for tea. The Shaykh’s wife, Zulaikha, had baked a plate of millefeuille.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;Capra had possibly just published &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;The Tao of Physics&lt;/span&gt;&lt;/i&gt;. Over tea he explained his latest idea, which he called the ‘boot-strap theory’. Science was not my strong point, so all I can recall is that the image of the loops commonly used to pull on a certain kind of boot, were somehow being offered as a metaphor to convey his basic idea of how ‘matter came into existence’. Shaykh Abdalqadir listened very carefully, and here I remind you that he was, and still is, the most brilliant mind in Europe. He then said, “I think I’ve got it, except for the exact point at which the entire plate of French pastries disappeared and matter came into being.” Naturally, Capra was mortified, as he had not till that moment, realised he had eaten the entire plate of millefeuille. I too was most disappointed! Nevertheless, I do remember, as if it were only yesterday, the realisation from this episode that self-knowledge is over and above all other sciences. Dr. Capra is undoubtedly a brilliant physicist and this incident is in no sense intended to infer otherwise.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;There are countless anecdotes, from Ian Dallas giving Bob Dylan his first copy of Rimbaud’s poems, to the wonderful story that appears in his Collected Works of how he had an acute attack of appendicitis while visiting friends on Martha’s Vineyard, and had to be rushed to hospital. He tells of a large warm-hearted nurse with a shining black face, who said one day, while he was sitting-up reading, “My grandfather caught Moby-Dick!”&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;The nurse then told him that a very kind lady had come every day and sat in the room while he rested, and then left the books for him to read. The woman was Lillian Hellman, the American dramatist whose works include the hugely popular Little Foxes (1939), and was married to the famous writer, Dashiell Hammett, whose stories were at the centre of the Film Noir movement in Hollywood. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;As is recounted in &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Ian Dallas - Collected Works&lt;/span&gt;&lt;/i&gt;, Hellman and Hammett were both ruthlessly persecuted by Senator Joseph McCarthy’s Witch Hunts. Mr Dallas quotes the entire speech made by Lillian to the House Committee on Un-American Activities. I will never forget the impact it made on me after reading this speech to realise that this same great woman had sat everyday at the bedside of a young intellectual called Ian Dallas who, in the fullness of time, I would also meet and come to know and admire as Shaykh Dr. Abdalqadir as-Sufi.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;Returning to the Telegraph article, it goes out of its way to reveal that Shaykh Abdalqadir’s teachings are said to include the claim that, “movies and football degrade the proletariat.” I am pleased to confirm, for the record, that Shaykh Abdalqadir is an aficionado of cinema and possesses a vast DVD film collection. He recently sent over to my house a copy of the French film ‘A Prophet’ directed by Jacque Audiard. He considers it one of the best films recently made. I can also confirm, as the Telegraph states, that he did, as Ian Dallas, act in Fellini’s &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;8 ½&lt;/span&gt;&lt;/i&gt;, but far more interesting is the fact that he re-wrote the ending of the film, the wondrous ‘dance of life’, which ends the film. The version we all know today is, of course, Fellini’s ending; he took it and made it his. The ending opens the way - after the total failure of a film director to fulfil the expectations imposed upon him - to give up and surrender, even his greatness. That is where the film ends, but it is also, in truth, where the real story begins.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;As for football, it is true that he dislikes it, together with the increasingly unsavoury tendencies from which it has become inseparable. He is rather an avid rugby fan and is almost a fanatic when it comes to cricket, especially five-day test matches. He sees in the game of cricket a means by which young men can develop good character. He does attend, from time to time, at Newlands cricket ground in Cape Town, a match in order to enjoy the game in the company of his choosing.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;The Telegraph also makes mention of one of his plays acted in by Albert Finney, and another starring the late Sir Alan Bates. All this is true, but what about comments in the paper that he is a, “radical Muslim leader” and also, “the leader of an extremist Muslim group”? Putting aside his “bohemian past”, as it was referred to, what about his radical change and his espousal of an extreme interpretation of Islam? The quantity of evidence to the contrary contained in Shaykh Abdalqadir’s writings, both published and non-published, is so vast that, like the Telegraph, I too shall have to be extremely selective in my choice of observations. However, contrary to the Telegraph, whose sparse and tenuous claims seem to be dictated by negative bias and cheap sensationalism, my own primary concern will be to avoid over-burdening the reader with the sheer weight of bona fide material available to me. Before I continue, I should also, for the sake of clarity, remind the reader that Shaykh Abdalqadir continues, on occasion, to write under his Scottish family name of Ian Dallas.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;There is &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;The Book Of Strangers&lt;/span&gt;&lt;/i&gt;, published in 1972, a novel that is about the search for knowledge and the awakening to Islam told in the form of a semi-autobiographical parable (Pantheon Books). There is &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Letter To An African Muslim&lt;/span&gt;&lt;/i&gt; (1981), which helped inspire a whole generation of South Africans to enter Islam at a time when apartheid still restricted the options available to most blacks. Shaykh Abdalqadir was the only white European who could freely walk the streets of Soweto, although the Apartheid regime banned both him and his book. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;There is &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Root Islamic Education&lt;/span&gt;&lt;/i&gt;, first published in Norwich in 1982 and re-released in 1993, in London. This text is based firmly on the soundest and irrefutable classical Islamic texts that have come down to the Muslims throughout the centuries.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;There is the &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Technique of the Coup de Banque&lt;/span&gt;&lt;/i&gt;, published in Spain in 2000, which takes as its thematic corollaries Machiavelli’s Renaissance classic &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Il Principe &lt;/span&gt;&lt;/i&gt;&lt;span style="mso-bidi-font-style: italic"&gt;(The Prince)&lt;/span&gt; and Curzio Malpararte’s 1931 masterwork &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Technique Du Coup D’État&lt;/span&gt;&lt;/i&gt;.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;Unfortunately, it is beyond the scope of this article to give an adequate appraisal of the invaluable contributions these books have made in furthering the understanding of their respective subject matters. However, &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Technique of the Coup de Banque&lt;/span&gt;&lt;/i&gt; is one with which I have had a special connection. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;Travelling from his base in the Scottish Highlands, Shaykh Abdalqadir made an extended visit to Cape Town in early 2001. I had already moved from Scotland to Cape Town a few months prior to this in anticipation of what we all hoped would lead to his permanent move to the city. Whilst there, he had the opportunity to overhear a conversation in a local bookstore between two young men, both of whom were University of Cape Town students. One was relating that he had heard that there was a Shaykh visiting from Europe who sounded very interesting, and that he hoped somehow to meet him. Hence, with the refined courtesy and habitual discretion which have long distinguished him, Shaykh&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;Abdalqadir approached the student and prudently ventured, “I believe you wanted to meet me.”&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;The next day the young man, extremely gregarious and outgoing by nature, came to have morning coffee at the house the Shaykh was renting. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;Shaykh Abdalqadir did, in fact, return to the Highlands but it had become clear that a move was imminent. Therefore, in preparation for this I was asked by our local Muslim Community leader, Orhan Wadvalla, to start an evening class based on &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Technique of the Coup de Bank&lt;/span&gt;&lt;/i&gt;. The UCT student he had met in the bookshop, and several of his friends, some Muslims and some not, were invited to come along to a weekly reading, which was held at my small cottage in Newlands. These sessions were dynamic and exciting and soon increased to twice a week. As I did not yet have any bookcases we were surrounded by stacks of books; reading, discussing and drinking espressos, while I rummaged around for Plato’s &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Republic&lt;/span&gt;&lt;/i&gt; or whatever other text the Shaykh may have indicated, that I knew to be somewhere in my ‘library’, and on we went! &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;A few months later Shaykh Abdalqadir moved to Cape Town and I had by then assembled a good group of young guys, the one non-Muslim had become Muslim, and some basic ground work had been done to prepare these dynamic men to sit with and benefit from the Shaykh’s generosity. They were all healthy young men, interested in what most young people their age are interested in, but they had also acquired an appetite for real knowledge, and whatever you really want out of life, you’ll get! &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;From that first group new ones have come. Most of those men are now married and have started families of their own. All of them, without exception, are more advanced on the path to knowledge than myself, but I was privileged to have, by the Generosity of Allah, the opportunity to play a part in this phase of their education. The one last thing I want to mention about this particular text is that everything that Shaykh Abdalqadir spoke of has come to pass. The financial crisis of 2008-2009, which continues to worsen into 2010 as I write, was laid bare in his brilliant exposition. With rare exceptions, only a few have listened, certainly not the so-called leaders of the Muslim World. Nevertheless, the number of those taking notice of Shaykh Dr. Abdalqadir as-Sufi continues to grow day by day. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;There is the Ian Dallas book, &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Time of the Bedouin&lt;/span&gt;&lt;/i&gt; (2006) - on the politics of power, and also his latest publication &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;Political Renewal&lt;/span&gt;&lt;/i&gt; (2009) which by juxtaposition in one volume of two exceptionally penetrating essays, produces a devastating historical survey of the relentless degeneration that has characterised the British political class and its social and constitutional apparatus over the last century and more: &lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="FONT-STYLE: italic; mso-bidi-font-style: normal"&gt;The End of the Political Class &lt;/span&gt;&lt;/i&gt;by Ian Dallas and Hilaire Belloc’s &lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="FONT-STYLE: italic; mso-bidi-font-style: normal"&gt;The House of Commons and Monarchy&lt;/span&gt;&lt;/i&gt; (1920).&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;There is the series of four books by Shaykh Dr. Abdalqadir as-Sufi, that were all composed from lectures given in a Cape Town mosque: &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;The Book of Tawhid&lt;/span&gt;&lt;/i&gt; [Unity of Allah] 2004, &lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="FONT-STYLE: italic; mso-bidi-font-style: normal"&gt;The Book of Hubb&lt;/span&gt;&lt;/i&gt; [Love of the Divine] 2007, &lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="FONT-STYLE: italic; mso-bidi-font-style: normal"&gt;The Book of ‘Amal&lt;/span&gt;&lt;/i&gt; [Behaviour] 2008 and finally &lt;i&gt;&lt;span style="FONT-STYLE: italic"&gt;The Book of Safar &lt;/span&gt;&lt;/i&gt;[Travel] 2008. Imagine one of those Hollywood post-apocalyptic fantasies; the world has been all but totally destroyed, and you, say a young black man, happens to rescue a copy of the Qur’an from a heap of burning rubble, and then after many a close call, you produce an act of heroism that saves the life of a pretty blond headed girl on the point of despair, whose only worldly possessions happen to be these four slim texts. It turns out that this incredible encounter contains all that is needed as the basis for recovery of civilised human society; an interesting gene pool and ready access to Divine guidance and useful knowledge. They are simple yet utterly profound texts that, based upon the love and knowledge of our Prophet Muhammad, Allah grant him blessings and peace, can, with the Qur’an, be all you would need to start anew. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;There are more books and countless anecdotes and taped discourses. When I am fortunate to be invited to his house for lunch, he often, while waiting eagerly for the meal to be announced, recites whole passages from Shakespeare, or the opening of Elliot’s &lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="FONT-STYLE: italic; mso-bidi-font-style: normal"&gt;The Waste Land&lt;/span&gt;&lt;/i&gt; or W. H. Auden or W. B. Yeats, replete with an Irish accent.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;He has a library of some several thousand books, some in English, French and Arabic, an extensive collection of classical music CDs, and I have already mentioned his film collection. He is mostly surrounded by men who are all the very brightest young people you could ever wish to meet. The Shaykh is the master. &lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Most of all, he has guided a whole generation to knowledge of Allah and a deep understanding of the practice of Islam.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;To sit in his company is an honour and you learn things even without realising it.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;Robert Luongo, Lecturer in Shakespeare &amp;amp; Rhetoric at Dallas College in Cape Town &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0cm 0cm 10pt" class="MsoNormal"&gt;&lt;span style="font-family:Calibri;font-size:85%;"&gt;&lt;span style="LINE-HEIGHT: 115%; FONT-SIZE: 11pt"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-3004598220404823336?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/3004598220404823336/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=3004598220404823336' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/3004598220404823336'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/3004598220404823336'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2010/06/radical-muslim-leader-has-bohemian-past.html' title='Radical Muslim Leader has Bohemian Past'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-6665328229304812906</id><published>2010-06-04T09:21:00.001+02:00</published><updated>2010-06-04T09:21:55.111+02:00</updated><title type='text'>An Improper Bostonian</title><content type='html'>&lt;div class=Section1&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;It has been pointed out to me by several people that &lt;i&gt;&lt;u&gt;A Boston Brahmin in New Mexico&lt;/u&gt;&lt;/i&gt;, an article I wrote for my blog in May, left them wanting to hear more, what happened next.  The story does indeed continue, although this is not the moment for me to tell it. Suffice it to say that I continued on to California and that while travelling west I met a young fellow about my age heading east. He gave me the address of a person who he described as his teacher, the playwright and poet, Daniel Moore, who is today better known as Daniel Abdalhayy Moore.  I did reach California and went to the address in Berkeley. Daniel, who some years earlier had formed a radical &amp;#8216;street theatre&amp;#8217; called the Floating Lotus Magic Opera Company, invited me to stay as his guest... It must have been early June 1970 and still a few months prior to my 21&lt;sup&gt;st&lt;/sup&gt; birthday. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;In the meantime, while sitting in a café in Tangiers, the highly accomplished playwright (he had already several BBC productions to his credit) and author, Ian Dallas, had read in the Rolling Stone about this unusual theatre troupe whose plays were a bizarre mixture of Anti-Viet Nam protest and Tibetan Buddhism. He made the firm intention that should his new screenplay be accepted by one of the Hollywood studios, he would visit these people. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Within a month of my arrival in Berkeley a telegram arrived from Mr Dallas, who was then in Los Angeles, saying that he would very much like to pay Daniel and his theatre group a visit. Using the phone number that had been included with the message, Daniel keenly welcomed him to come. You could say that I was only there by chance, as I had no connection to the other people living in the house. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;I do recall Daniel being asked if his theatre was still performing, to which he answered that it wasn&amp;#8217;t. He told Mr Dallas that he was presently reading the works of Rumi. I was sitting by the phone while this conversation was taking place, so I saw Daniel put his hand over the phone and say: &amp;#8220;He says that he knows everything about Rumi.&amp;#8221; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;I had begun to feel that I had stayed with these strange people, actors and musicians, long enough, so was about to leave. I had just seen Fellini&amp;#8217;s &lt;i&gt;Satyricon&lt;/i&gt; at the cinema and was ready to distance myself from the macabre company of the Eastern mystics who inhabited this large Victorian house. Nevertheless, I decided to hold on another week to meet this stranger. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;It was a memorable first encounter and the source of many an amusing anecdote, as I was the driver on the day Daniel and I went to the San Francisco Bus Terminal to collect his guest. Our vehicle was the infamous &amp;#8216;animal car&amp;#8217; (a mobile art project by an Berkeley art student) that was a 1955 Chevy covered in animal fur and without any seats, but instead contained large cushions covered in Indian fabric for the passengers to sit upon. As the driver, I sat on a raised mushroom so that I could at least see the road ahead of me. Even so, there was no way I was going to spot what was coming around the next corner.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Firstly, considering that I was the one person who wasn&amp;#8217;t actually meant to be there, I soon embraced Islam by this stranger&amp;#8217;s hand. Secondly, I remain indebted to him for everything I have learnt, one way or another, over the intervening forty years as a student of a man I consider the greatest intellect of this age. Of course, some of you will know that our stranger, the celebrated writer, Ian Dallas, is better known today as Shaykh Dr. Abdalqadir as-Sufi.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Well, there&amp;#8216;s the story I started off by saying I wasn&amp;#8217;t going to tell. I must conclude that the Islam we were taught was that of the sound teachings of the Prophet Muhammad, may Allah bless him and grant him peace.  I did not join a Sufi group. My culture is that of Western Civilization and my love of literature and classical music is part of my cultural heritage. My religion is Islam.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Robert Luongo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-6665328229304812906?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/6665328229304812906/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=6665328229304812906' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/6665328229304812906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/6665328229304812906'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2010/06/improper-bostonian.html' title='An Improper Bostonian'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-2943866762581482111</id><published>2010-06-01T15:52:00.001+02:00</published><updated>2010-06-01T15:52:19.158+02:00</updated><title type='text'>Pablo's Portrait by Luqman Nieto</title><content type='html'>&lt;div class=Section1&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Luqman Nieto is a second year student at Dallas College in Cape Town. He was born in Seville Spain and acquired his early education at the Medrassa Mawlana Muhammad Wasany in Majorca. When he completed his studies in Majorca he had achieved the qualification of &lt;/span&gt;&lt;i&gt;&lt;span lang=EN-GB&gt;Hafiz&lt;/span&gt;&lt;/i&gt;&lt;span lang=EN-GB&gt;, having recorded the entire Qur&amp;#8217;an to memory by heart. Interspersed with his studies he and all the boys attending the medrassa practiced archery, horseback riding and swimming and sailing in the summer months. At the age of nineteen Luqman moved to Cape Town, quickly improved his English and in 2009 entered Dallas College. I am very proud to present this short story by an outstanding student.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;i&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;The following short story is a dramatization based upon an anecdote that Ernst Jünger, the celebrated German soldier and poet, who served as an officer in both World Wars, told to Julien Hervier and was recorded in Hervier&amp;#8217;s book &lt;/span&gt;&lt;i&gt;&lt;span lang=EN-GB&gt;The Details of Time, Conversations with Ernst Jünger&lt;/span&gt;&lt;/i&gt;&lt;span lang=EN-GB&gt;.  Jünger was the only high ranking German officer known to have been complicit in the failed attempt on Hitler&amp;#8217;s life who was not executed by the Führer. He remains the most highly decorated soldier in all of German history. Jünger refused to be subjugated to the de-nazification process imposed by the Americans after the war, as he insisted that while he fought to defend his country, he never joined nor was he part of the Nazi Party. Jünger died at the age of 103 and is the author of numerous books, essays and articles that were published during his lifetime. His highly acclaimed &lt;/span&gt;&lt;i&gt;&lt;span lang=EN-GB&gt;Storm of Steel &lt;/span&gt;&lt;/i&gt;&lt;span lang=EN-GB&gt;is considered: &amp;#8216;One of the most striking accounts of the First World War&amp;#8217; (Richard Holms, Evening Standard).  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;i&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:70.8pt;text-indent:35.4pt'&gt;&lt;span lang=EN-GB style='font-size:11.0pt'&gt;Robert Luongo, Dallas College lecturer of Shakespeare &amp;amp; Rhetoric&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div style='mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical: paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly; mso-element-linespan:3'&gt;  &lt;table cellspacing=0 cellpadding=0 hspace=0 vspace=0 align=left&gt;  &lt;tr&gt;   &lt;td valign=top align=left style='padding-top:0cm;padding-right:0cm;   padding-bottom:0cm;padding-left:0cm'&gt;   &lt;p class=MsoNormal style='text-align:justify;line-height:41.35pt;mso-line-height-rule:   exactly;page-break-after:avoid;vertical-align:baseline;mso-element:dropcap-dropped;   mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:   column;mso-height-rule:exactly;mso-element-linespan:3'&gt;&lt;span lang=EN-GB   style='font-size:56.0pt;mso-text-raise:-5.5pt'&gt;I&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/table&gt;  &lt;/div&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;t was a clear and fresh morning of winter. The sun had finally come to pay us a visit after a long absence. The streets of Paris smelled like a shirt that had just been washed and hung in the sun. Nadia was walking with her light and gentle pace, almost trotting like a young colt that has been locked up for too long and finally re-discovers the pleasures of running in freedom. I could hardly keep up without looking too ridiculous behind her.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;I met Nadia a morning like this one in &lt;i&gt;Saint Germain des Prés. &lt;/i&gt;While I was having a shot of espresso in the &lt;i&gt;Café Fleurs,&lt;/i&gt; she was drawing in an artist&amp;#8217;s sketchbook, a small detail of a beautiful corner. With precise and short movements, acquired by her impeccable Russian classical technique, Nadia was capturing the essence of that corner in that precise moment. But I did not know her name yet. All I knew was that while she was observing the corner and capturing the moment I was observing her and becoming her captive.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;After the first espresso I asked for a second one, and after the second for a third. I did not want to disturb the girl who was drawing but I could not leave without saying anything to her. By the time of the fourth espresso it had become a matter of proving to myself that I could do it. Not that I had bad luck with women, actually I would say that it was rather good, they found me awkwardly handsome and rather charming - even though I never thought I was any of those things - but there was something in that girl, which was terribly challenging. Later on I would come to know her name was Nadia. She looked like a Russian princess, with long brown hair, big green eyes and marble-like sculpted features. She was not particularly pretty, as her mouth was a little big and so were her eyes, and her nose a little small, but everything put together had a special enchantment. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;She was wrapped in a distant air, perhaps a bit cold, like the fresh breeze that was blowing through the terrace of the &lt;i&gt;Café de Fleurs &lt;/i&gt;that sunny morning of winter. But what attracted me more than anything were her hands; the long thin fingers with a darkish colour at their tips, which revealed to me that what she was doing was not merely a casual moment of inspiration but a profession. The bones which revealed themselves through the skin and the light blue veins were all in perfect balance. Her hands were like the violins in a complex piece of classical music, the accents of the melody that was her face, and all accompanied by a perfect atonal harmony that was her body.  If Prokofiev were to see her he would have composed the most beautiful yet dissonant piano concerto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Suddenly she closed her notebook, organized her pencils in a small leather case and stood up. She took a long breath and I contained mine. She turned, looked around and her glance favoured me before she walked straight to the table where I was.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Before I could even realise what was happening, she was sitting in front of me and had ordered a coffee. All of that distant look had completely disappeared and gave place to a warm friendly smile. I was shocked. The kind of shock that happens when something you imagine doing suddenly dislodges from the realm of imaginations to the realm of reality, and you have to face it.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Nadia arrived a couple of years ago in Paris. She came from a bourgeois family of Moscow where she had learnt the art of painting miniatures. Her mother was part of the old aristocracy and her father a successful business man. By 1920, following the Russian Revolution, her mother foresaw the worsening of things in Russia, and so decided to send her daughter to Paris where Nadia could continue developing her talent as a painter under the careful supervision of a very good friend of her mother. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Nadia talked and I listened. She seemed like someone who had been alone for a long time and suddenly found someone with whom she could talk. From time to time she would stop and ask me a few things - which I answered as quickly and as short as possible - before carrying on as if what I had said did not really matter. I was delighted.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;When I started to know her better after that first encounter, I learnt that she was like that; she would remain in silence immersed in her thoughts and would hardly speak for what seemed an eternity, and then she would emerge out of that world of hers and talk as if there was not enough time to say everything she wanted to say. Every period of silence resulted in some master piece of painting and after every period of talking I would have the most beautiful and profound lines to put in the mouth of the heroine of my latest piece of writing. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Once I asked her why she choose my table and why she sat with me that day at the café. She answered: &amp;#8220;When I finished my painting that day and I stood up I felt like someone who had been travelling alone for a long time and when he gets back to the place from where he left he needs someone who will listen to all his stories of the journey. I looked around and the only face I saw that I could trust was yours. So I went to your table and I talked to you&amp;#8221;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;When I finished my fifth espresso and she her first one we left the &lt;i&gt;Café de Fleurs&lt;/i&gt; and I walked her home. Her pace that day was the same light and gentle trot that moved her through the streets of Paris that warm winter morning. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;We were going to see a well known painter who was spending some time in Paris. Nadia knew him from, as she said, a random casual meeting arranged by destiny. She was painting a view of a popular café&lt;i&gt; &lt;/i&gt;in the city, where the ordinary people usually sit, with a vivid detailed surrealism, and he passed by. He stood behind her for a long time while she did not notice it, for when she painted she was habitually unaware of what was going on around her except for that which she was painting. He admired her work, especially her amazing technique and her eye for detail. When he knew that she was from Russia he invited her to help him with a work he was doing for Diaghilev and the Russian Ballet. His name was Picasso.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;When we arrived at Picasso&amp;#8217;s house in the street of the &lt;i&gt;Grands-Augustines &lt;/i&gt;she knocked at the door. Olga, Picasso&amp;#8217;s wife, opened for us and Nadia, after introducing me, began a lively conversation with Olga in Russian. Olga was a ballet dancer that Picasso met while working for Diaghilev and she and Picasso got married in 1918. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;A little child of about six years old came running and passed by my side without noticing me. When he saw Nadia he ran to her and she received him with open arms speaking to him in Russian with a mellow voice. He laughed and begun to talk mixing words from French, Russian and Spanish with such ease that I would have assumed it to be only one language. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Pablo, the son of Picasso and Olga, pulled Nadia without leaving her hand to the studio where his father was working. Nadia looked at me and told me with her eyes to follow them. From what I could understand, Pablo was saying his father had just finished a portrait of him and Pablo wanted Nadia to see it.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;The four of us went into Picasso&amp;#8217;s studio. The studio was a large square room with two big windows facing the street at one end of the room. The windows had no curtains and the light of the sun entered through them illuminating the whole room. Picasso was facing the wall opposite the windows with the easel in front of him and all his paints, brushes and pencils on the side. There were paintings leaning against the four walls of the room, some were finished and others were unfinished, revealing the intentions of the painter and how they developed and changed through the process of painting.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Picasso was a man in his forties of normal height and constitution with small piercing eyes. Under his apron, which had so many spots of paint that the original colour was un-recognizable, he was wearing an elegant shirt and a tie. He greeted Nadia kindly and Nadia introduced me to him. Picasso looked at me with the eyes of someone who is used to seeing the true essence of the world around him and who is then able to capture that essence in paint. And then he smiled at me and his eyes seemed to change colour, from a dark brown to a light sand one, like the earth when it is dry and has a light brown colour and then it rains and the brown becomes dark, but in reverse.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Nadia and Picasso talked about the portrait of his son while the living subject of it was running around trying to capture everyone&amp;#8217;s attention. He probably felt that he was more important than his fake copy. Nadia and Picasso commented on the details of the painting talking about the strokes of the painter and the chromatic scale of colours he had used. For anyone who, like me, did not paint, it was almost as if they were speaking another language, Chinese for example. Soon my attention was captured by the rest of the paintings leaning against the walls, and then by Pablo himself, who was happy to finally have seized someone&amp;#8217;s attention and was doing his best not to lose it. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Olga had gone out of the studio and her voice came to us calling Pablo. Pablo left the studio and Nadia, who suddenly felt a rush to ask Olga for the meaning of some Russian word in French, followed the child. Without really wanting to, because his presence overwhelmed me a little, I found my self alone with Picasso.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Picasso came closer to me. I was looking at the portrait trying to find something to say that would not reveal my almost complete ignorance of the subject when he looked at me and smiled. Sensing my predicament he said: &amp;#8220;Don&amp;#8217;t worry, I actually don&amp;#8217;t like it&amp;#8221;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Picasso went to the painting and lifted it off the easel. With the painting in his hands he turned to me and said: &amp;#8220;This painting would have a certain effect, but that effect would be exactly the same one, in the metaphysical meaning of it, if I would wrap it in paper and abandon it in a corner. It would be exactly the same as if ten thousand people would have admired it&amp;#8221;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;Picasso put the painting on the easel again and went to join his wife, son and Nadia in the kitchen where Olga had prepared some coffee. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-align:justify'&gt;&lt;span lang=EN-GB&gt;I stayed there, looking at the portrait of little Pablo, thinking about the casual tone of the words that Picasso had just uttered, rendering them even more shocking to me, until Nadia&amp;#8217;s voice dragged me out of my state and rushed me to the kitchen before the coffee could get cold.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-2943866762581482111?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/2943866762581482111/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=2943866762581482111' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/2943866762581482111'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/2943866762581482111'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2010/06/pablos-portrait-by-luqman-nieto.html' title='Pablo&apos;s Portrait by Luqman Nieto'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-6652092198579561988</id><published>2010-05-26T14:45:00.001+02:00</published><updated>2010-05-26T14:45:57.502+02:00</updated><title type='text'>The Power Template</title><content type='html'>&lt;div class=Section1&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;u&gt;&lt;span lang=EN-GB style='font-size:22.0pt;line-height:115%'&gt;Introduction&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;span lang=EN-GB style='font-size:18.0pt;line-height:115%'&gt;The Power Template&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;span lang=EN-GB style='font-size:18.0pt;line-height:115%'&gt;Shakespeare&amp;#8217;s Political Plays&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;In 2004 a small private college was established in Cape Town South Africa. It was to be a college of leadership, a place where young people of all races who had a sufficient capacity and desire to want to excel, to take on responsibility to make a new kind of world, could come to be educated. It was not for those vast masses that only see education as a means for getting a job.&amp;nbsp; The syllabus was based upon contemporary as well as classical geo-political studies, history &amp;#8211; from Roman history through to the end of the 20&lt;sup&gt;th&lt;/sup&gt; century, bio-politics &amp;#8211; the study of key people whose lives had an impact on their time and place in the world, then languages, and lastly fencing to cultivate noble character. It was a &lt;i&gt;paideia&lt;/i&gt; for the 21&lt;sup&gt;st&lt;/sup&gt; century designed to produce new men. The founder of the college was Shaykh Dr. Abdalqadir&amp;nbsp; as-Sufi, whose Scottish family name of Dallas became the name of this place of&amp;nbsp; learning, unique in this time, yet seeking continuity in the historical model of the great&amp;nbsp; Mogul and Ottoman centres of higher education. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;At the inception of Dallas College I was invited to teach Shakespeare &amp;amp; Rhetoric, an area of world literature in which I was excited about furthering my knowledge.&amp;nbsp; I was informed that the focus was to be Shakespeare&amp;#8217;s History and Roman Plays. These plays, more so than all the others, but not exclusively so, are his political plays. I was introduced to a handful of books that I promptly ordered and which soon arrived in South Africa. There was the &lt;i&gt;Essential Shakespeare Handbook&lt;/i&gt;, which became our basic text-book. The others were Frank Kermode&amp;#8217;s &lt;i&gt;The Age of Shakespeare&lt;/i&gt; and his &lt;i&gt;Language of Shakespeare&lt;/i&gt;. There was an excellent biography by René Weis and W.H. Auden&amp;#8217;s &lt;i&gt;Lectures on Shakespeare&lt;/i&gt; that was derived from a lecture series he gave in Greenwich Village in 1946-47, that I was thrilled with. Then there was Jonathan Bate&amp;#8217;s &lt;i&gt;The Genius of Shakespeare&lt;/i&gt; and more recently his newest book, &lt;i&gt;Soul of the Age&lt;/i&gt;, simply the best book I have ever read on Shakespeare. It is a masterpiece and I am convinced that Bate is today the preeminent Shakespearian scholar. As I continued with my lectures new books were added, many of which I will mention in the course of this study. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;There are two unequivocal characteristics to this or any study of Shakespeare&amp;#8217;s plays. The first is that you are exposed to the highest expression of the English language. It delights and excites the mind in a way that once you have tasted it your hunger only grows as you discover more of this living, pulsating language that is the very means through which meanings are communicated and shared by human beings.&amp;nbsp; With extraordinary wit and a generosity of humour and humanity, Shakespeare has written characters that are as much alive today as they were four hundred years ago when he wrote them. The second characteristic, more specific to the actual plays that are covered within this book, is that they transmit an understanding of the dynamics of human politics:&amp;nbsp; the play for power, position and influence that has been an unfolding drama as far back as history has been recorded. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;What occurs in my lectures, and is replicated in the text that is presented here, is my attempt to awaken a curiosity and concern not only about the age of Shakespeare, which holds a very important place in our world view, but also the age we live in now. There are, therefore, numerous excursions as we move from 14&lt;sup&gt;th&lt;/sup&gt; or 15&lt;sup&gt;th&lt;/sup&gt; century England to the exigency of the early 20&lt;sup&gt;th&lt;/sup&gt; century negotiations that preceded the outbreak of the First World War. We move quite freely from Prince Hal in &lt;i&gt;Henry IV Part I and II&lt;/i&gt; (who, portrayed as a profligate prince who neglected his duties at Court, emerged through a series of life experiences that were the means by which his character was forged into the heroic Henry V) &amp;#8211; and then on over to King Hasan II of Morocco who in his youth was dubbed by the French press as &amp;#8216;The Playboy Prince&amp;#8217;. King Hasan was under a constant barrage of attack, from both within his own inner circle as much as from outside forces, to sell off his country&amp;#8217;s vast mineral wealth. Not unlike Hal, the king matured and was steeled into a sober and astute ruler who held fast the reins of leadership and preserved his country from the rapacious greed of disloyal subjects and foreign invaders.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;There are digressions and forays into a multitude of current political affairs that find scope within Shakespeare&amp;#8217;s vast landscape which serves as a setting for the machinations of human politics that drive the action of world events. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;From English history to ancient Rome, we have the backdrop that allowed Shakespeare to portray the whole world within that &lt;i&gt;Wooden &amp;#8216;O&amp;#8217;&lt;/i&gt;, the original Globe Theatre. It is, therefore, my intention through this exploration of Shakespeare&amp;#8217;s political plays to make sense of the world I find myself in, and in doing so to make sense of myself within it. That that should also be awakened in others is my aim in this work. &lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='color:#1F497D'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Robert Luongo&amp;nbsp; &lt;span style='color: #1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-6652092198579561988?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/6652092198579561988/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=6652092198579561988' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/6652092198579561988'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/6652092198579561988'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2010/05/power-template_3333.html' title='The Power Template'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-5941529683426314331</id><published>2010-05-15T09:31:00.001+02:00</published><updated>2010-05-15T09:31:44.767+02:00</updated><title type='text'>A Boston Brahmin In New Mexico</title><content type='html'>&lt;div class=Section1&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;span lang=EN-GB style='font-size:16.0pt;line-height:115%'&gt;A Boston Brahmin In New Mexico&lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;It was in the early spring of the summer of 1970 that I made my third trans-continental crossing of the United States, originating in Boston and, as they would say in bygone days, &amp;#8220;go west young man&amp;#8221;. My first trip was in 67&amp;#8217; as I hitch-hiked 3000 miles from the East Coast to the Pacific Ocean. By 1970 I had become a rather seasoned traveller along life&amp;#8217;s highways, and this particular journey had an even more specific intention attached to it. &lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;The preceding year, while I was living in Cambridge Massachusetts, where I kept a small studio apartment in the garret of a large Victorian at the bottom of Plympton Street near Harvard Square, I had become aware of a woman living in New Mexico who, as both an artist and story-teller, had established a puppet theatre in collaboration with the Pueblo Indians who lived in her area. That area was that stretch of territory between Albuquerque, Santa Fe and up to Taos. &lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;As best as I can recall it was in an issue of the Tulane Drama Review or TDR as it was generally known, that I read the story of Elsie Thetford who lived in Abiquiu New Mexico and who had founded this unique theatre. The article spoke of her unusual work as well her life among the Pueblo Indians, both of which fascinated me. &lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;Before proceeding, it is necessary to back up yet another year to 1968 when I was living in New Haven Connecticut and had become friends with a Yale Drama School student, Jim Metzner, where I had the opportunity to develop a growing interest in various forms of theatre. Besides participating in an original play written by Jim that was performed in a local coffee house over some few weekends, I also got a small part in a Yale University production that was put on by the Yale Repertory Theatre, a professional theatre company, and included a number of drama students and at least one non-student. The play was Euripides&amp;#8217; Bacchae, and the wild chorus was nearly all students, with my friend Jim making a memorable impression as one of the devotees of Dionysus. My bit part was that of a Roman soldier who represented law and order, and the antithesis to rights of the god. I must admit, although it was never my intention, that I rather stole the show on opening night and had to be forcibly removed from the stage. Prior to the curtain going up I did ingest a certain substance that had the overwhelming effect of awakening that Dionysian spirit in me. Somewhere in the middle of a fierce stand-off between the followers of Dionysus and the Roman Guard I removed my clothing, except of course, my excellent Roman helmet and upright stanchion that I had adorned with a flower given to me by a most lovely girl who was a member of the bacchanal. Needless to say that was my last performance at Yale and the end of my acting career. A couple of members of the New Haven Police, who for some mysterious reason were in attendance, did not, fortunately, press formal charges, although the actor who played the lead, endlessly stating how he had appeared so many times On as well as Off Broadway, was driven to fury! &lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;But now it is one year later and I am back living in Cambridge, which would have been in late 1969, and having made contact with Ms. Thetford by writing her a letter, was to my delight invited to come and visit her if I should ever be passing by that way. And so it was that in the early spring of 1970, with a cold New England winter behind me that I set out on my odyssey.&amp;nbsp; &lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;At some point I moved off the Interstate highway and began my way along smaller back roads, having more than once stopped to ask anyone who I saw if they could direct me to the Thetford Place. It was late afternoon but the sun was still high up in the huge New Mexico sky. I stood in front of a &amp;#8216;rammed earth&amp;#8217; house, known as &lt;i&gt;tapia&lt;/i&gt; in Spanish, but most commonly as &lt;i&gt;pisé de terre&lt;/i&gt;. The front door of this modest home was wide open and only a weather beaten screen door &amp;nbsp;was in place to keep the various crawling or slithering creatures that were everywhere to be found, from coming right on in. I called out: &amp;#8220;Hello there&amp;#8221;, and was in very short order standing in front of an elderly woman (she was in fact 87) who said; &amp;#8220;You must be Robert.&amp;#8221;&lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;Elsie Thetford was born in 1883 into an old Boston Brahmin family and in 1901, at the age of 18 was presented into society at a Newport Rhode Island summer ball. Her family were friends of the famous Newport artist John La Farge, who married Margaret Mason Perry, from the even more famous family of Commodore Oliver Hazard Perry, born in Kingston Rhode Island, and his most renowned younger brother, Commodore Mathew Calbraith Perry of Newport, who, in 1853, sailed into Tokyo Bay and negotiated the first US - Japanese trade agreement. In Boston Elsie&amp;#8217;s parents were occasional guest at the home of Isabella Stewart Gardner in the Fenway,&amp;nbsp; that is when Isabella was not in her lovely house in Venice - that I did visit many years later and was actually let in by saying Robert Luongo &lt;u&gt;from Boston&lt;/u&gt;. &lt;i&gt;[That visit I made to Venice is another story altogether and concerns Henry James, who in his youth lived in Newport , and later in life was a frequent guest at the Stewart Gardner&amp;#8217;s Palazzo Barbaro just off the Grand Canal.&lt;/i&gt;] Ms. Gardner, 1840-1924, is most remembered as one of the most prodigious American art collectors and, of course, by John Singer Sargent&amp;#8217;s famous portrait of her. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;And there I was, being welcomed into this charming home in the middle of the New Mexico scrub land of cacti and rattlesnakes, and the biggest sky you have ever seen. &amp;#8220;Well how do you do Robert?&amp;#8221; is what she said as she showed me into her modest parlour. There was an original Georgia O&amp;#8217;Keeffe on the wall, which had been, she said, a gift, in exchange for a particular puppet Georgia loved, and seeing as they were friends and nearly neighbours, neighbours, that is, according to the American south-west where distances are thought of in a far different way. &lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;Mid way between Abiquiu and Taos was a very small town called San Cristobal Taos where in the early 1920&amp;#8217;s D. H. Lawrence and his wife Frieda spent, on two separate occasions separated by a return trip to England, a couple of years at a small homestead now known as the D.H. Lawrence Ranch. As an exchange for a Lawrence manuscript the house was deeded to Frieda and was the only property either of them ever owned. Elsie and her husband - I&amp;#8217;ve not mentioned him yet - were once invited to meet the English couple and Elsie told me how Lawrence was then not very well and was ostensibly in New Mexico to rest and, as always, write. As he was tubercular the dry heat of summer was hoped to be beneficial.&lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;Elsie was married in Boston in 1905 to a civil engineer and land surveyor from a prominent New England family. The territory of New Mexico, Arizona and most of Texas was pretty much unchartered Indian land and the US Government was offering a job to someone who would go there and map the area as well as build storm water drains and aqueducts to combat the raging waters from flash-flooding that could come on so quickly that a dry gulch one minute was a terrifying torrent capable of carrying away anything, from a large vehicle to cattle, in it&amp;#8217;s rapids. And so a year or two after the couple married they set off for New Mexico where Elsie and her husband, with the help of local Pueblo Indians, built their home. In 1914 Europe was at war and in 1917 Lieutenant Thetford sailed for England as part of the US war effort to combat the &amp;#8216;Evil Hun&amp;#8217; as Germany was referred to in the American press, quite possibly originating in any one of the many William Randolph Hearst newspapers. That I don&amp;#8217;t really know for sure.&lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;Elsie had been a widow now for quite some years and while she could have gone &amp;#8216;back east&amp;#8217; decided to stay on in Abiquiu after her husband passed away. I stayed only two days, sleeping on a day bed in a small guest room. Elsie cooked for us and had no regular help, except if there were serious storms and then she said men from the Pueblo would check on her and make sure she was alright. We talked and also walked. Our walks are the most memorable things for me. Elsie carried a walking stick which, due to her age, I assumed was a needed support. As we moved along across the scrub land with cacti and sagebrush scattered out as far as you could see, with the San Cristobal Mountains rising up in the distance in the most vivid purple colour, I heard a sound I had only ever heard about. There was before us a rattler, about four foot long, and Elsie and I just stopped. She proceeded to put the walking stick out in front of her as far as her arm could reach. Faster than you can imagine, that deadly rattlesnake wrapped itself around the stick. With a strong movement of her arm Elsie flung the snake some several feet off to the side. She carried on walking and continued what she had been saying prior to our visitor coming up upon us. She smiled her wry smile, for she knew that this city boy had never seen that before. &lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;The next morning after breakfast I thanked my host so much for her kindness and how easily she trusted me and welcomed me into her home, never once taking exception to this twenty year old fellow wearing his hair long, carrying only a knap-sack from the Army &amp;amp; Navy Store in which there was nothing but a copy of Norman Mailer&amp;#8217;s &lt;i&gt;The Naked and the Dead&lt;/i&gt;, James Joyce&amp;#8217;s &lt;i&gt;Ulysses&lt;/i&gt; and a comb I&amp;#8217;d bought at the Five and Dime.&lt;span style='color:#1F497D'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:115%'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Robert Luongo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-5941529683426314331?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/5941529683426314331/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=5941529683426314331' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/5941529683426314331'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/5941529683426314331'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2010/05/boston-brahmin-in-new-mexico_15.html' title='A Boston Brahmin In New Mexico'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-3349097591990087951</id><published>2010-05-02T16:13:00.001+02:00</published><updated>2010-05-02T16:13:23.956+02:00</updated><title type='text'>Death of the Poet By Mikhail Lermontov</title><content type='html'>&lt;div class=Section1&gt;  &lt;p class=MsoNormal align=center style='mso-margin-top-alt:5.0pt;margin-right: 0cm;margin-bottom:5.0pt;margin-left:0cm;text-align:center;line-height:normal; text-autospace:none'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family: "Verdana","sans-serif"'&gt;A poem written in honour of the great Russian writer Pushkin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='mso-margin-top-alt:5.0pt;margin-right: 0cm;margin-bottom:5.0pt;margin-left:0cm;text-align:center;line-height:normal; text-autospace:none'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family: "Verdana","sans-serif"'&gt;By Mikhail Lermontov&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='mso-margin-top-alt:5.0pt;margin-right: 0cm;margin-bottom:5.0pt;margin-left:0cm;text-align:center;line-height:normal; text-autospace:none'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:16.0pt;font-family: "Verdana","sans-serif"'&gt;Death of the Poet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:16.0pt;font-family:"Verdana","sans-serif"'&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:16.0pt;font-family:"Arial Black","sans-serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=right style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:right;line-height:normal;text-autospace:none'&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=right style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:right;line-height:normal;text-autospace:none'&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Revenge, the Emperor, revenge!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=right style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:right;line-height:normal;text-autospace:none'&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;I will fall at your feet:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=right style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:right;line-height:normal;text-autospace:none'&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Be just and punish the murderer,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=right style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:right;line-height:normal;text-autospace:none'&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;That his sentence in the next century&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=right style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:right;line-height:normal;text-autospace:none'&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Heralded to offspring your right court,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=right style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:right;line-height:normal;text-autospace:none'&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;And that the villains will see example in it. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;The Poet's dead! - a slave to honor -&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;He fell, by rumor slandered,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Lead in his breast and thirsting for revenge,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Hanging his proud head!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;The Poet's soul could not endure&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Petty insult's disgrace.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Against society he rose,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Alone, as always...and was slain!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Slain!...What use is weeping now,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;The futile chorus of empty praise&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Excuses mumbled full of pathos?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Fate has pronounced its sentence!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Was it not you who spitefully&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Rebuffed his free, courageous gift&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;And for your own amusement fanned&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;The nearly dying flame?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Well now, enjoy yourselves...he couldn't&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Endure the final torture:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Quenched is the marvelous light of genius,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Withered is the triumphal wreath.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Cold-bloodedly his murderer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Took aim...there was no chance of flight:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;His empty heart beat evenly,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;The pistol steady in his hand.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;No wonder...from far away&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;The will of fate sent him to us&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Like hundreds of his fellow vagrants&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;In search of luck and rank;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;With impudence he mocked and scorned&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;The tongue and mores of this strange land;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;He could not spare our glory,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Nor in that bloody moment know &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&amp;quot;gainst what he'd raised his hand!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;He's slain - and taken by the grave&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Like that unknown, but happy bard,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Victim of jealousy wild,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Of whom he sang with wondrous power,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Struck down, like him, by an unyielding hand.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Why did he quit the blissful peace of simple fellowship&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;To enter this society, so envious and stifling&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;To hearts of free and fiery passion?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Why did he give his hand to worthless slanderers,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;How could he have believed their hollow words &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;And kindness, he, who'd ever understood his fellow man?... &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt; And they removed his wreath, and set upon his head &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;A crown of thorns entwined in laurel:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;           The hidden spines were cruel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;           And pierced his noble brow;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Poisoned were his final moments &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;By sly insinuations of mockers ignorant,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;And thus he died - for vengeance vainly thirsting &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Secretly vexed by false hopes deceived.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;           The wondrous singing's ceased,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;           T'will never sound again.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;           His refuge, gloomy and small,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;           His lips forever sealed.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;           &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;_____ &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;And you, the offspring arrogant &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Of fathers known for malice,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Crushing with slavish heels the ruins&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Of clans aggrieved by fortune's game!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;You, greedy hordes around the throne,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Killers of Freedom, Genius and Glory!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;     You hide beneath the canopy of law&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;     Fall silent  -  truth and justice before you...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;But justice also comes from God, corruption's friends!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;     The judge most terrible awaits you:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;     He's hardened to the clink of gold,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;He knows your future thoughts and deeds.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Then will you turn in vain to lies:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;     They will no longer help.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;And your black blood won't wash away&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='margin-bottom:0cm;margin-bottom:.0001pt; text-align:center;line-height:normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;     The poet's sacred blood!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;1837&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;The following notes are provided by Karim Filiakov, a first year student at Dallas College in Cape Town South Africa. The notes were originally in Russian and were translated by Karim into English.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;This poem is a response to the tragic death of Pushkin who died Jan. 29, 1837. Lermontov was sick when he heard about the fatal duel. Lermontov learned of the last days of Pushkin&amp;#8217;s from his doctor N.F. Arendt, who visited wounded poet.      (Karim Filiakov, Cape Town, 2010)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;In this poem Lermontov expresses his outrage at the Russian aristocracy because of their attitude towards Pushkin and also in regards to his death. Pushkin's death was not accidental, but was a consequence of the relationship between himself and the Court.  According to contemporaries, Tsar Nikolay I received a copy of the poem. Lermontov and his friend &amp;#8211; a writer and ethnographer, Svyatoslav Afanasievich Rayevski(1808-1876), who actively participated in the spreading of the poem, was arrested and prosecuted. In March, according to the sentence, Lermontov was sent to join a military regiment in the Caucasus.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;Revenge, the Emperor, revenge!&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt; - The epigraph to the poem is taken from the tragedy of the French writer Jean de Rotrou (1609-1650) &amp;quot;Venceslas&amp;quot; (1648) and was modified by A.A. Gendre, a Russian playwright and translator.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;The Poet's dead! - a slave to honor...&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt; - The phrase &amp;quot;slave of honor&amp;quot; was borrowed from the dedication to Pushkin's poem &amp;quot;The Prisoner of the Caucasus&amp;quot;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;Cold-bloodedly his murderer took aim...&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt; - The killer of Pushkin was Georges d'Anthes(1812-1895), Lieutenant of the Cavalry Regiment (from 1834). He was adopted by Netherlands Envoy Baron L. Hecker, who, among other things, introduced Dantes to the salons at Court frequented by the Russian aristocracy. The persecution of the poet, which ended with the duel, was organized by this aristocracy. After the duel with Pushkin, Dantes was exiled to France. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=EN-GB style='font-size:10.0pt; font-family:"Arial","sans-serif"'&gt;...from far away &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=RU style='font-size:10.0pt;font-family:"Arial CYR","sans-serif"'&gt;тhe will of fate sent him to us, like hundreds of his fellow vagrants, in search of luck and rank...&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span lang=RU style='font-size:10.0pt;font-family: "Arial CYR","sans-serif"'&gt; - Dantes arrives in St. Petersburg in 1833 after the War in the Vendee.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=RU style='font-size:10.0pt;font-family: "Arial CYR","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=RU style='font-size:10.0pt; font-family:"Arial CYR","sans-serif"'&gt;- like that unknown, but happy bard, Victim of jealousy wild...&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span lang=RU style='font-size:10.0pt; font-family:"Arial CYR","sans-serif"'&gt; - a reminder about Vladimir Lensky from the Pushkin's novel &amp;quot;Eugene Onegin&amp;quot;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;span lang=RU style='font-size:10.0pt;font-family: "Arial CYR","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal;text-autospace:none'&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=RU style='font-size:10.0pt; font-family:"Arial CYR","sans-serif"'&gt;And you, the offspring arrogant &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=EN-ZA style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;o&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=RU style='font-size:10.0pt;font-family:"Arial CYR","sans-serif"'&gt;f fathers known for malice...&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span lang=RU style='font-size:10.0pt; font-family:"Arial CYR","sans-serif"'&gt; - This &lt;/span&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial CYR","sans-serif"'&gt;line&lt;/span&gt;&lt;span lang=RU style='font-size:10.0pt;font-family:"Arial CYR","sans-serif"'&gt; and&lt;/span&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial CYR","sans-serif"'&gt; the ones that &lt;/span&gt;&lt;span lang=RU style='font-size:10.0pt;font-family:"Arial CYR","sans-serif"'&gt;follow&lt;/span&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial CYR","sans-serif"'&gt; it&lt;/span&gt;&lt;span lang=RU style='font-size:10.0pt;font-family:"Arial CYR","sans-serif"'&gt; were written later - in response to the words of those who justified the murder of the poet.&lt;/span&gt;&lt;span lang=EN-ZA style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-3349097591990087951?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/3349097591990087951/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=3349097591990087951' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/3349097591990087951'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/3349097591990087951'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2010/05/death-of-poet-by-mikhail-lermontov.html' title='Death of the Poet By Mikhail Lermontov'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-6373622803485580339</id><published>2009-07-16T21:13:00.000+02:00</published><updated>2009-07-16T21:14:05.230+02:00</updated><title type='text'>Shaykh Dr. Abdalqadir as-Sufi - Leading Intellectual of Our Time</title><content type='html'>&lt;div class=Section1&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;6&lt;sup&gt;th&lt;/sup&gt; Annual Conference &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Islam in Europe&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;A Celebration of the Main Mosque of Granada&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Shaykh Dr. Abdalqadir as-Sufi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Leading Intellectual of Our Time&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=right style='text-align:right'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;By Abdullah Luongo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;In 1968 I was living in Harvard Square in Cambridge Massachusetts where I had made friends with a student from Bard College, an elite liberal arts college nestled in the Adirondack Mountains of upper New York State, who, having taken a gap year, was in Cambridge working at the Grolier Poetry Book Shop. He and I would sit on the stoop of the book shop and read The Cantos of Ezra Pound. My friend was learning Chinese to help with the ideograms Pound used. I recall the last conversation we had where he said he thought Pound was the greatest poet of the 20&lt;sup&gt;th&lt;/sup&gt; century but had gotten derailed by quacky economic theories. I had no response. Not then. It would be 25 years later that I would write a small book that took off from a quote by Hugh Kenner, in my view the greatest Poundian scholar, that &amp;#8216;Pound&amp;#8217;s ideas of money and credit were not extrinsic to the Cantos, but rather its warp and woof.&amp;#8217; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;That I came to write that modest contribution to the vast opus of extant Pound scholarship was, of course, the direct result of my being encouraged to undertake that endeavour by Shaykh Abdalqadir, and which began here, in Granada, while living in this beautiful city. The theme of usury, or &lt;i&gt;usura&lt;/i&gt;, as Pound called it, only found its full clarification within the illuminating field that had been opened up by the extraordinary intellect of a man who was, first of all, the leading Muslim intellectual of his time and moreover a&amp;nbsp; Shaykh of sufism. The identifying of this root cause of injustice, which we define as &lt;i&gt;riba&lt;/i&gt;, an un-natural increase in the transaction, has been one of the paramount tasks of the Shaykh and an essential part of his ongoing diagnosis necessary for the full recovery of the Deen of Islam in our time. Out from that illuminated clearing made possible by Shaykh Abdalqadir emerged the groundbreaking exposition, extrapolated from the Madinian &lt;i&gt;amal&lt;/i&gt; of the Prophet, may Allah bless him and grant him peace, into the 21&lt;sup&gt;st&lt;/sup&gt; century, by the now famous scholarship of Umar Ibrahim Vadillo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;In speaking about Shaykh Abdalqadir today and his being the foremost intellectual of this time, I needed to connect to my own journey which began when I was as young man, [sitting on the stoop] and subsequently the importance of our honouring the highest aspirations of the young people amongst us. This passing on and transmitting of whatever it is of understanding Allah has favoured us with is a seminal element in Shaykh Abdalqadir&amp;#8217;s teaching. The educating of our youth together with the dynamics of an ongoing &lt;i&gt;dawa&lt;/i&gt; is the clear affirmation of Allah having honoured us with the highest Deen, and the only one acceptable to Him. Where ever this is taking place is where the authentic work of Shaykh Adbalqadir is happening.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;I am reminded from our studies at Dallas Institute in Cape Town of Shakespeare&amp;#8217;s Richard II, which we have just completed, and certain un-enviable words of Richard, held prisoner in Pomfret Castle awaiting his inevitable death where he says, &amp;#8220;I have wasted time, and now doth time waste me.&amp;#8221; Therefore, we take heed and use this time wisely. That we have gathered here to honour a man of knowledge is a most excellent use of our time and moreover an absolute delight, for the knowledge of this one man and what Allah has honoured him with is a means of guidance for Muslims all over the world.&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;It is the encounter itself that brings with it fresh growth and understanding. Henry James, the American novelist, said that consciousness is a shared experience and that when you enter into the place of knowing then the ones who did not see begin to see. The people of seeing take those who want to know and bring them to the place from where they look, as if to say, &amp;#8216;look, look from here.&amp;#8217; This grasping of the event by being in the company of one who sees is an opening to the understanding that truly Allah is the Seeer. The scintillating insight through the detailed observations of the acute consciousness of Henry James, as it moves almost imperceptibly through his novels, is just one of the many profound delights that pour out continuously from being in the company of the Shaykh. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;I began my preparation for coming here to Granada by re-reading &lt;i&gt;The Shield of&lt;/i&gt; &lt;i&gt;Achilleus&lt;/i&gt;, given as a talk in 1987 in Majorca by the Shaykh. His talk was precisely an unfolding, an opening up of a way of looking that enables us to see in a way that has always been before us, but has been obfuscated by layers of ignorance imprinted on us from our earliest childhood, then on through to the shock of puberty &amp;#8211; devoid in modern society of any intrinsic meaning, of an understanding of our awakened sex, or an understanding of the world we find ourselves in. Young adults are adrift in a warped view of what they are told is reality and what life holds for them, who then attempt to obtain an education to prepare for a world that becomes their prison. It is more a need to de-code and be free of what one has already learned by an enforced patterning in order to begin a true education, a paideia, as known by the early Greeks, making ready the student to receive the shattering force of the ancient natural religion of Ibrahim. Remember, when Ibrahim, still a youth, who having smashed the idols of his society, save one rather large one, said, &amp;#8216;That one did it -don&amp;#8217;t blame me.&amp;#8217;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;It is then a way of being (what Heidegger called &lt;i&gt;dasein&lt;/i&gt;), that embodies a way of looking at the world (weltanschauung) that Shaykh Abdalqadir is able to open for us. Importantly, the Shaykh is not a door or passage but a guide who indicates a way that we can take, as much as we are ready to take it, to reach for our highest possibility. As so much of what each one of us is has been determined, as our DNA is the encoded pattern from which the design of us emerges, one most essential element we carry forward for this heroic task is to desire it. Together with this desire the other key element is that we must have &amp;#8211; from when we were in our early childhood &amp;#8211; been loved. The one who desires freedom, here the Shaykh prefers the term &lt;i&gt;freiheit&lt;/i&gt;, and to reach their highest possibility, has to have been loved, and then they, in turn, can love. What the Shaykh says about this in his &lt;i&gt;Book of Hubb&lt;/i&gt; when he gives us an insight into the ayat of Qur&amp;#8217;an where Allah says: &lt;b&gt;Say, &amp;#8220;If you love Allah, then follow me and Allah will love you and forgive you for your wrong actions. Allah is Ever-Forgiving, Most Merciful&amp;#8221;&lt;/b&gt; is, he instructs us, a key to one of Allah&amp;#8217;s great secrets.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;I refer again to the &lt;i&gt;Shield of Achilleus&lt;/i&gt;. We all know the story of Achilles from Homer&amp;#8217;s poem &amp;#8211; actually a song, the Iliad. Achilles had a choice, which was, when taken, in fact his destiny, and that was (to quote from the Shaykh&amp;#8217;s text) &amp;#8220;either dying young in glory, or a long life surrounded by his family and his wealth on the land.&amp;#8221; We know from the story that when Achilles refused to fight because of his being angry with Agamemnon it precipitated disaster for the Greeks. Now he was not at the gates of Troy for Greece, for a State or for anything other than for himself. Yes, the war was over Helen, but Achilles fought for Achilles. Therefore, when confronted with the situation he had to either challenge Hector or loose his honour, and he, of course, makes the famous decision to fight. What was then and still is at stake is whether there will be free men able to choose their highest possibility. What you realise is that that choice, which is against the bourgeois drive, is, at the same time, what (again quoting the Shaykh&amp;#8217;s text) &amp;#8216;defends the whole of natural existence&amp;#8217;, for that picture of life &amp;#8211; with a city at peace, another domain at war and fields of wheat, the grape vines, fine youths and fair maidens, is we learn the very design on the shield of Achilleus.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;What Shaykh Abdalqadir is speaking of is not an erudite academic exercise, but an existential encounter with our self of the utmost exigency. The man must go out, not stay at home. His project can not be his family and his business to support it. He must have a higher project and it is that he establishes justice. D.H. Lawrence saw that that man, &amp;#8220;with that spark in him&amp;#8221; was the endangered specie, under threat by what he called the &amp;#8220;money man&amp;#8221;. The new economic man fears the censure of the other, and therefore the negative discourse begins: that his wife &lt;u&gt;may&lt;/u&gt; complain, that the mother-in-law &lt;u&gt;would&lt;/u&gt; berate him. It is not that he does not take care, but that he should not be enslaved under an imposed tyranny. The father-in-law may appear to be successful yet has long since faded from himself, as T.S. Elliot called them &amp;#8216;the hollow men&amp;#8230;the stuffed men.&amp;#8217; But society says you must be responsible &amp;#8211; to the family, to the mother and what of the children and their needs! How can he go off and be so irresponsible? So what on earth&lt;span style='color:#1F497D'&gt; &lt;/span&gt;is this business of the &lt;u&gt;heroic&lt;/u&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;We are in an age where everyone has been turned in an accountant, conscientiously going to work each day to count the money that not only is not really there, but is not real. And yet we are bound to it. The terrible thing is that if you stay back and make this thing you call &amp;#8216;my family&amp;#8217; your project - then the first victims are nearly always the children. That whole pattern of &amp;#8216;natural life&amp;#8217; that was the design of Achilles&amp;#8217; shield is protected precisely by not staying back.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;With Achilles we remember his story - that he did die young in glory. We sing the song of Odysseus, who reached the shores of old age&amp;#8230;&amp;#8230;.but not because he stayed at home. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;This was the &lt;b&gt;sunnah&lt;/b&gt; of the first community of the Rasul, sullalahu alaihi wa salem, and was held to wherever the Deen was strong. With the emergence of this kind of man, with the temerity to speak the truth, whose outward project is justice and whose inner being is illuminated, who Nietzsche called &amp;#8216;a bridge to the overman&amp;#8217;, will be the woman who desires him, and they together are what Shaykh Abdalqadir identifies as the &amp;#8216;collaborative couple.&amp;#8217; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;I should like to attempt to present a picture to you as a landscape, if you permit me, which is built-up by means of overlaying composite images that you will have the task of keeping in mind. The effect, if successful, will be a contextual field of vision whereby you will see something in a way that you may not have previously. This original approach, what I would call an artistic approach, but artistic in way that Leonardo De Vinci and the Renaissance movement of his time was, as you all know, also highly scientific, is a determining feature to the &amp;#8216;how&amp;#8217; of how Shaykh Abdalqadir shows something that in our seeing it can [can] make an opening in our grasping, by means of recognition, something that was not actually hidden but, nevertheless, not seen. I will take from a theme that has on numerous occasions been presented in Shaykh Abdalqadir&amp;#8217;s writing, for example, in &lt;i&gt;The Shield of Archilleus&lt;/i&gt; (which I have mentioned), in &lt;i&gt;The Technique of the Coup de Banque&lt;/i&gt;, and &lt;i&gt;The Time of The Bedouin&lt;/i&gt;, as well as other of his brilliant web site articles that have been available over these recent years. Not withstanding a recognisable complexity in this modus operandi, it is &lt;u&gt;not at all complicated&lt;/u&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Just as we began with the age of the poets, in particular Homer and he being our means of access to the consciousness of the hero, we took Achilles, and could have ended with Alexander, we now look at the philosophers. We make a speedy ascent to Plato and focus on the underlying theme of &lt;i&gt;The Republic&lt;/i&gt; and to a certain extent, &lt;i&gt;The Symposium&lt;/i&gt;.&amp;nbsp; These texts allow us to say that the fundamental &amp;#8216;question of the philosophers&amp;#8217; was how and in what manner is society best set up and governed to assure the prosperity and harmony of its people. Needless to say, democracy was not on the top of Plato&amp;#8217;s list, and Aristotle, often in disagreement with Plato&amp;#8217;s assessments, also saw democracy as a digression, just as he said &amp;#8216;monarchy could digress into tyranny and aristocracy into rule by an oligarchy&amp;#8217;. Throughout the ages these men we call philosophers have grappled with this theme and other extenuating themes pertaining to &amp;#8216;man&amp;#8217; as an object in their subject dominated sentences. In referring to this activity the Shaykh says that all of what Aristotle wrote took place in the realm between his ears and his tongue. The Shaykh adds that the truly great accomplishment of Aristotle was not his philosophy but Alexander, his pupil, and we do not know what he taught him but only what Alexander the Great did when he went out into the world and did it. The momentum of his heroic life propelled Greece on another 300 years after his death, until we track the destruction and end of Greek Civilization by the onslaught of a group of Jewish immigrants who came and settled in Greece with a new religion, Christianity.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;We move now to the modern age where we have in the philosopher Hegel (1770-1831) an all-encompassing system of thinking where he says &amp;#8216;everything is a manifestation of spirit&amp;#8217;. One could say that there is no place left to go as everything has been invested with spiritual meaning. Precisely now there emerges someone the Shaykh describes as &amp;#8216;like a character from a children&amp;#8217;s story comes this wild figure Marx, and all he does, like a juggler, is turn the whole thing up-side-down&amp;#8217;. He turns Hegel up-side-down. He says, &amp;#8220;No,[everything is not spirit] everything is matter&amp;#8221;. Marx called this &amp;#8216;dialectical materialism.&amp;#8217; The Shaykh continues by saying, &amp;#8216;And along comes another of these jugglers, Freud, and he [Freud] says, &amp;#8220;The Christians are wrong, there is no soul, no higher spirit. What you thought was a higher spirit is an unconscious drive. It is not just an Unconscious, it is an unconscious drive.&amp;#8221; Therefore, instead of a spirit that reigns, you have an energy which is driving, and you are not in the driver&amp;#8217;s seat.&amp;#8217; The exposition of the Shaykh continues. &amp;#8216;Then comes the third clown, a scientific Harpo Marx, and this is Einstein, and he declares a relativity of knowledge.&amp;#8217; [Everything is relative] The last life-line is cut. While Einstein&amp;#8217;s &amp;#8216;relativity theory&amp;#8217; has been packed away into the storage archives in favour of more accurate theorems, the damage is done and we are left with nothing other than his other major contribution to the human race, the atom bomb.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;These three figures unleashed a plague that impacted on the modern age in a way far more devastating than any Medieval Black Plague ravaged the body of Europe. I would add one other name that appears in the mid 20&lt;sup&gt;th&lt;/sup&gt; century, Jacque Derrida, who is the inheritor of the three, and whose philosophy has exerted an inordinate influence on the entire academic world. The Shaykh has referred to the outcome of the campaign of the three famous clowns as the deconstruction, or more appropriately he says, the &lt;u&gt;destruction&lt;/u&gt; of a higher view of man and his ascent through self-knowledge to knowledge of the Devine. The father of the mid 20&lt;sup&gt;th&lt;/sup&gt; century Deconstructionists is Jacques Derrida, whose main axiom is, &amp;#8220;There is nothing beyond the text.&amp;#8221; He then goes on to say that as words have no absolute meaning, that they [as signifiers] are open to an unlimited range of interpretations. To attempt to follow his train of thought is to descend into a dark quagmire without any hope of finding a way to the light of day. The brilliant Michel Foucault called Derrida an &amp;#8216;obfuscating terrorist&amp;#8217; as his thinking is nothing less than &amp;#8216;contradictory paradoxes&amp;#8217; that lead no where and when one states that they do not make sense, Derrida retorts that your not understanding him is that you are stupid, hence the &amp;#8216;terrorist&amp;#8217; appellation by Foucault.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;Against this background (in our landscape painting) the Shaykh brings out another view originating from the Greeks (which we began with) and is brought into the modern age by Wagner and Ibsen in the 19&lt;sup&gt;th&lt;/sup&gt; century and Junger in the 20&lt;sup&gt;th&lt;/sup&gt;. Ibsen&amp;#8217;s plays &lt;i&gt;Ghosts&lt;/i&gt; and &lt;i&gt;The Doll House&lt;/i&gt; are works, as those of the first Greek tragedians were, that can bring about a disturbing yet liberating catharsis within bourgeois capitalist society. These three men open up a clearing in human consciousness that allows man to move out from his disasters, to an understanding of Being that can set him free from the dark prison within which he finds himself. We must hold all this and move now to the final chapter of the &lt;i&gt;Time of the Bedioun&lt;/i&gt;. Here the Shaykh makes a concordance with Junger, the last of his generation and a great German intellectual, who said that he was himself &amp;#8216;an end not a beginning,&amp;#8217; who is both able to embrace &lt;u&gt;technique&lt;/u&gt; as the defining aspect of the modern world [this is unavoidable for all of us] while also drawing from the antecedents of the Homeric tradition, the heroic age. We would then call Junger a poet, in the classical sense, as was Homer.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;The next step is to join Junger&amp;#8217;s vision of the &amp;#8220;clearing in the forest&amp;#8221; towards which 21&lt;sup&gt;st&lt;/sup&gt; century man must make his way, and this is not an idyllic place as you might imagine from the height of German Romanticism, but rather an inner condition, and connect it to the three stages outlined by Ibn Khaldun in the 14&lt;sup&gt;th&lt;/sup&gt; century in his master work &lt;i&gt;The Muqaddima&lt;/i&gt;.&amp;nbsp; The first of those stages is what is defined as Bedouinism (this is clearly nothing to do with what we all understand as Nomadism) which, to quote from Shaykh Abdalqadir&amp;#8217;s text, &amp;#8216;implies a dynamic movement of men in contradistinction to a prior settled culture&amp;#8217;. &amp;#8216;The Bedou is outside the urban system.&amp;#8217; This is no less true where, the Shaykh relates, &amp;#8216;he is in it&amp;#8217;. After some time the numbers of such people increases and they begin to recognise one another and subsequently come together. This coming together is the most powerful force social man can experience. &amp;#8216;It is kinship but not of blood.&amp;#8217; It transcends the family, a tribe or a nation. It is what Ibn Khaldun defined as &lt;b&gt;Asabiyya&lt;/b&gt;, and it is the 2ed stage. In the best of modern translations this term is translated as &amp;#8216;esprit de corps&amp;#8217; which is very close although still not complete in its understanding, as this (quoting the Shaykh) special &amp;#8216;unifying bond of brotherhood &amp;#8230;is more than that&amp;#8230; as it has in it an added moral evaluation as in the term &lt;b&gt;Futuwwa&lt;/b&gt;, chivalry, or nobility of character.&amp;#8217; This is the final 3ed stage. Conclusively, we can clearly hear him, O most excellent in character, sullahu alaihi wa salem, when he says: &amp;#8220;I have not come but to perfect good character in men.&amp;#8221;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;What takes place in the final chapter of &lt;i&gt;The Time of The Bedouin&lt;/i&gt; brings into play all the elements of a highly detailed and meticulously researched study that has taken the French Revolution as its epicentre, and then brings into focus with such startling celerity a full blown canvas of staggering proportions that one must go back to it again and again and reflect on its meanings. It is a masterpiece!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;To conclude I have taken from the wisdom of &lt;i&gt;The Hikam&lt;/i&gt; of Ibn Ata&amp;#8217;illah where he says: &amp;#8220;What a difference between one who proceeds &lt;u&gt;from&lt;/u&gt; Allah his argumentation and the one who proceeds inferentially &lt;u&gt;to&lt;/u&gt; Him! He who has Him as his starting point knows the Real (Haqq) as It is, and proves &lt;u&gt;any matter&lt;/u&gt; by reference to the being of its Origin.&amp;#8221; The intellectual perspicacity of Shaykh Dr Abdalqadir as-Sufi emanates from an inviolable knowledge of the absolute Oneness of Allah, a pure &lt;b&gt;Tawhid&lt;/b&gt;. This is his teaching.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&amp;nbsp;His intellect, something by which Allah has honoured him, is firmly bound, as in the Arabic word &amp;#8216;akl for intellect, which derives from the root of the word for the cord which is used to hobble a camel and makes to stay. Therefore, the greatest intellect of this age is coiled in the green turban of the lovers and defenders of the Rasul, may Allah bless him and grant him peace, and prostrates before the Majesty and Greatness of Allah. The intellectual argument of Shaykh Abdalqadir as-Sufi is that he says, from the book of Allah, &amp;#8220;Say: Allah! And leave them plunging in their games.&amp;#8221; With this the kufar are confounded and driven to fury. Faced with the conundrums of this age, Shaykh Abdalqadir as-Sufi draws his Alexandrian sword and standing before the Gordian Knot which the oracles say will be undone by the one who will be Lord of all Asia, he cuts it through! No argument! Allahu Akbar!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;As salammu alaikum&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt;text-indent:-36.0pt'&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&amp;nbsp;&amp;nbsp; &lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:10.0pt;font-family:"Arial","sans-serif"'&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:11.0pt;font-family:"Calibri","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-6373622803485580339?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/6373622803485580339/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=6373622803485580339' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/6373622803485580339'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/6373622803485580339'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2009/07/shaykh-dr-abdalqadir-as-sufi-leading_16.html' title='Shaykh Dr. Abdalqadir as-Sufi - Leading Intellectual of Our Time'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-9050998123870735147</id><published>2009-06-03T09:12:00.001+02:00</published><updated>2009-06-03T09:12:42.885+02:00</updated><title type='text'>The Albatross</title><content type='html'>&lt;div class=Section1&gt;  &lt;p class=MsoNormal&gt;&lt;b&gt;&lt;span lang=EN-GB style='font-size:14.0pt'&gt;The Albatross&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Often the idle mariners at sea&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Catch albatrosses, vast birds of the deep,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Companions which follow lazily&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Across the bitter gulfs the gliding ship.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;They&amp;#8217;re scarcely set on deck, these heavenly kings,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Before, clumsy, abashed, full of shame, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;They piteously let their great white wings&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Beside them drag, oar-like, and halt and lame.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;See this winged traveller, so awkward, weak!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;He was so fine: how droll and ugly now!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;One sailor sticks a cutty in his beak,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Another limps to mock the bird that flew!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;The Poet&amp;#8217;s like the monarch of the clouds&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Who haunts the tempest, scorns the bows and slings;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;Exiled on earth amid the shouting crowds,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;He cannot walk, for he has giant&amp;#8217;s wings.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;Charles Baudelaire &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US style='font-size:10.0pt'&gt;Translated by Joanna Richardson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;b&gt;&lt;span lang=EN-US style='font-size:14.0pt'&gt;Reflection on L&amp;#8217;Albatros by Robert Luongo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=FR&gt;Ses ailes de géant l&amp;#8217;empêchent de marcher.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;Some years ago I had been living in Spain&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;And restlessness overcame me, and I searched the horizon.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;&amp;#8220;I shall visit my friend in England: &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;&amp;#8220;He resides in a hamlet outside of town.&amp;#8221;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;The savant was silent then said no not to go.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;&amp;#8220;He is the person to see if you need crutches,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;&amp;#8220;&lt;span style='color:#1F497D'&gt;W&lt;/span&gt;hat you need are wings!&amp;#8221; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-US&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=EN-GB style='font-size:11.0pt;font-family:"Calibri","sans-serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-9050998123870735147?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/9050998123870735147/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=9050998123870735147' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/9050998123870735147'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/9050998123870735147'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2009/06/albatross.html' title='The Albatross'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-2297092529001522092</id><published>2009-05-13T22:16:00.001+02:00</published><updated>2009-05-13T22:16:20.913+02:00</updated><title type='text'>The End of the Age of the Republic</title><content type='html'>&lt;div class=Section1&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;'Between the acting of a dreadful thing&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family: "Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;And the first motion, all the interim is&lt;br&gt; Like a phantasma, or a hideous dream.'&lt;/span&gt;&lt;span style='font-size:12.0pt; font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-indent:36.0pt'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;Brutus in Act II, scene i:63-65, from Julius Caesar&lt;/span&gt;&lt;span style='font-size:12.0pt; font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-indent:36.0pt'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;br&gt; We hear Brutus as he privately contemplates the impending murder of Caesar, in what is recognisable as a pre-emptive strike against a would-be tyrant. Caesar is a de facto king in all but name, yet we are told &amp;#8220;three times he did refuse the crown.&amp;#8221; For Brutus the action against Caesar is not a case of someone needing to rationalise to themselves the doing of a thing, as he is clearly convinced of his ideological, as well as moral, high-ground. Unlike Hamlet, who equivocates as the task before him pushes the limits of what he can endure, Brutus has no such dilemma, but rather an inveterate pride cloaked within the public persona of being the defender of the Roman Republic. These are exalted and high-minded ideals, such that others are to die for. He is a would-be stoic and every bit the modern man of the political class, and so it is not at all surprising that Robespierre, France&amp;#8217;s famous first citizen, should have been so enamoured by this celebrated character. &lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;Mark Anthony was Caesar&amp;#8217;s friend and stands in opposition, while asking permission of Brutus to speak. In the most powerful and efficacious political speech on record, he turns the tide of support for the &amp;#8216;liberators&amp;#8217; against them. Anthony is accused of being an ambitious Machiavellian who uses the funeral eulogy of Caesar to &amp;#8220;unleash the dogs of war&amp;#8221; (Act III, scene i) as he beats the drum of the explosive leitmotif: &amp;#8220;And Brutus is an honourable man&amp;#8221; (Act III, scene ii), until the populace are drawn into a rage against Brutus and his co-conspirators whom only moments earlier they were cheering.&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style='font-size:12.0pt; font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;With Robespierre we have the pivotal figure of the French Revolution who casts himself in the leading role of the famous Roman patrician. Was not Robespierre also a chaste and honourable man; principled and virtuous? And did he not embrace the unassailable principles of Liberty, Equality and Fraternity upon which the French Republic stands, and with such passionate reverence that thousands upon thousands of Frenchmen should die for what he believed? &lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;Brutus, like Richard II, was a mirror-gazer. Richard did not like what he saw, for in the famous usurpation scene, when he called for a mirror to be brought, he still looked a king, &amp;#8220;O, flattering glass!&amp;#8221; (Act IV, scene i), which he then saw to be totally false, and smashed it. He had been un-kinged, first by Bolingbroke, then by his own volition as he violently separated &amp;#8216;the two bodies of the king&amp;#8217; by dashing his public persona of monarch into a thousand shards of glass. &lt;/span&gt;&lt;span style='font-size:12.0pt;font-family: "Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;Brutus, on the other hand, liked what he saw. Therefore, when Cassius says: &amp;#8220;Tell me good Brutus, can you see your face&amp;#8221; (Act I, scene ii), Brutus answers his question in optics by stating that only by reflection can someone see themselves. Cassius has him, for while the other conspirators were simply suborned with the promise of secured trading concessions and retaining political favours, Brutus is roped in by his deep-rooted rectitude upheld by the high-minded democratic principles of the Republic. When Brutus looks into the metaphorical mirror held up to him by Cassius:&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-indent:36.0pt'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;#8220;I, your glass&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Will modestly discover to yourself&lt;/span&gt;&lt;span style='font-size:12.0pt; font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; That of yourself which you yet know not of,&amp;#8221;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;he (unlike Richard) likes what he sees. One can sense that Brutus has gazed upon himself in private to view his impeccable public image.&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;Marat, the popular political philosopher and journalist, exhibited the pragmatic modalities of the Revolution. Marat&amp;#8217;s thinly veiled enmity for the enshrined citizen, whom he gloriously championed in his writings, made clear that people were simply not capable of being in charge of something as important as their liberty. The freedom of &amp;#8216;The People&amp;#8217; must be protected at all costs. This became a matter of National Security. Marat assured the citizens that the threat was everywhere, a virtual &amp;#8216;code red&amp;#8217; and that counter-revolutionaries were entrenched in every dark corner, lurking in the shadows of society and, moreover, that the only way to assure the protection of Freedom was to purge the State of its enemies. If the body-politic was infected then the treatment was to bleed it. These enemies were not citizens protected by law but non-citizens, dehumanised, secret enemy combatants whose very existence threatened the safety and security of the Nation. Everyone must be vigilant. Complacency is tantamount to treason. Suspicion casts its hard cold stare as everyone comes under surveillance. They were outlaws, outside the Law, and therefore, the manner of dealing with them operates by the rule of exception outside the juridical process, so that the otherwise inalienable rights, civil liberties, did not apply. This does not break the law, but rather works outside of it by the establishment of a state of emergency. The Terror of the French Revolution drove the machinery of the modern democratic State that ratified the torture and execution of so many thousands of Frenchmen in the name of Liberty. &lt;/span&gt;&lt;span style='font-size: 12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;While we do know that Robespierre admired Brutus, we have no such proof that Marat, the relentless broadsheet propagandist (the mass media of the eighteenth century) was ever so enamoured by the bony Cassius.&lt;/span&gt;&lt;span style='font-size:12.0pt; font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;Shakespeare&amp;#8217;s Julius Caesar remains an important play, very much relevant to our modern age. Caesar posed a potential threat to the very foundations of the Roman Republic. If he were to become king it would &amp;#8220;put the sting in him&amp;#8221;, against which no free Roman citizen would be safe. &amp;#8220;Not that I loved Caesar less, but that I loved Rome more&amp;#8221; (Act III, scene ii) is the basis of Brutus&amp;#8217; argument when he painstakingly explains to the crowd why it was for their own good that Caesar had to be killed, or &amp;#8220;sacrificed&amp;#8221; as he said, for the greater good. &amp;#8220;Had you rather Caesar were living, and die all slaves, than that Caesar were dead, to all live as free men?&amp;#8221;&amp;nbsp; Earlier in the play (Act II, scene i) we hear Brutus, after having been found more malleable than Cassius had originally thought possible, contemplating his impending action.&lt;/span&gt;&lt;span style='font-size:12.0pt; font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;#8220;It must be by his death; and for my part&lt;/span&gt;&lt;span style='font-size: 12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I know no personal cause to spurn at him,&lt;/span&gt;&lt;span style='font-size:12.0pt; font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; But for the general. He would be crown&amp;#8217;d:&lt;/span&gt;&lt;span style='font-size: 12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; How that might change his nature, there&amp;#8217;s the question.&amp;#8221;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;At the end of the same reflection, Brutus concludes:&lt;/span&gt;&lt;span style='font-size: 12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;#8220;And therefore think him as a serpent&amp;#8217;s egg,&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Which, hatch&amp;#8217;d, would as his kind grow mischievous,&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; And kill him in the shell.&amp;#8221;&amp;nbsp; &lt;/span&gt;&lt;span style='font-size:12.0pt; font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;Cassius, defeated by Anthony&amp;#8217;s accomplished army, orders his own servant to stab him as he cries out, &amp;#8220;Caesar, thou art revenged, / Even with the sword that killed thee.&amp;#8221; Brutus, on the other hand, has repelled the forces of Octavius, Julius Caesar&amp;#8217;s great-nephew and heir, who upon hearing of his uncle&amp;#8217;s murder returns to Rome. But when Brutus finds Cassius dead and his army lost, he too looses heart and runs on the sword of his servant Volumnius. When Anthony finds the body of Brutus he comments: &lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; text-indent:36.0pt'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;#8220;This was the noblest Roman of them all.&lt;/span&gt;&lt;span style='font-size:12.0pt; font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; All the conspirators save one only he&lt;/span&gt;&lt;span style='font-size:12.0pt; font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Did that they did in envy of great Caesar&amp;#8230;&amp;#8221; (Act V, scene v).&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;Young Octavius (he was still in his teens) orders the body of Brutus to be buried &amp;#8220;With all respect and rites&amp;#8221;, and declares an end to the battle. &lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;Only the most educated of Shakespeare&amp;#8217;s audience would have been moderately familiar with the (44 BC Roman) Republican form of government, or its much earlier Greek antecedent. For them Caesar&amp;#8217;s murder was regicide. No modern audience (dating from the American and French Revolutions of the late eighteenth century) has ever cast Brutus in less than a heroic light, with Caesar as the dangerous dictator. What is remarkable is that Shakespeare prefigured an age that had not yet arrived.&lt;/span&gt;&lt;span style='font-size:12.0pt; font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:150%'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;line-height:150%; font-family:"Verdana","sans-serif"'&gt;&amp;nbsp;&lt;/span&gt;&lt;span style='font-size:12.0pt; line-height:150%;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'&gt;&lt;span lang=EN-GB style='font-size:12.0pt;font-family:"Verdana","sans-serif"'&gt;The key to the richness of Shakespeare&amp;#8217;s plays is the language itself, as it unlocks all the myriad meanings. His remarkable genius is in how he wonderfully sets the stage and then refrains from imposing a demagogic or ideological hold on the action. Consequently, fresh thematic insights and character interpretations continue to emerge in each successive age. This is true now, as we approach the end of the Age of the Republic.&lt;/span&gt;&lt;span style='font-size: 12.0pt;font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-2297092529001522092?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/2297092529001522092/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=2297092529001522092' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/2297092529001522092'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/2297092529001522092'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2009/05/end-of-age-of-republic.html' title='The End of the Age of the Republic'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-164963858522803001</id><published>2009-05-13T22:14:00.001+02:00</published><updated>2009-05-13T22:14:12.639+02:00</updated><title type='text'>A Dying Poet</title><content type='html'>&lt;div class=Section1&gt;  &lt;p class=MsoNormal&gt;Jadis, si je souviens bien, ma vie était un festin ou&lt;span style='font-family:"Arial","sans-serif"'&gt;&lt;/span&gt; s'ouvraient tous les coeurs,&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt; ou&lt;span style='font-family:"Arial","sans-serif"'&gt;&lt;/span&gt; tous les vins coulaient.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;From Une Saison En Enfer by Arthur Rimbaud&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;'What thou lovest well remains,&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;                                the rest is dross&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;What thou lov'st well shall not be reft from thee'&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;                                From Canto LXXXI of The Pisan Cantos by Ezra Pound&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;b&gt;A Dying Poet&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;Rimbaud got away; he got out young. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;With a second Saison en Enfer, he travelled delirious, back to France from Abyssinia. A torturous journey, overland on a rude litter, typically reserved for the dead. By sea left for days unattended without food or water. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;The last of the dross burnt away.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;His leg amputated in hospital in Marseilles.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;A heated arrival at Roche met with the same cold censure, reserved for her 'profligate son', although a little sister had grown up, sympathetic, someone to talk to, to tell his amazing tales. A mother grown yet even harder, more small.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;He would have to leave all over again.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;He could not die there in that place. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;Isabelle would bring him poppy-seed tea, made from their garden flower bed to ease the horrid pain and incessant fever. The floor of his little room covered with woven prayer mats he'd brought with him from Harar. They said he would recite strange 'oriental verses', as in a trance. One night woken from a dream having forgotten his condition sprang from his bed to see through an open window the moon rise luminous and fell crashing to the floor. &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;He had, like his father, whom he'd never met, who while stationed in Algeria as a Legionnaire governor learnt Arabic and made an early translation of Qur'an into French, also learnt Arabic and with the assistance of his house servant, Djami, they would recite. Djami married a girl from the local village, and at twenty became a young father to a little daughter, a little light, like playful fireflies in the night. And so he would often speak of his faithful friend, who he dearly loved, sometimes calling Isabelle by his name, and how he wanted to return to Africa with a bride and have a family. After a short month lasting a near eternity he set off by train with his sister accompanying him. He was by all accounts terribly unwell, unfit for even the shortest trip let alone an arduous and now impossible journey back to Africa. In Paris they had to change stations and continue on to Lyon, then another train to Marseilles. Upon his arrival he was immediately brought to the hospital of the Immaculate Conception, which he would never leave. The doctors told Isabelle that any hope of recovery was futile and the end was near. They, on the other hand, fed Arthur unpalatable encouragement. Whenever he was conscious his sister would work on him to convert to Catholicism, and accept the holy Sacrament. What stale bread for a sublime poet whose visions poured from the Unseen.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;                                                Robert Luongo&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-164963858522803001?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/164963858522803001/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=164963858522803001' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/164963858522803001'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/164963858522803001'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2009/05/dying-poet_13.html' title='A Dying Poet'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-5891063313595694487</id><published>2009-04-18T15:51:00.001+02:00</published><updated>2009-04-18T15:51:58.347+02:00</updated><title type='text'>Standing by Words</title><content type='html'>&lt;div class=Section1&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div style='mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical: paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly; mso-element-linespan:3'&gt;  &lt;table cellspacing=0 cellpadding=0 hspace=0 vspace=0 align=left&gt;  &lt;tr&gt;   &lt;td valign=top align=left style='padding-top:0cm;padding-right:0cm;   padding-bottom:0cm;padding-left:0cm'&gt;   &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height:   76.3pt;mso-line-height-rule:exactly;page-break-after:avoid;vertical-align:   baseline;mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical:   paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly;   mso-element-linespan:3'&gt;&lt;span style='font-size:93.5pt;font-family:"Times New Roman","serif";   mso-text-raise:-.5pt'&gt;B&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/table&gt;  &lt;/div&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;irches bend beneath the weight to young lads&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Climbed atop their supple branches&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Springing back with the sap of Dionysus&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Lost to a bitched world gone bad in the teeth&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; that cannot come to grips&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Rotten brickwork in city slums&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Held together by fetid mortar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Nations with its millions un-employed boosts the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Number of passive receptors:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Sodom of Thames . . . &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;heralds' conditions of imposed unemployment and that of being passive recipients of all that you are shamefully made to accept. Sodom on Thames is clipped from Canto CV by Ezra Pound, the twentieth century master of epic verse. While Sodom was that wicked city in ancient Palestine notorious for vice and corruption, the specific event Mr. Pound was referring to was the battle of Waterloo, 1815, that provided an opportunity for the Rothschild Banking Family to make an unprecedented fortune out of events. Jacob Rothschild, a Paris banker, had the earliest news (with an agent close at hand to the battle) of a French defeat. Word was sent (some say by carrier pigeon) to his brother Nathan, a London banker, to spread the news that the French had won and Napoleon was on the march to London. This caused an immediate panic on the London Gold Market, spurred on further by Nathan's rapid selling off of gold shares. Everyone holding shares began to sell for whatever they could get, fearing the worst with Napoleon's army soon to be entering the capitol. Before the close of business Nathan bought back everything he could get his hands on. By nightfall word arrived that the English had won, and Napoleon had retreated in defeat, but not before the house of Rothschild had made a staggering profit at the country's expense.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The implicit association between sodomy and fraud was not an original one by Pound, for he was thoroughly familiar with Dante's Divina Commedia. It, of course, was the earlier poet who cast Sodomites and Usurers, those that commit fraud by cheating through interest-taking or any manipulation to the value of money, into the same circle of hell for their acts against nature. Dante, in turn, drew his reference from the Canon Law of the Church that prohibited both acts and condemned those who practised them.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div style='mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical: paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly; mso-element-linespan:3'&gt;  &lt;table cellspacing=0 cellpadding=0 hspace=0 vspace=0 align=left&gt;  &lt;tr&gt;   &lt;td valign=top align=left style='padding-top:0cm;padding-right:0cm;   padding-bottom:0cm;padding-left:0cm'&gt;   &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height:   76.3pt;mso-line-height-rule:exactly;page-break-after:avoid;vertical-align:   baseline;mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical:   paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly;   mso-element-linespan:3'&gt;&lt;span style='font-size:93.5pt;font-family:"Times New Roman","serif";   mso-text-raise:-.5pt'&gt;B&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/table&gt;  &lt;/div&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;anks payout "say" four percent on&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; cash deposits&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp; then automatically double their holdings&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; counting them twice&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;as both cash on hand&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; And capital to rent&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Making it ex nihil by law&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;So many times over actual deposits from&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;all John Thrifty's.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Legal privilege of&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;BANKERS ONLY&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;passed into LAW by your representatives.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Any bank offers a certain annual percentage rate to those who deposit money with them. It may be four point something or five point this or that. The key point is the little understood mechanism known as the 'fractional-reserve system.'&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Furthermore, the banks double their holdings precisely by those laws that allow private banks to record all savings deposited with them as both monies available to be lent out, with interest of course, while at the same time saying it was all there in the bank, if and when people wanted it back. Therefore, it is doubled, something out of nothing, created ex nihil, from the Latin, found in the codex of early Roman law. One such law in the US was the National Banking Act of 1864-65, which firmly established the control of issuing credit and currency in the hands of private banks. Mr. Lincoln was dead set against the Act and by more accurate accounts was the reason why he never saw the final one. Latter developments such as the Federal Reserve System, established in 1913, and the Bretton Woods of 1944 were other dramatic milestones. This wresting of control and power to create was firmly established by laws all passed through both "houses", the legislature and congress, allowing the private interests of bankers to do what no other business or individual or the nation itself, for what matter can: multiply their assets by some magical number (at times as much as ten) then lend again credit on that exaggerated amount, issued on worthless paper at interest rates of 13, 14, 15% or more! This ain't taught in school and no modern course in economics ever touches it.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div style='mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical: paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly; mso-element-linespan:3'&gt;  &lt;table cellspacing=0 cellpadding=0 hspace=0 vspace=0 align=left&gt;  &lt;tr&gt;   &lt;td valign=top align=left style='padding-top:0cm;padding-right:0cm;   padding-bottom:0cm;padding-left:0cm'&gt;   &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height:   76.3pt;mso-line-height-rule:exactly;page-break-after:avoid;vertical-align:   baseline;mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical:   paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly;   mso-element-linespan:3'&gt;&lt;span style='font-size:93.0pt;font-family:"Times New Roman","serif"'&gt;F&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/table&gt;  &lt;/div&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Orgotten Jefferson said: "You can&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Set up in the occupation of lender&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;If you have it to lend."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; T.J. read a book or two&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;and damn well knew of William Patterson,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Founder of B of E in 1693' or four &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;who wrote to prospective shareholder:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;The bank hath benefit of all monies&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;which it creates out of nothing."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Crime of the centuries and case&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;still unheard.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Return to school book arithmetic&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Add bank's deficit of lent money&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;to your government gets posted in their books&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;not as debit but an asset (damn blasted)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;which, again is multiplied by: times X and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;paid for in more taxes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;handed back to bank with &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Guaranty written on your backsides.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (Culpability not erasable).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Imagine a plain classroom with an earnest schoolmaster equipped with a long pointer that taps persistently at a simple math equation written on the blackboard. The point is that when a bank lends money to the government, they (banks) don't record it as a debit from their available funds, but are allowed by law to record it as an asset. What this boils down to is that an asset is something &lt;b&gt;you have&lt;/b&gt;. A &lt;b&gt;debit &lt;/b&gt;s something recorded on the debt side of an account book-something &lt;b&gt;you haven't&lt;/b&gt;. The fact that banks are allowed to record a &lt;b&gt;minus &lt;/b&gt;as a&lt;b&gt; plus&lt;/b&gt; and then multiply it to be yet even more is criminal. The interest payments alone owed to private banks on any nations' National Debt are mathematically impossible to put in the black. This is as true for the U.S as it is for Nigeria and Mexico, while the significant difference will be that as Americans or Frenchmen experience high interest rates, higher taxes, rising unemployment and increased crime, the world to the south is experiencing famine and civil war! The tax-paying public stand as guarantors while spuriously created "wealth" is used by the banks. This simple math is damn easy to understand, yet remains obfuscated to nearly everyone. Further leverage is added by the bank's ability to raise or lower interest rates: increasing or decreasing the amount of capital in circulation. (The Federal Reserve Bank, privately owned and controlled and not to be confused with Fed. Government, sets the prime interest rate that all other major lenders follow)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div style='mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical: paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly; mso-element-linespan:3'&gt;  &lt;table cellspacing=0 cellpadding=0 hspace=0 vspace=0 align=left&gt;  &lt;tr&gt;   &lt;td valign=top align=left style='padding-top:0cm;padding-right:0cm;   padding-bottom:0cm;padding-left:0cm'&gt;   &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height:   76.3pt;mso-line-height-rule:exactly;page-break-after:avoid;vertical-align:   baseline;mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical:   paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly;   mso-element-linespan:3'&gt;&lt;span style='font-size:125.5pt;font-family:"Times New Roman","serif"'&gt;w&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/table&gt;  &lt;/div&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;alking back from Bloomsbury&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; along Great Russell Street&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;past Cavendish Square's old Georgians&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;through London's prime real estate&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;City boast highest repo rate in Europe.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Each hour a home lost:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;"To kill a man&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;with a club or sword?"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "No difference."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;"With a club or system of government,"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;asked Mang Tsze?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;"No difference," said King Hwuy.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Economics! Says Ezra, and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;tantamount to murder wrote Cato,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;a century B.C. drove the s.o.b.'s&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;out of the temple: first pogrom&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; before the Church lost her will.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Bloomsbury is that wonderful old section of London where the British Museum library is located. Many scholars have done their research under that laurelled dome, sat in the local cafes, frequented the now famous bookshops and taken rooms in nearby rooming- houses. Unequivocally an area imbued with tradition.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Great Russell Street runs past the museum and on across the Tottenham Court Road. Further along, by a bit of zig-zagging through 16&lt;sup&gt;th&lt;/sup&gt; and 17&lt;sup&gt;th&lt;/sup&gt; century mews and alley ways you come upon Cavendish Square, built during the Georgian are. (The four dubious Georges ruled Great Britain from 1714-1830.) The square remains one of London's elegant residences. While standing in sharp contrast to rotten brickwork in city slums, the variance to the old world elegance here is made with reference to recently disclosed statistics from BBC-TV special report on the catastrophic number of middle income families that lost their homes through foreclosures during the past year. The rate being a horrific one every hour for the entire year (1992) in the U.K.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The rhetorical dialogue from "To kill a man" is from the Book of Menicus (Mang Tsze), the ancient sage who lived a hundred years after Confucius and continued in the great master's tradition. Cato, the younger, roman statesman and scholar, 94-45 B.C., opposed Julius Caesar and was known for his incorruptible honesty. His view was that usury (that word to stand for not only the taking of interest on money but all manipulative cheating that arises from its abuse) was tantamount to murder and should be punished accordingly. Cato wrote that a hundred years before Christ drove the moneylenders out of the temple where he taught. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;i&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;(A pogrom: forceable ejection or persecution of an undesirable group within a society.)&lt;/span&gt;&lt;/i&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt; Numerous pogroms were conducted, often by official decrees, throughout the history of Europe. Some of the most famous often involved Jews, though certainly not all. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;One could insist that it was a Jewish temple where Jesus taught, while the important point inferred was that if there was a persecution (of the moneylenders) it was, I pray, for a reason. Not wanting to read more than what is implicit by first pogrom one simply is aware that there were others. This can become sticky, for some of the more well known pogroms, particularly in England, involved Jews. That for these too there very well were reasons and that they can be connected to the infamous practises of money lending at shocking rates (see Shakespeare's Shylock) compounds the problem. Popular history tells us that as the Jews were denied access to other more honourable areas of trade and craft, the only job available to these poor wandering immigrants from the Russian steppes was to become bankers and stockbrokers. (The law of usury, forbidden the Christians by their Canon Law, conceded some ground towards removing the barrier (or at least push it back) by Calvin (1509-64). Of course, it is vehemently prohibited by the Law of Moses and appears as the vile word neschek in the Hebrew scripture.) If by consensus it was true that no other opportunities other than money lending and pushing junk bonds were available in the past, it certainly is not the case today.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div style='mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical: paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly; mso-element-linespan:3'&gt;  &lt;table cellspacing=0 cellpadding=0 hspace=0 vspace=0 align=left&gt;  &lt;tr&gt;   &lt;td valign=top align=left style='padding-top:0cm;padding-right:0cm;   padding-bottom:0cm;padding-left:0cm'&gt;   &lt;p class=MsoNormal style='mso-margin-top-alt:2.0pt;margin-right:0cm;   margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt;line-height:76.3pt;   mso-line-height-rule:exactly;page-break-after:avoid;vertical-align:baseline;   mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical:   paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly;   mso-element-linespan:3'&gt;&lt;span style='font-size:122.0pt;font-family:"Times New Roman","serif";   mso-text-raise:1.0pt'&gt;c&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/table&gt;  &lt;/div&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;utting across to Hyde Park, walk quietly&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; in dark afternoon.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;London sundown by half four&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Statuesque chestnuts stand shrouded in&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Night air as warm friends in a cold January&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Coming all this way to live her tragedy.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Beauty not lost in battle.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A rendezvous at the Cafe Flo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; a door opens with a warm glow bursting&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; against a cold face recovering&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; an hours walk from B.M. to Kensington cafe&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-top:12.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Guardian's HEADLINE spells no relief&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; from late Robber Max Smell's buggering British public&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;"Waal.... I'id sug-jest&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;"a commemorative...yurinal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;eerected in iz memree." &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Instead a shrine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; on top of Mt. Zion&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;where already fetid flesh was flown&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;within hours of being dredged up like a sunk'n sow&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (off the Canary Isles)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;now (questionable) remains in Sepulchre of gold&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; guarded by Geryon,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;three-headed beast previously employed &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;In Dante's 8&lt;sup&gt;th&lt;/sup&gt; circle of Hell, London WC1,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Watchtower over Sodom, overlooking the Thames-&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Usurers, sodomites, committers of fraud and &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Defilers of Art and Religion&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Contra Naturam: against natural increase&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; and the abundance of nature.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='mso-margin-top-alt:12.0pt;margin-right:0cm; margin-bottom:10.0pt;margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;In the Name of God the Most Merciful the Compassionate&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "Attacking false systems merely harms ya"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Spoke Kung-fu-Tzse,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; As he made his way &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; On a well trodden path&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; By the light of a prophet which preceded him&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Yet who would be born after.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The Guardian, a well known London rag, provides an obvious pun on 'spells' as does Pound by frequently misspelling the Rothschild' name. On such choice spelling was Stinkschuld in Canto LII. Schuld in Deutch denotes debt, something the odious Rothschild's were aptly to make. From Goethe's Faust we have the line Ich heiβe die Schuld, "I am called guilt", revealing a dual meaning with curious connotations. This gives rise to my Max Smell from Maxwell, the nefarious financier that had just left the British public poorer than all previous crimes of theft combined by defrauding the pension-fund accounts of thousands of workers (for companies he owned or controlled). Big Bob's body (weighing in excess 300lbs) was found floating near his yacht, anchored off the Canarie Islands. It was indeed swooped down upon and air-lifted to where it was buried in an impressive mausoleum on top of Mount Zion, one of Israel's holiest sites. Geryon, a three-headed beast found in Greek mythology was used by Dante in his Divine Comedy to guard the eighth circle of hell in which he gathers those condemned for unnatural acts. This brings to a close a often vituperative panoply.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Kung-fu-Tzse, the non-Latinized pronunciation of Confucius joins to Muhammad, the Seal of the Prophets, showing two ends of the same tally-stick, (one of Ezra's well liked metaphor's) that indicated that great men of knowledge, however separated by continents or cultures, would be in accord with one another.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div style='mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical: paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly; mso-element-linespan:3'&gt;  &lt;table cellspacing=0 cellpadding=0 hspace=0 vspace=0 align=left&gt;  &lt;tr&gt;   &lt;td valign=top align=left style='padding-top:0cm;padding-right:0cm;   padding-bottom:0cm;padding-left:0cm'&gt;   &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height:   73.6pt;mso-line-height-rule:exactly;page-break-after:avoid;vertical-align:   baseline;mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical:   paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly;   mso-element-linespan:3'&gt;&lt;span style='font-size:87.0pt;font-family:"Times New Roman","serif";   mso-text-raise:-.5pt'&gt;T&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/table&gt;  &lt;/div&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;he master Kung collected the odes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; And put them in order.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;He gave the words "order" and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;"prefer your brother."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;Respect ole folks and bring the youngns near.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;100 years later Menicus proclaims: "ditto, I'll have the same"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;And the granaries were maintained.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;The channels of distribution un-clogged&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; From the fat of hoggers:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Moneyswine that suck off all healthy trade.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The toa/way is clear&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;Toa as intransitive verb is (to) process&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Which is how Uncle Ez, neo-Kung-fu-Tzs&lt;i&gt;ian&lt;/i&gt; used it.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Muhammad, peace be upon him, brought&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A live transaction&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span dir=RTL&gt;&lt;/span&gt;&lt;span lang=AR-SA dir=RTL style='font-size:20.0pt;line-height:115%;font-family:"Times New Roman","serif"'&gt;&lt;span dir=RTL&gt;&lt;/span&gt;&amp;nbsp;دين&lt;/span&gt;&lt;span lang=EN-US style='font-size:20.0pt; line-height:115%'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;NOT STATIC religion as State&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;"It's getten late, boys&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "lets not sit around&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "thinking about the hereafter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "there is a heck-of-a lot of work to do"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;"This hella-hole," seza Danny, "ainta noa place...."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;to show&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; make clear&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; manifest&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The market is like the mosque&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Keep it clean from impurity, i.e., usury&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; No special privilege in opportunity to trade.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Given whole earth to pray on&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; No need to pay rent on a bank note&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; He, God bless him, gave folks a free market place&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;That they could seek their provision without impediment.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Again, no need to pay rent for space to buy and sell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; oR&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; for purchasing power&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; all of which gets added on to the cost!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Which is more damn-it then folks earn&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt;text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;So debt is, sprout you bumpkin, made incumbent when the former (fortemente)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Is abandoned for latter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;"Gosh paw this surn heck don't sound like ree'ligin"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;"Hygiene son. It's about keepn clean"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "I have brought the great ball of crystal:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Who can lift it?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Can you enter the great acorn of light?"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Questions, ladies and gents, that still need answers. Needs a people with a prayer and the gall to do it.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div style='mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical: paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly; mso-element-linespan:3'&gt;  &lt;table cellspacing=0 cellpadding=0 hspace=0 vspace=0 align=left&gt;  &lt;tr&gt;   &lt;td valign=top align=left style='padding-top:0cm;padding-right:0cm;   padding-bottom:0cm;padding-left:0cm'&gt;   &lt;p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height:   76.3pt;mso-line-height-rule:exactly;page-break-after:avoid;vertical-align:   baseline;mso-element:dropcap-dropped;mso-element-wrap:around;mso-element-anchor-vertical:   paragraph;mso-element-anchor-horizontal:column;mso-height-rule:exactly;   mso-element-linespan:3'&gt;&lt;span style='font-size:93.0pt;font-family:"Times New Roman","serif"'&gt;T&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/table&gt;  &lt;/div&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;hen let the knot untie and wash ashore&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; pearls scattered upon staried sands,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; that we might read the ideogram's&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;ancient story written in flesh blades of sea-grass&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; bent like bird's feet gone past.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A hundred dinghies drift into the bay with&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Red lanterns lit to Adonis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; from the altar of a grain goddess.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The old women of winter draped in Demeter's shawl&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Stand in doorways looking out to sea&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Where long-ago husbands lay buried&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt;text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;beneath the ocean bed.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;French farmer's crops left to rot, while&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;unsold Spanish potatoes are&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; banned from the poor in Plaza Mayor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; To protect the price of subsidized imports&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; dumped in supermarkets:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "Monopolists, obstructers of knowledge&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; obstructers of distribution,"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Getting fat during lean years.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;So I'll coil this rope 'round my forearm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; And take leave to Genoa Bay&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;To find work and the woman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;with Circe's hair 'n emerald eyes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Not go home to die&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;in frost bitten New England pond&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;no not by a long shot,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I've got plenty more work 'n' days.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Only trouble is the money's no good&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Not worth the paper and taxed before your sweat dries.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; If I could find that grotto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; where the hearty women serve mellow wine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;in honour of Odysseus&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; and workmen throw down their silver&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;for their evening libation&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; before tak'n on home to rest&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; in the soft nest of night planting deep&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; the shoot of tomorrow's harvest.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Awake! Awake! from the dark grape grey&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;of sea-cliff waves capped in ocean foam &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;bursting in suspended sunlight like falling stars&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; upon the sand.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Go back weary traveller to Ithaca or Providence,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; back to your native birches bent beneath&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt;text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;the weight of freshly fallen snow.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;As the first gold thread of dawn was drawn&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; across the horizon&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;He awoke upon the beach, naked, alone. She&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='text-indent:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Pallas Athene appeared&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Out of sea-mist, white with a pilgrim's tunic edged&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;in indigo, she presented to him.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Scented he, the sailor, prepared for prayer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;The rush of blood brought back his colour&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp; And as his pallor vanished so did she, Pallas Athene&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; He stood&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; and bowed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;then prostrated&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Before the Majesty and Beauty of All Existence&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; peace&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; peace&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; peace&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; until the rising sun shone high above the horizon.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;i&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Our friend makes his way towards the town to find his son, Telemachus, and raise an army.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;i&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal align=center style='text-align:center'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;POSTSCRIPT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;The crime of usury is not and has never been one based on race.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "beyond race and against race"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; From Addendum for C, written in 1941&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:36.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; From the Cantos of Ezra Pound&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; This is not an apology (by Pound or myself) for not having subjected ones work to the procrustean bed of political correctness. The Rothschild and Sassons were who they were, as were the JP Morgans and Metevskys. Maxwell, Milken and Soros, all thieves of one sordid sort or another, who were willing to turn a profit at any cost. Today the people of Chile, Iraq or Poland - share the all too common fate of dangerously being in a land made safe for democracy and capitalist investment.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; And it certainly is not - my intention to see this serious matter further obfuscated by emotionally charged attitudes towards race. Nor, if it is after all necessary to be so damn Wilfred S. BLUNT, is it acceptable that the crime remains protected behind the highly charged web of racial-slur.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:11.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:11.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:11.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;Ideogram: Fidelity to the given word.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:72.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&amp;nbsp;The man here standing by his word.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:72.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:72.0pt'&gt;&lt;span style='font-family:"Times New Roman","serif"'&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:72.0pt'&gt;&lt;span lang=EN-US style='font-size:10.0pt;line-height:115%;font-family:"Times New Roman","serif"'&gt;First appeared 1996, London, Newport&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal style='margin-left:72.0pt'&gt;&lt;span lang=EN-US style='font-family:"Monotype Corsiva"'&gt;For Hasan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=FR style='font-family:"Monotype Corsiva"'&gt;Ses Ailes de geant l'empechent de marcher.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;span lang=FR style='font-family:"Monotype Corsiva"'&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; From L'Albertos by Charles Baudelaire&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=MsoNormal&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-5891063313595694487?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/5891063313595694487/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=5891063313595694487' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/5891063313595694487'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/5891063313595694487'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2009/04/standing-by-words.html' title='Standing by Words'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-4050042670775501174</id><published>2009-02-26T15:38:00.003+02:00</published><updated>2009-02-26T15:48:21.228+02:00</updated><title type='text'>Leaving America</title><content type='html'>It’s just over a month since I’ve returned from a trip to the States, my first 
in about four years. There have been occasions where I have crossed the Pond 
more frequently, but more or less, for the past forty years, I have managed it 
at least every four or five years. &lt;br&gt;
&lt;br&gt;
I don’t think anyone who knows me is ever in doubt as to my origins, but if it 
is that my own active imagination causes me to forget, the instant my flight 
touches down on the tarmac I am fully cognisant of my having returned to the 
land of my birth. Having spent much of these past years between England, Spain 
and then later Scotland, it is most recently South Africa that for eight years 
has been my new home. This said, there was an extended period from the mid ‘80s 
up to ‘91 that I stayed more or less put; living in northern California and 
raising my family. Alongside the restoration of old houses, something I’ve 
occupied myself with off and on during most of my adult life, I started writing 
again, produced an essay, Undercurrents of the Gulf War, and re-discovering, 
through Hugh Kenner’s magisterial work The Pound Era, Ezra Pound, whom I had 
first encountered way back in ‘67 sitting on the stoop of the Grolier Poetry 
Book Shop in Harvard Square. That northern California period was for me a 
watershed and I left America, yet again, returning to Europe.&lt;br&gt;
&lt;br&gt;
A second much shorter period of only a few years was spent in Newport Rhode 
Island, located just over an hour’s drive from where I had grown up outside of 
Boston, and, so it happens, where it is presumed by some that I have lived most 
of my life. In Newport there is the old colonial quarter called The Point that 
consists of carefully restored eighteenth century ‘post and beam’ timber houses 
that became a favourite area of the town for me to spend time. Then there are 
the very famous Newport Mansions, built during the closing years of the 
nineteenth and first years of the twentieth century by some of America’s 
notorious ‘robber barons’. However short a time it was, Newport marked a 
significant shift from a wood to a word chisel. With bags packed and a few cases 
of books shipped, it was off to the Scottish Highlands. &lt;br&gt;
&lt;br&gt;
This recent visit to the States all came down to the last day, 20 November, 
sitting in the JFK Marriott, where I met with a friend from Brooklyn who came 
out to see me off back to South Africa. He is one of our foremost Islamic 
scholars versed in The Muwatta of Imam Malik and the Madinan School. He speaks 
four languages, starting with Mandingo; then French (he grew up in French 
speaking Guinea); Arabic (his father was a respected faqi in their West African 
village); then his adopted English. For close to twenty years he has been what 
is officially called the ‘Muslim Chaplin of Rikers Island’, performing an 
invaluable if exceedingly demanding service to those men who pass through that 
infamous prison. In all this he remains a man of ineluctable wit and good 
humour, generous of spirit and an aficionado of Thelonious Monk and John 
Coltrane, as well as a few of the Greenwich Village poets of the 1960s. We were 
by all accounts both living in The Village at the same time, as I had spent one 
sultry summer there, possibly the same year he would have arrived from Africa, 
but we only met and became friends many years later. He once said we were a 
couple of guineas, he from Africa me from Boston.&lt;br&gt;
&lt;br&gt;
In every hotel room, as well as the lobby, lounges and dining areas, there were 
TVs tuned in to the Inauguration Spectacle, which was also simultaneously 
bouncing off satellites to be seen all around the world. Therefore, when my 
friend Imam Salihu walked through the hotel lobby in his distinguished Mac and 
black fez, greeting me as we approached one another, there was a ubiquitous 
circus atmosphere beaming in from the surfeit of television screens. And yet the 
staged excitement was somehow needing too much effort. But surely change had 
come? A black man (not withstanding he is the son of a white woman) had been 
elected President of the United States. He was a senator from the state of 
Illinois, the same state where Lincoln was a senator before he became the 
American President who would abolish slavery during the American Civil War. I 
always thought it most adroit of Mr Lincoln not to have abolished slavery in 
those states loyal to the Union during the war, as he did in the secessionist 
states, but rather only after it ended. This innocuous and little known fact 
about Lincoln aside, America’s new President was proof that the American Dream 
was still alive. The lease on ‘the world’s leading Democracy’ had been extended.&lt;br&gt;
&lt;br&gt;
Recalling Lincoln, I am reminded of an anecdote concerning his famous Gettysburg 
Address where he ends with “– that this nation, under God, shall have a new 
birth of freedom – and that government of the people, by the people, for the 
people, shall not perish from the earth.” The story goes that the young and 
precocious grandson of TP Gore, who had been the first senator of the newly 
formed state of Oklahoma, asked what his grandfather thought of this emotive 
final passage to a speech that in my early education during the 1950s was 
memorised by school children across the country. Senator Gore, who was legally 
blind, turned towards his young charge, the boy who would soon after take 
grandpa Gore’s surname as his adopted first name, and said: “Ain’t no such 
thing. Wouldn’t work anyways.” The myth of Democracy continues to endure in the 
face of overwhelming evidence that what it purports to be and what indeed it 
truly is, have been and remain irreconcilable.&lt;br&gt;
&lt;br&gt;
The naked facts of the American political class are nowhere more aptly portrayed 
than in the hard-hitting novels of Theodore Dreiser, who, in 1900, started out 
as a hard-working investigative journalist in Chicago, then St. Louis and lastly 
New York. He broke free from the newspaper business soon after the appearance of 
his novel The Financier. While the novel’s protagonist is a maleficent 
financier, it is the congenital malfeasances of the lowly political class that 
allows the movement of wealth to pass into the financier’s hands. The story of 
Frank Algernon Cowperwood is completed in Dreiser’s The Titan, which was 
followed by his best-known novel, the classic An American Tragedy.&lt;br&gt;
&lt;br&gt;
Dreiser certainly invokes George Orwell, who, born in India and educated at 
Eton, became ‘the conscience of his generation.’ Yet there is another hugely 
important American writer, William Faulkner, who held the very soul of his 
country and was tasked by his own Destiny to write its obituary. His social 
conscience portrayed the fatal rupture of a nation that enslaved one of its 
peoples and then actively slaughtered, through a protracted genocide, another. 
This was the milieu in which the crude and vulgar Snopes family rose in wealth 
by means of unmitigated greed, envy, bestiality and murder to become 
politicians, slum-lords and at least one, Flem Snopes, a prominent banker, all 
in the mythological setting of Yoknapatawpha County, which not only corresponds 
geographically to the actual Lafayette County in Mississippi, but is the locus 
of the damaged soul of a nation. This most powerful theme of politics and money 
stands alongside Faulkner’s daring and devastating study of that worst of all 
sins, miscegenation, the shameful sexual intercourse between races, that he 
reveals at the end of Absalom, Absalom to be the only means of survival for 
America and the inevitable future for the human race.&lt;br&gt;
&lt;br&gt;
The truth is that America has never been able to read Faulkner. Of course he is 
an acknowledged literary giant who took the form of the novel to new and greater 
heights. He went well beyond Joyce’s Ulysses, mastering not only an innovative 
style but extraordinary content. He, more than any other writer, advanced the 
vanguard of twentieth century literary modernism in regards to the novel. It is 
this towering pedestal that has allowed his social and economic vision to be 
brushed aside and lost in the closet of academic literary criticism. The 
immitigable sentence against Faulkner is on account of his great literary 
stature, and contribution to the world of letters, that his otherwise 
uncomfortable vision of a doomed nation should be set aside. This egregious 
anomaly has remained unchallenged. What his modern biographers are so eager to 
tell us is that he drank too much. &lt;br&gt;
&lt;br&gt;
Just before setting off from Cape Town on my Delta flight to New York I had read 
the brilliant January web-site article by Shaykh Dr. Abdalqadir as-Sufi, ‘The 
End of Democracy’, where he quotes from Visconti’s film masterpiece of 
Lampedusa’s novel, ‘The Leopard’. The story’s protagonist proves the lie of 
modern politics: “For things to remain the same, everything must change.” Now 
that everything in America has changed the status quo can continue. Or will it? 
The democratically elected political leader must now stand before the people and 
somehow explain how it is that while for more than 150 years the political class 
has been bought and paid for by the financial elite – the titans of both 
commodities and financial services – now that same elite who by shameless and 
recalcitrant greed has bankrupted the nation, with the knock-on effect crashing 
markets around the world, must be bailed out – by the people, for the people – 
so that they and their children’s children shall be able to pursue that 
ever-elusive American Dream.&lt;br&gt;
&lt;br&gt;
The adherents of the world religion of usury capitalism stand and stare aghast 
at the ruins of their collapsed idolatry, with its underlying sustaining 
doctrine of liberal democracy powerless to save them. We can see how all the 
world’s economies are tied together. There is the fate of communist China, which 
had set itself up as the factory workshop to supply the capitalist consumers of 
America, which presently looks precariously unstable. And what of the wholesale 
surrender of the Arabs from the oil-rich Gulf States who have obsequiously bowed 
to the religion of Mammon, devouring the poisoned fruit fed from the root of 
riba? The pseudo kings of Arabia, put in place by the British some seventy-five 
years ago, are seen eagerly helping to bail out the banks of their former 
masters.&lt;br&gt;
&lt;br&gt;
It was so refreshing to be sitting in the hotel lobby with my friend. We had 
last been together about two years ago when he was in Cape Town for an 
international gathering hosted by the community I am part of. “Well at least 
Bush is out. The people need one day to feel there is some hope for better 
times.” But tomorrow everyone will wake up with that inevitable hang-over as 
they realise that while the ‘change has come’ everything remains the same. 
George Bush, led by his obdurate gang boss Don Rumsfeld, rode roughshod over 
everyone, from the US Congress to the Pentagon. Dick Cheney, Karl Rove, Scooter 
Libby, Connie, and all ‘them Snopes’ turned the US Treasury into their personal 
ATM and no one stopped them. Everyone who worked in the Bush White House was a 
consummate career opportunist who in the private sector wouldn’t give George a 
job on account of him not being qualified to do any other reasonable day’s work 
that folks would pay him for on a Friday pay-week – other than his holding the 
public office of the President of the United States. For eight years they had a 
free reign and I don’t think that any of them are filing for bankruptcy. &lt;br&gt;
&lt;br&gt;
It was time to go. The hotel limousine was waiting outside to take the guests to 
the airport. I received a warm farewell from my learned friend and would carry 
his greetings back to Cape Town. It had been a short but very good visit, though 
I was now anxious to be on my way, leaving America.&lt;br&gt;
&amp;nbsp;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-4050042670775501174?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/4050042670775501174/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=4050042670775501174' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/4050042670775501174'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/4050042670775501174'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2009/02/leaving-america.html' title='Leaving America'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-3375115267565524220</id><published>2009-01-27T09:02:00.001+02:00</published><updated>2009-01-27T09:02:55.037+02:00</updated><title type='text'>A Rent Party</title><content type='html'>Last night I had a rent party at my home in Newlands. Those of you that have visited me know that I am very fortunate indeed to have one the very coolest townhouse apartments that can be had anywhere. Its three bedrooms on a split-level four floors, from lower ground to upper loft master bedroom. My entire library stacked full of books, paintings, prints, original watercolours and even an oil. There are oriental carpets and an Ivory Coast mask of an African prince. There are photos of my Shaykh and also his Shaykh, as well as three men who have been my closest brothers and, you could say, were dear friends except it would be presumptuous on my part to say so. Two have already gone on ahead and left this world, and the third will, I pray, out-live me by many a year.

In the 1950s and early 60s it was a practice among the bohemian artists and poets of New York’s Greenwich Village, who took it from the earlier generation of Paris in the 20s, to invite all their friends and friends of friends over for a rent party. This occurred when the person was about to be evicted from their apartment and they needed to raise some money to pay the rent. Folks would bring some cheap wine, maybe some beer, food and whatever they could spare to put into the hat towards the overdue rent. Sometimes they may have all ended up a bit hung over and still short on the rent, but among these artists and friends there were always a few who had some money. 

Last night we had nine people over for dinner. It was a night in part for one of our people whose sister is visiting from Europe and is interested in the Deen. Also it was the birthday of Hajj Ikramudin’s lovely wife, and as most of you know Ikramudin had stayed with me for a few years, off – to complete his degree – then on again until his marriage. Some people think I looked after him, but, of course, he looked after me. We know from the famous Hadith that each guest brings with them 70,000 angels and that they remain (for a time) after your guests depart.

It may be that Allah has another place for me to live. That is, I may be moving (quite soon) from my Newlands home. I am not worried so much about the money, and I do put in motion a plan, and trust in Allah that He will continue to look after me. Therefore, this is not a passing of the hat. This is to say that my home this morning is full of light. My heart is at ease and I am for the moment still here. Hajj Abdal’Razak had been looking after the house while I went overseas to visit my family (now 2 grandchildren) and has accepted to stay on a bit to give me some company.

Sometimes people will say with a derogatory connotation that something is just poetry. We know what they mean when they say that. Also, there is the poetry of the one who says a thing in a way that rings true, that expresses something so beautiful, hits the nail on the head, captures the very soul of the thing being said, even while it is not exact prose in the way people normally talk. That 70,000 angels arrive with each of your guests is not just poetry. It is from a Hadith from the Rasool, may Allah bless him and grant him peace. That I attempt to write it, pass it on in a way that can move an understanding between us, is, you could say, my poetry.
Abdullah Luongo&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-3375115267565524220?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/3375115267565524220/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=3375115267565524220' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/3375115267565524220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/3375115267565524220'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2009/01/rent-party.html' title='A Rent Party'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-881066469852493524</id><published>2008-11-25T06:23:00.003+02:00</published><updated>2008-11-25T06:30:21.644+02:00</updated><title type='text'>The Last Straw</title><content type='html'>&lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;In 1812 Sultan Mahmut II sent an  order from Topkapi that the wahhabis should be removed from the cities of  Makkah, Madinah and Jeddah. It must be noted that the period of Mahmut’s rule,  1839-76, known as the Tanzimat, was, according to the confirmed Islamic  perspective (differentiated from an Orientalist reading of events) the point of  irreversible decline and fall of the Osmani Dawlah, otherwise known as the  Ottoman Empire. This period was the one of disastrous ‘reforms’ from which the  Muslim world has yet to recover. The modalities of Islamic governance, law and  civic practice that had propelled a civilisation previously unequalled in its  capacity to protect and assure the prosperity and freedom of its members, were  traded in for a corruption-riddled French bureaucracy, and with it the most  destructive of all alien innovations, an interest-bearing bank debt now payable  in fiat money to the banks in France, and soon afterwards to those of England.  On the back of the success of the Napoleonic Wars that saw the Russians defeated  at Austerlitz, the Tanzimat government, having entered into ‘compromise’ with  the French, found itself thrust into the Russo-Turkish war (1806-1812). The  continual loss of territory as well as the rapidly eroding political prestige of  the once powerful Muslim world had begun. It would not be until the heroic rise  of the last authentic Sultan and Khalif, Sultan Abdulhamid II, that the banner  of Islam would be raised again. For a short but glorious thirty-three years the  light of the 7&lt;sup&gt;th &lt;/sup&gt;century miracle that had burst out from the city of  Madinah on the Arabian Peninsula would shine again. In 1908 Sultan Abdulhamid  would be deposed, and with that tragic event began 100 years of immitigable  failure.&lt;/span&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;Returning to 1812, in the back-drop  to Mehmut II’s order to dispel the wahhabi menace from the holy cities, we can  recognise the inevitable ‘bad weather’ that was appearing throughout the entire  Muslim world. There was then, as there is now in the 21&lt;sup&gt;st&lt;/sup&gt; century, no  doubt to the pusillanimity and the maleficent behaviour of the deviant  anti-Islamic sect commonly referred to in today’s media as ‘orthodox’ or  ‘conservative’ Islam. With the collapse of the unifying core of knowledge that  had lent power and strength to the Muslim world, the low pressure zones could  not but bring about all the terrible storms and disasters that continue to this  day to heap humiliation and contempt upon a people who sold away their religion.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;The Khedive of Egypt, Muhammad Ali,  received his instruction from Istanbul and discharged an expeditionary force to  drive out and subdue these rebels. Abdullah ibn Sa’ud, tribal leader and  warlord, who was the head of this movement, was captured and, we are told,  subdued, and thereupon reaffirmed his allegiance to the Sultan. For the next few  years the Hijaz remained relatively free of the wahhabi menace, while their  activities continued in the hinterland of the Arabian Peninsula. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;It should be noted that all the  losses of territories in the Balkans and Eastern Europe were racing ahead, as  was the mounting foreign debt owed to the banks.  Any rapprochement between the  Tanzimat government in Istanbul and their new ‘friends’ involved a further  plunging into the abyss. The only time they would loose more and gain less would  be when Mustapha Kamel, in his feeble attempt to appease the English at the time  of WW I, would surrender the broken remains of what had been a most magnificent  civilisation.  Within a short period Abdullah ibn Sa’ud was once again sending  out raiding parties from the wahhabi stronghold of Dhar’iyya and terrorizing the  Muslim inhabitants of tented settlements and small towns. Consequently, in 1818,  a second expedition was led by the Khedive’s son, Ibrahim Pasha, crossing from  the Red Sea coast along 600 miles of desert to the coast of Dhar’iyya, and there  laid siege to and defeated the Saudis. The wahhabi leader was taken prisoner and  sent to Istanbul to appear before a court of law.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;As a rebel against the Khalif, Sa’ud  would simply be executed for high treason; an acknowledged punishment that has  existed in nearly all society throughout history, and, moreover, has its  precedent within Islamic Law. The rebel would be permitted to perform two &lt;i&gt; raka’ts&lt;/i&gt; (a pair of ritual prostrations), as befits a Muslim before facing  his death. Nevertheless, upon the insistence of the not yet impotent &lt;i&gt;ulema,&lt;/i&gt;  they argued that first Sa’ud’s Islam must be verified.  This led Sa’ud to stand  before the Shaykh al-Islam and be questioned by a body of highly respected  scholars. The great Hanafi &lt;i&gt;ulema&lt;/i&gt; found Sa’ud to be completely out of  Islam, an extreme heretic (&lt;i&gt;zindiq&lt;/i&gt;) by admission of his own beliefs, and  thereby sentenced him without the privilege of performing two &lt;i&gt;raka’ts&lt;/i&gt;.  The Amir of the people of Najd was publicly beheaded at Topkapi.  &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;Within time the leadership of the  wahhhabi movement devolved to the notorious and equally nefarious Abdal’ Azziz  ibn Sa’ud, who based himself in their historical homeland, the region known as  Najd, from where they continued their war against Islam. Meanwhile, Britain, who  was by then well ensconced in Egypt, having established a permanent presence  from the mid nineteenth century, with Lord Cromer, of the Baring banking family,  as Governor General, were now, at the opening of the twentieth century, actively  perusing new alliances on the Arabian Peninsula. They had no trouble  ingratiating themselves to their soon to be vassals. The flattering financial  support of the British to Ibn Sa’ud added further impetus to their expansionist  plans to control the entire peninsula. Fortified with British guns and a steady  flow of money the Sa’udis were using the emblazoned and enraged wahhabi  missionaries, named the Mutawwas, to force the remaining Bedouin Arabs into  submission and allegiance to the House of Sa’ud. The newly settled Bedouins were  placed in fixed colonies or camps called Ikhwans, which can be seen as the  prototype for the Israeli nationalist kibbutz. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;The Ikhwan colonies, the first of  which was established around 1912 at Artawiyya, banded together peoples from the  multifarious tribes that had previously travelled freely throughout the land,  each one with their unique cultural and linguistic heritage that was expressed  through a rich and variegated poetry and oral tradition. Forged into settled  camps of zealots and fed on a daily diet of wahhabi doctrines, they found  themselves cut off from their past, the roots of their memory of historical  Islam severed, and their bonds of loyalty and brotherhood replaced by a new  binding force of an extremist ideology. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;A second colony was then established  at Ghutghut, and as they had done at Artawiyya, the Sa’udis appointed a governor  to run it. At its height the Ikhwan movement was comprised of some 200  settlements, and it was with this army of men Ibn Sa’ud was able to establish  his hegemony over the Hijaz. By 1929 the two most powerful wahhabi governors,  Faizal ad-Dawwish and Sultan ibn Bijad, had come to realize that the Sa’udis  were themselves driven by an rapacious lust for wealth along with an obsessive  ambition for their own tribal homogeneity – something that had been ripped away  from all other tribal groupings. Together they rose up in rebellion. Faizel  ad-Dawwish was captured and taken prisoner, but upon recanting was forgiven and  set free, only to resume his insurrection against the tribe he had helped put in  power. Ibn Bijad was also captured and subsequently imprisoned in Riyadh.  Dawwish fled to Iraq but was shortly thereafter picked up by the British and  handed back over to their Sa’udi friends. The Ikhwan settlements were razed to  the dust, Artawiyya and Ghutghut blown into oblivion, while the doctrinal seeds  of sedition against historical Islam had survived, lodged in the breasts of  dispossessed and disenfranchised zealots. There you have the progenitors of the  21&lt;sup&gt;st&lt;/sup&gt; century suicide bombers.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;The wahhabis, who had put a rebel &lt;i&gt; zindiq&lt;/i&gt; into power, became an embarrassment to their English friends who had  made them kings. Many will recall the more famous and glamorous Lawrence,  immortalised by Hollywood, but in real life abandoned by his Government, as  England dropped their support for T.E. Lawrence’s friend, Sharif Hussein of  Makkah, to put their full force behind Sa’ud. On January 8, 1926 the rebel Najdi  declared himself ‘king’ having been formally appointed by Britain and then  officially recognized by them in 1927. When Winston Churchill, sitting on a  barge on the Nile, broke the good news to Ibn Sa’ud that he was now recognized  as the King of Arabia, Ibn Sa’ud said : “Sa’udi Arabia!” In 1932 the country’s  name was officially recorded. The Saudis would in time prove equally  embarrassing to their soon to be American friends, but not before the enormously  lucrative ARAMCO (Arab American Oil Company) would bring unprecedented wealth to  first the Americans then the Kingdom.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; An overland trade route was opened  from the Red Sea to the Persian Gulf named the Darb an-Nasara or the Christian’s  Road. Isolated airports and walled compounds that eventually developed into  entire cities were constructed by the Bechtel Group. Inside these duty free  zones all the societal and religious rules were removed. Likewise, in the gaudy  Las Vegas styled palaces of the ruling family, the whisky could flow. Today  Bechtel has moved aside for Halliburton, and the Saudi royal family are again  attempting to distance themselves from the ‘strict wahhabi doctrines’ that have  become synonymous with the perpetrators of the famous attack in New York on two  sky-scrapers. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;Between the heady days of Sir Percy  Cox and Gertrude Bell (not Lawrence) in Arabia and today, many moves in this  compelling ‘great game’ have been made. Jordan also got an English appointed  king, so did Iraq, Syria and Egypt. Kuwait was later carved out of Iraq and it  too was given its own a king, related to the ones in Saudi Arabia. By the mid 20&lt;sup&gt;th&lt;/sup&gt;  century many of those then decrepit and decayed pseudo monarchies were replaced  with modern secular governments that this time had been hatched by the  Americans, as US hegemony had come to replace the faded British Empire. The  invasion of Kuwait for their having engaged in ‘slant drilling’ into Iraqi oil  fields, and the subsequent Desert Storm that ensued, and then the toppling of  the criminal Saddam Hussein a decade later in Operation Iraqi Freedom, can been  seen within a deeper historical background.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;As the Global Economy remains in the  throws of un-diminishing aftershocks, a most extraordinary development has  occurred with one of the largest and most prestigious banks, one which is based  in the UK. As it has been unequivocally determined that by the unrestrained and  unconscionable greed of bankers and other related persons in the financial  markets, a most foul and un-natural disaster befell the world. The fall-out  continues as the great financial houses of America and Europe continue to  collapse, spreading into other related industries dependant on the limitless  expansion of credit. The collapse of the US housing market did not ‘start it  all’, but rather the utterly irresponsible lending practices that were (while it  lasted) wildly lucrative, and completely legal! Now Detroit’s Big 3, actually  rather small and they have been for quite some time, are partitioning the US  Government to bail them, as they did with Fanny Mae, Freddie Mac, Bear Stearns,  and on and on. Of course, this is State interference in the Free Market Economy,  an absolute mortal sin within the sanctity of liberal Democracy, and in case  everyone has forgotten, why the Cold War was fought, or why we were told it was  fought. The introducing of parastatals to prevent the rampant theft of a  country’s natural resources was why Achmed Sukano in Indonesia and later  Salvadorian President Allende, both democratically elected, were overthrown by  CIA backed coups. It is what was removed from the table when the ANC were handed  political power at the end of the apartheid government in South Africa. It  is thrown in the face of Putin by die-hard Reaganomics Republicans.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;The politicians had been well paid  to keep their noses out of The Market. Now they are being blamed for not having  seen it coming.  Quite frankly they have served their constituencies well, if  you understand that the ones they have so ignominiously served were those that  paid them, not (and we can not be so naive)  those that vote for them.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;The above mentioned &lt;i&gt;prestigious&lt;/i&gt;  UK bank, unlike the majority of their counterparts on both sides of the  Atlantic, have gone to the oil rich Arabs, some of the very ones whose families  were made kings by order of the British Crown at the hand of an exceedingly  witty and most particularly inebriated Government Minister. And is it not  fitting that this great institution of 19&lt;sup&gt;th&lt;/sup&gt; century global  imperialism and 20&lt;sup&gt;th&lt;/sup&gt; century usury capitalism (that has orchestrated  devastating wars against ordinary, albeit unfortunate, Muslim peoples) should  now be propped up by those very same Arabs? Can this be the last straw?       &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt;  &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="line-height: 150%;"&gt; &lt;span style=";font-family:&amp;quot;;"  lang="EN-GB"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="text-align: center; line-height: 150%;" align="center"&gt; &lt;span style="line-height: 150%;font-family:&amp;quot;;font-size:18;"  lang="EN-GB" &gt;  &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="text-align: center; line-height: 150%;" align="center"&gt; &lt;span style="line-height: 150%;font-family:&amp;quot;;font-size:18;"  lang="EN-GB" &gt;  &lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4922409878150649467-881066469852493524?l=robertluongo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://robertluongo.blogspot.com/feeds/881066469852493524/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4922409878150649467&amp;postID=881066469852493524' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/881066469852493524'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4922409878150649467/posts/default/881066469852493524'/><link rel='alternate' type='text/html' href='http://robertluongo.blogspot.com/2008/11/last-straw.html' title='The Last Straw'/><author><name>-</name><uri>http://www.blogger.com/profile/08726174239761004913</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4922409878150649467.post-975215102287901839</id><published>2008-11-04T19:17:00.003+02:00</published><updated>2008-11-04T19:32:44.501+02:00</updated><title type='text'>A Look Into The Wooden O Of Shakespeare’s Political Plays</title><content type='html'>&lt;p&gt;What follows are two essay questions that were in the Shakespeare final exam 
for the second year students at Dallas College, an institute of higher learning 
located in Cape Town, which offers a course in political studies.&lt;/p&gt;
&lt;p&gt;After the two initial exam questions there follows a précis of the material 
covered in the preceding (first) semester. From there a brief sketch of what was 
examined with the first year class, followed by an elucidation of the material 
studied in the third and final year.&amp;nbsp; All together it makes up the three year 
course for Shakespeare &amp;amp; Rhetoric.&lt;br&gt;
&lt;br&gt;
&lt;br style="font-weight: bold;"&gt;
&lt;span style="font-weight: bold;"&gt;Essay Question 1&lt;/span&gt;&lt;br&gt;
&lt;br&gt;
Many Elizabethans had a keen interest in Roman history plays, not least because 
the great military general Julius Caesar was purported to have set foot on 
British soil. Consequently, the period from the death of Julius Caesar to the 
crowning of Octavius as Emperor Augustus, marking the end of the Roman Republic 
and the beginning of Empire, and continuing on to the birth in Britain of 
Constantine in the fourth century, who had an English mother and a Roman father, 
was of interest to the Elizabethan audience. Many believed that Elizabeth was a 
direct heir of Constantine. Certainly the people at that time were 
overwhelmingly monarchist, and only a few would have known much about 
republicanism. Caesar was a king in all but name, while thrice he refused the 
crown when offered it. Shakespeare’s audience would certainly have seen the 
assassination of Caesar as a form of regicide. “&lt;span style="font-style: italic;"&gt;I 
do fear the people / Choose Caesar for their king,&lt;/span&gt;” was spoken by a 
gloomy Brutus; when heard by the calculating Cassius this cheered him up.
&lt;span style="font-weight: bold;"&gt;Why did Cassius need Brutus to pursue his plot?
&lt;/span&gt;Also in Act I Scene II, where Caesar and Anthony share an intimate moment 
amidst the noisy celebrations of Caesar’s latest victory against Pompey – 
paralleling the one just acted between Brutus and Cassius – it is an insightful 
Caesar who says: “&lt;span style="font-style: italic;"&gt;Let me have about me men who 
are fat: / Yond Cassius has a lean and hungry look; He thinks too much; such men 
are dangerous.&lt;/span&gt;” What is this but a gnawing ambition recognised by Caesar 
in the conspirator and soon-to-be murderer? Now go to the two funeral speeches.
&lt;span style="font-weight: bold;"&gt;What is Caesar’s crime for which he was killed? 
Brutus tells us. Take the two famous orations, Brutus’s and Anthony’s, and 
compare them with each other. Then compare the two intimate asides that 
transpired in Act I between first Brutus and Cassius then Mark Anthony and 
Caesar. &lt;/span&gt;&lt;br&gt;
&lt;br style="font-weight: bold;"&gt;
&lt;br style="font-weight: bold;"&gt;
&lt;span style="font-weight: bold;"&gt;Essay Question 2&lt;/span&gt;&lt;br&gt;
&lt;br&gt;
While Queen Elizabeth reigned it was the Cecils, first Lord Burghley, William 
Cecil and then his son Robert Cecil, who effectively ruled Britain. Their enemy 
at Court was the handsome, audacious and at times reckless Lord Essex who had 
been a favourite of both the people (for his prowess and daring on the 
battlefield) and the Queen (for his incorrigible charm at Court), but ultimately 
he was executed by her (upon Cecil’s insistence). Essex’s friend and also 
Shakespeare’s, Lord Southampton, was imprisoned for his suspected role in the 
Essex Rebellion. Recall that the two long narrative poems by Shakespeare, Venus 
and Lucrece, were dedicated to Southampton, and some believe that the he address 
in the Sonnets is indeed Southampton. &lt;br&gt;
&lt;br&gt;
Essex and his friends and supporters hoped to save the m
